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"Alienation is much more than an aesthetic choice!"
I'm confused; why are we bothering to talk about magick at all if you're willing to invest belief in a convoluted, amorphous concept used (somewhat) differently by so many people?
Kidding aside:
You haven't misunderstood me, but you're talking about the world (the referent) and I'm talking about the signifiers (Marx, the Frankfurt School, theories.) Alienation is real, but when people talk about alienation, they use the word by aesthetic choice. And the word "alienation" is often a fashion statement. I don't mean to belittle these concepts if they're sacred to you, because "aesthetic" doesn't mean "superficial" or anything pejorative like that. You seem to be objecting to my take on alienation on moral grounds, so try and hear me out here.
People who talk about the alienated subject get so carried away with the drama of it (sorry, but) that we don't see the point where our testimony becomes more of a phantasmagoria than a description. Moreover, to connect this with magick: at a certain point you're not even describing the world so much as casting a spell upon it.
(Picture someone haivng a relative institutionalized "for her own good," and shaking his head sadly, even though the relative might be sane and capable of handling her own life: I don't mean to offend, but that's the image I get whenever people seem emotionally attached to theories of alienation because they're "real" and "true.")
Why not "theorize" an empowered subject? A lot of thinkers would say: "That's impossible in this world, because [and then they cast a binding spell on themselves and anyone who takes them seriously]."
Maybe that's the point: when the real truthcould be used instead of philosophy.
And this isn't pseudometaphysical poststructuralist bullshit either, I'm not on an apