|
|
I'm interested in wrestling with his ideas about authorial intent, which is perhaps a little to the side of this question but I think it is also relevant, because he's castigating all the major actors in the social scene as failing to recognize that their actions have material consequences.
The issue of materiality, with which I ended my last post, is directly tied to Michaels' discussion of authorial intent. It has to do with interpretation.
As someone involved with the university (i.e. the production and dissemination of knowledge), Michaels is concerned with how texts that he and others cast out into the world will be read. The end of ideology (for him) means that people simply fall back on identity to found interpretive practice. If you've ever been in a literature class with someone whose only claim is that s/he doesn't "relate" to Toni Morrison or Thomas Pynchon or Frederick Douglass or anyone else, yo will understand the concern Michaels articulates: namely that these interpretations can never be "wrong". They are based on identity, which multiculturalism and other practices that embrace difference for the sake of difference teach us is sacrosanct and must be respected. Again, this is all on Michaels' argument; however, up until this point I am very much with him, as I am am when he explains the upshot to this trend: namely, that postmodernism as described by thinkers like Lyotard (and worried over by Habermas), creates a situation in which anything goes. All interpretations are equally valid, so long as we fall back on identity. Anyone who watches the Christian Right in the US successfully decry the fact that they are under attack, will understand the concern here. There is no way to prove them wrong, because they are basing their statements on the "facts" of their identity. In other words (stretching it a bit), they form arguments entirely based on unsubstantiated and "unsubstantiatable" opinions that do not require substantiation.
To counter the problems of leaving interpretation entirely in the hands of the reader, Michaels wants to turn to authorial intent to guide interpretation. Unfortunately, so far as I can tell, Michaels does not offer an understanding of authorial intent beyond the problematic notion we've inherited from certain brands of the New Criticism. I can't really say very much about it, except that I don't see how it works.
What is more interesting to me is the manner in which Michaels dismisses materiality (in the SF novels of Octavia Butler and Kim Stanley Robinson, in the criticism of Susan Howe, and in novels by Leslie Marmon Silko and others [funny that he does not take on Charles Olson, who would prove an interesting study in this context, as Olson is a seminal figure for Language poets such as Howe and Charles Bernstein, the latter of whom Michaels hates]). Anyway, Michaels finds that recourse to the body and other material signifiers is a load of crap, as in the attempts of Robinson's Mars colonists to read the red planet in order to discover "Mars' name for itself." However, Michaels considers this act of interpretation to be exactly the same as the act of reading and therefore subject to the same problems described above. However, in at least the case of Octavia Butler, nothing could be further from the truth.
Michaels focuses his critique on her Xenogenesis trilogy. However, anyone who has read Dawn, Imago, or Adulthood Rites, or Butler's earlier novels Kindred or Wild Seed, understands that when we interpret our bodies--or more precisely, our bodies interpret the world--we are not simply reading in the sense of a person reading a novel or a newspaper. There may not be any intention behind a stone--Michaels' issue with interpreting materiality. Regardless, we can interpret the stone in an embodied manner. If I throw it at your head and hit you, your body will interpret that event as pain. This is a non-linguistic interpretation to be sure, and one that is not easily assimilable to a political project such as the one Michaels proposes. However, the interpretation by the body of the event "being-hit-by-rock-in-the-head" as pain is irrefutable. There is no ideology involved, nor is there identity involved (even if we enjoy pain, as masochists claim to, enough blows to the head will kill them). As such, I find Michaels' dismissal of the material to be highly suspect, especially given his alternative (authorial intent). |
|
|