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Masters of Horror

 
  

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Spaniel
08:35 / 06.06.05
From Fangoria

Mick Garris has created and will produce a new one-hour anthology cable series called MASTERS OF HORROR, the filmmaker told Fango and announced Sunday night at the Fantasia film festival in Montreal, where his RIDING THE BULLET world-premiered. MASTERS OF HORROR has gotten the green light for 13 episodes, and Garris revealed that the initial directoral lineup will include such genre greats as John Carpenter, George Romero, Guillermo del Toro, Frank Darabont, Tobe Hooper, John Landis, Joe Dante and Garris himself, as well as several others yet to be named. “The shows will be presented uncut and without commercial interruption,” Garris said. “The series is fully funded by a major cable network, foreign interest and a DVD company everyone will know. I can’t mention those names just yet.”

Production on MASTERS OF HORROR will begin in February 2005, after Garris wraps his three-hour DESPERATION telemovie for ABC. Original author Stephen King has scripted DESPERATION, which begins shooting in Arizona in September; casting is currently underway. MASTERS OF HORROR sprang from a series of informal dinners that Garris has been hosting at restaurants in the LA area for the last few years. Other participants at these shindigs who may be corralled for the new anthology program include Eli Roth, Larry Cohen, Stuart Gordon, Don Coscarelli, David Cronenberg and Lucky McKee.


Soooo exciting, it feels like geek Christmas.

Oh, and here's some more details on Stuart Gordon's contribution.

Genre stalwart Stuart (RE-ANIMATOR) Gordon has lined up the leads for his MASTERS OF HORROR segment THE DREAMS IN THE WITCH-HOUSE, scripted by Dennis Paoli from the H.P. Lovecraft story. Jeffrey Combs will indeed be playing Mazurewicz, “The hero’s bizarre neighbor,” Gordon tells Fango. Ezra Godden, who starred in Gordon’s DAGON, joins Combs as the film’s protagonist, the obsessed student Walter Gilman.

“THE DREAMS IN THE WITCH-HOUSE has always been one of my favorite Lovecraft stories,” the director notes. “The image of a witch showing up in your bedroom in the middle of the night and dragging you out of bed and forcing you to murder babies is a nightmare that’s hard to get out of your head. And while most witches have black cats for their familiars, Keziah Mason’s is Lovecraft’s most memorable monster: Brown Jenkin, the rat with a human face. Besides Jeff and Ezra, I’ve got some babies and rats to cast.”


Oh, and here's the latest IMDB crew and cast list.



Full Cast and Crew for
"Masters of Horror" (2006)

Directed by
Roger Corman
George A. Romero
Dario Argento (episode "Jenifer")
John Carpenter (episode "Cigarette Burns")
Larry Cohen (episode "Pick Me Up")
Don Coscarelli (episode "Incident On and Off A Mountain Road")
Joe Dante (episode "Death & Suffrage")
Mick Garris (episode "Chocolate")
Stuart Gordon (episode "Dreams In the Witch-House")
Tobe Hooper (episode "Dance of the Dead")
John Landis (episode "Deer Woman")

Writing credits (in alphabetical order)
Clive Barker story
Lawrence D. Cohen writer
Don Coscarelli writer (episode "Incident On and Off A Mountain Road")
Mick Garris story (episode "Chocolate")
Stuart Gordon writer (episode "Dreams In the Witch-House")
Matt Greenberg writer (episode "Fair Haired Boy")
Bruce Jones story (episode "Jenifer")
Stephen King story
Max Landis writer (episode "Deer Woman")
Joe R. Lansdale story (episode "Incident On and Off A Mountain Road")
H.P. Lovecraft story (episode "Dreams In the Witch-House")
Richard Christian Matheson writer (episode "Dance Of the Dead")
Drew McWeeny writer (episode "Cigarette Burns")
Steve Niles writer
Dennis Paoli writer (episode "Dreams In the Witch-House")
Stephen Romano writer (episode "Incident On and Off A Mountain Road")
David J. Schow writer (episode "Pick Me Up")
Scott Swan writer (episode "Cigarette Burns")
Steven Weber writer (episode "Jenifer")
Bernie Wrightson story (episode "Jenifer")

Cast (in credits order)
Carrie Fleming .... Jenifer
Sonja Bennett .... Dana
rest of cast listed alphabetically:
Brian Benben
Ethan Embry
Bree Turner .... Ellen
Steven Weber



Produced by
Keith Addis .... executive producer
Ben Browning .... associate producer
Andrew Deane .... executive producer
Mick Garris .... executive producer
Adam Goldworm .... associate producer
Lisa Richardson .... producer
Grant Rosenberg .... consulting producer
Tom Rowe .... producer

Cinematography by
Jon Joffin
Attila Szalay

Film Editing by
Andrew Cohen (episode "Chocolate")
Mark L. Levine (episode 1 "Deer Woman")

Casting by
Nancy Nayor
Kelly Wagner

Art Direction by
Don Macaulay

Makeup Department
Mike Fields .... special makeup effects artist
Cleo Gagner .... assistant hair stylist
Sarah Graham .... special makeup effects artist: K.N.B EFX Group Inc. [us]
Adina Shore .... key hair stylist

Art Department
Sean McGee .... props assistant

Sound Department
Kris Fenske .... sound designer


More about the show's genesis at Fangoria
 
 
STOATIE LIEKS CHOCOLATE MILK
10:13 / 06.06.05
That sounds fantastic. Dreams In The cocking Witch House!!!
 
 
Spaniel
10:43 / 06.06.05
I actually haven't read it (which is weird as I've read a fair bit of Lovecraft), but it sounds so horrible.
 
 
_Boboss
11:57 / 06.06.05
i love you telly.
 
 
Haus of Mystery
20:14 / 06.06.05
I just officially shat myself inside out.
 
 
eddie thirteen
00:29 / 07.06.05
This is the greatest thing ever.

EVER.

I just...no, you know what? It really is.
 
 
eddie thirteen
00:32 / 07.06.05
PS: Full-on dork question -- does anyone know if the Jones/Wrightson "Jenifer" is currently in print anywhere? That Argento is doing it trips me out, because my love for Dario Argento knows no bounds, and I saw like a *page* of "Jenifer" reprinted in a survey of '70s horror comics about a year ago, fell in love, and have been looking for it ever since. I think it was in an issue of Eerie or Creepy...
 
 
Spaniel
06:09 / 07.06.05
I've got no idea, sorry.
 
 
GogMickGog
12:21 / 07.06.05
Plus, if it's another person's script, and not something the old boy wrote himself, then there's less chance of another "Il cartero", which, frankly, hurt...ouch!..
 
 
eddie thirteen
19:23 / 07.06.05
Yeah, I've read a review or two, and was kinda wincing myself -- all the 'net stuff in the film kinda made me leery. (The Card Player, as it's unimaginatively known in English, doesn't appear to be available in the US, and I haven't yet seen a bootleg.) Seriously, the man's gotta be 70 years old; at this point, trying to be hip n' cool and work a webcam killer in there is a little embarrassing. Especially since there really isn't anything less hip n' cool than the internet nowadays. Sleepless was a beautiful thing, though.
 
 
Spaniel
18:44 / 14.07.05
Okay, more info.

From AICN (source: Variety magazine)
--------------------------------------------------------------

”Jenifer,” dir. Dario Argento
Screenplay by Steven Weber
Based on the classic comic book written by Bruce Jones and illustrated by Bernie Wrightson, “Jenifer” is the shocking tale of a modern-day Lolita who, through her Siren-like powers, ultimately destroys the bodies and souls of all men unfortunate enough to cross her path. After police officer Frank (Steven Weber) saves her life, he adopts her, only to learn that no good deed goes unpunished. “Jenifer” is a twisted and terrifying tale with a horrific twist that warns us all to be careful of what we bring into our homes.

”Cigarette Burns,” dir. John Carpenter
Screenplay by Drew McWeeny & Scott Swan
Jimmy Sweetman knows how to find rare film prints. However, nothing could prepare him for the daunting search for LA FIN DU MONDE, a film allegedly shown only once and rumored to have driven its audience into a murderous frenzy before the theater mysteriously erupted in flames. Working for a shadowy patron, Jimmy’s increasingly obsessive investigation becomes nightmarish and deadly. Finally he discovers LA FIN DU MONDE’s infamy is well deserved. This supernatural CHINATOWN is a chilling look at the power of cinema and the lengths to which we will go to satiate our private demons.

”Pick Me Up,” dir. Larry Cohen
Screenplay by David Schow
Two urban legends meet on a desolate roadside when Wheeler, a serial killer who butchers hitchhikers, offers a ride to Walker, a hitchhiker who slaughters any driver unlucky enough to offer him a ride. Caught in their deadly game of cat-and-mouse is a young woman who must choose her ally carefully or end up another notch on a killer’s bloody belt.

”Incident On And Off A Mountain Road,” dir. Don Coscarelli
Screenplay by Don Coscarelli & Stephen Romano
Based on Joe R. Lansdale’s short story of the same title, this film pits Ellen (Bree Turner), a seemingly defenseless young woman, against Moonface, a deformed and demented serial killer. As the story cuts back and forth in time, we slowly discover that our heroine is not as helpless or as innocent as she initially seems. Trained by her abusive husband, Bruce (Ethan Embry), to be a survivalist, instructed to use any and every available object as a weapon in a time of need, Ellen gets to test the real-life application of these lessons. Ultimately, chained to the floor of Moonface’s horrific cabin with a most unsavory roommate (Anghus Scrimm), she races against the clock to free herself before she meets a grisly fate. This gritty film pits a strong female protagonist against evil incarnate.

”Haeckel’s Tale,” dir. Roger Corman
Screenplay by Mick Garris
When Ernest Haeckel seeks shelter from the wilderness in a secluded cabin in the New England countryside, he is given one explicit instruction: no matter what he hears, he cannot go outside. As the cries of an unseen baby intermix with horrifying guttural moans, Haeckel disobeys his host and becomes embroiled in an orgy of the undead. Based on Clive Barker’s short story, “Haeckel’s Tale” is a sexually charged campfire story with a horrifying twist.

”Homecoming,” dir. Joe Dante
Screenplay by Sam Hamm
Terror and scandal grip the nation when the media discovers that the living dead have swayed the presidential election. This adaptation of Dale Bailey’s award-winning short story “Death & Suffrage” blends zombie horror and contemporary political satire with chilling results.

”Chocolate,” dir/scr. Mick Garris
Jamie (Henry Thomas), a newly divorced man who creates artificial flavors for the food industry, suddenly and inexplicably starts to experience brief and random flashes from someone – and somewhere – unknown: sight, sound, smell, touch. Learning that he’s experiencing life through the senses of a mysterious woman, he begins to fall in love with her without having met her. Eventually, he discovers a horrifying secret that binds him inexorably with the perfect woman in an erotic, horrifying dance of death.

”Dreams In The Witch-House,” dir. Stuart Gordon
Screenplay by Stuart Gordon & Dennis Paoli
Stuart Gordon presents his fifth adaptation of a tale of terror from horror master H.P. Lovecraft. Walter Gilman (Ezra Godden), a college student studying interdimensional string theory, rents a garret in a run-down building in the old New England town of Arkham. He is haunted by terrifying nightmares in which he is visited by a 17th-century witch and her familiar, a rat with a human face. He begins to realize that these are not dreams at all and that diabolical forces are gathering to sacrifice his neighbor’s infant. As Walter struggles to prevent this, it becomes less clear if he will save the child or become its unwitting murderer himself.

”Dance Of The Dead,” dir. Tobe Hooper
Screenplay by Richard Christian Matheson
Based on Richard Matheson’s celebrated short story, “Dance Of The Dead” depicts a post-apocalyptic dystopia wherein reanimated corpses of former friends and enemies dance on stage for the entertainment of the few who survived a nuclear holocaust. Too naive and wholesome for her own good, Peggy embarks on her first double-date with a slick upperclassman. Her nervous fits of laughter quickly turn to panicked screams as she learns the truth of the dangerous world outside her mother’s protective cloister, and the sacrifices that were made in order to guarantee her survival. Intelligent, haunting, and just as politically relevant as when it was first published in 1954, “Dance Of The Dead” will be a film to be remembered.

”Deer Woman,” dir. John Landis
Screenplay by Max Landis & John Landis
A series of bizarre murders leads cynical detective Dwight Faraday (Brian Benben) to suspect that an ancient Native American mythological creature is real in this sexually charged tale of seduction and death.

”Fair Haired Child,” dir. William Malone
Screenplay by Matt Greenburg
Tara, a lonely 13-year-old outcast, is kidnapped by a strange couple and locked in the basement with their 13-year-old son, Johnny. Despite the fact that he is kind and sensitive, Johnny keeps a terrible secret. These two children form a special bond to find a way to battle a curse and survive the night.

...The last two episodes, directed by Takahi Miike and George Romero, weren’t described in the magazine.
 
 
netbanshee
03:53 / 15.07.05
Holy shit... sounds fantastic! Can't wait to steep in these juices.
 
 
Totem Polish
08:48 / 15.07.05
Anyone know if the Miike one's going to be in English? because that would take this from being something special to pretty damn spectacular.
 
 
STOATIE LIEKS CHOCOLATE MILK
09:44 / 15.07.05
Can someone check my pulse? I think I may have died and gone to TV heaven...
 
 
Jack The Bodiless
10:09 / 15.07.05
This is Too Good To Be True. It must be. It feels like one of those dreams about Christmas you have as a kid. Any second now I'm gonna wake up and realise it's only March.
 
 
Spaniel
15:26 / 15.07.05
I know, it's really weird, isn't it?

I think Miike's is likely to be in English, I mean this is an American production, meant for American television.
 
 
grant
20:46 / 15.07.05
Angus Scrimm?

Ernst Haeckel?

WHAT CHANNEL???
 
 
eddie thirteen
02:01 / 16.07.05
TAKASHI MIIKE?!?

Great googly moogly. Up to that point, the thing that most blew me away was that Angus Scrimm is still alive. Seriously, I can't believe I'm not just dreaming this. I hate too sound too rabid, but this is like reading the early press on Sin City, but like...more. WAY more. Damn.
 
 
Math is for suckers!
22:40 / 13.08.05
The official site is up, complete with a trailer and director bios and such. The trailer officially made me giggle in delight. Sadly, it looks like its gonna be on Showtime. I had my fingers crossed for HBO. C'est la vie.
 
 
Haus of Mystery
00:51 / 14.08.05
So it's for real? Woot!!

Come on guys, don't let me down...
 
 
Jack Fear
01:34 / 14.08.05
grant: Not just Angus Scrimm, but Scrimm reunited with Don Coscarelli, the backyard auteur of the Phantasm movies... hot damn!
 
 
Spaniel
13:20 / 30.10.05
First episode aired in the states on Friday and I've just torrented it. Whoop!
 
 
Spaniel
08:16 / 31.10.05
Well, the first episode, directed by Don Coscarelli, was nothing to write home about, in fact it was cliche ridden, heavy handed and boring, and lacked any directorial panache.
That's not to say I was expecting too much from the director of Phanatasm, but it was a pretty miserable way to start the series.
 
 
GogMickGog
15:27 / 20.01.06
So, now that these have run stateside what do our trans-atlantic Barbeloid chums think?

I'm particularly keen to see the Argento piece, and Stuart Gordon's Lovecraft adaption.
 
 
STOATIE LIEKS CHOCOLATE MILK
16:51 / 20.01.06
I've watched the Coscarelli, the Argento, the Hooper and the Gordon so far- The Gordon being my favourite, the Coscarelli being the weakest (though I think I liked it more than Boboss).

Dreams In The Witch House (the Stuart Gordon) was pretty damn good, in fact- not too far from the HPL original, and, while it does have some of that patented Gordon cheesiness, it's not overblown, and some of it's genuinely creepy.

Tobe Hooper's adaptation of Richard Matheson's Dance Of The Dead (which I haven't read) was really quite insane, to tell you the truth. Pretty fucked-up shit for a TV programme.

More when I've watched the rest...
 
 
doglikesparky
20:10 / 20.01.06
I'm finding it odd to read how little liked the Coscarelli one was. I thought it was just fab from start to finish. Yeah, it was cliched but I thought that really worked in it's favour and the episodes strengths lay in the imagery and pacing rather than the story.
I thought Dance of the Dead was just abysmal on the other hand - it seemed this one really was style over content and the directorial choices were, to me, bizarre. All those flash cuts and subliminals were just pointless and I couldn't see how they were at all relevant to what was happening in the show. That and Robert Englund was criminally wasted.
The John Carpenter episode Cigarette Burns has been my favourite so far. Again, not the most original idea ever (Ring, anyone?) but brilliantly conceived with a really good impending sense of dread and inevitability throughout.
The series has been better more often than it's been bad though and I'm having a great time with it.
It's just nice to see some horror on the telly again that isn't completely watered down.
 
 
STOATIE LIEKS CHOCOLATE MILK
20:15 / 20.01.06
Oh, I enjoyed the Coscarelli- just not as much as the others I've seen.

I think we'll have to agree to disagree on Dance Of The Dead- I thought it was wicked. Mind you, I was quite stoned when I watched that one, and what seemed really intense to me may have actually been silly. I'll have to try it again, I guess!
 
 
grant
20:20 / 20.01.06
I've d/led the zombie soldier Dante one, but none of the others. I just heard today that Showtime refused to air the Miike one, but that it'll appear with the series in some form. Probably on DVD, I guess.
 
 
STOATIE LIEKS CHOCOLATE MILK
20:31 / 20.01.06
That's kind of annoying... but it's reassuring that it implies Miike hasn't toned himself down for an American TV show, which is a good thing.
 
 
STOATIE LIEKS CHOCOLATE MILK
20:07 / 12.04.06
Anyone else seen the Miike one yet? I need to talk about it.
 
 
A beautiful tunnel of ghosts
20:44 / 12.04.06
I watched it with my wife and one of our friends, with whom I've watched Audition and Gozu, both of which Imprint(?) reminded me of.

The torture scene had for me a similar terrible fascination to Audition, but the Miike films (Ichi the Killer, Audition, Gozu, Imprint) I've seen so far have seemed queasily misogynistic.
 
 
This Sunday
17:48 / 21.05.06
I think an important thing to keep in mind, with Miike's films... two things, actually:

1. Many, including most if not all of those that have been discussed here on Barbelith, are adapted from other people's stuff. 'Ichi the Killer' was a comic, 'Audition' and 'Imprint' were both novels, and so there are elements that are his additions and there are those which are already in the material.

2. Horror delivered by Takashi Miike is actually horrible. Part of the horror is the audience-sympathy he can manage, which a lesser director couldn't cull from us. Our sympathies in, say, 'Audition', would under another creative influence, would continue with the men once the violence gets going. By the end of 'Imprint' the bastard with the bucket is almost emanating arrogance of a strange sort. That's not an endearing ambience there.

Between those two elements, there was little hope of anything with integrity and intensity actually airing.

'Misogynistic' isn't really the word I'd place on Miike or the atmosphere of his films, but many of the films are misanthropic uber alles. Not all... there are like seventy something at this point. Some are even comedies! (Now somebody's going to claim 'Audition' was ~ selah.) In part, I think we're trained, in eurocentric society, to expect bad things against women to be avoided where and when they would not with men. Look at 'Man on Fire' which goes out of its way to have a man who's just relentlessly fucking everything up to avoid having to hurt a woman.
 
 
_Boboss
21:01 / 21.09.06
well, fair flipping play to miike - i've normally got a pretty strong stomach, and that's the first movie or telly show that's actually defeated me. i think i'm still a little shocked really. don't even bother starting it if there's someone pregnant in the room - she actually said during the credits 'there better not be any fucked up baby shit in this' - 'nah babe, it'll be fine'....! how much of an arse do i feel now?

spoilers



after kimomo pissed herself i was like, 'oh well that's why it was banned then, wasn't all that bad' and then about five minutes later i had to turn it off, like a massive massive jessie. the first few foetuses i could handle, but they just didn't stop coming.

will i ever know what happens in the last ten minutes? not for a year or few i'd say. really rather impressive all things considered, hats off to the nasty bastard.
 
 
D Terminator XXXIII
17:46 / 22.09.06
Agreed.

Saw it first time around alone and was so shocked that I had to watch every extra in the dee vee dee to calm myself and brainwash myself that it, you know, was just fiction.

Saw it second time around with hungover brother who repeatedly asked for it to be turned off, where I thought I managed okay until nightfall. Where I couldn't sleep. Because I was scared.

He's brilliant.
 
 
This Sunday
00:21 / 26.05.07
There's no episode of this I didn't enjoy to some degree, but I just started rewatching the, completely out of order, and Cigarette Burns was just damned good, wasn't it? I found some to be funnier or sadder than horrific (the Dante and Gordon ones, for a respective example of each), but Carpenter's was just horror. And the homages/pastiches don't bother me like they do many people, but rather, the whole thing seemed to be a totally loving tribute to a couple decades worth of European horror directors with a brilliant eye for mise en scene, including Argento and Polanski.
 
  

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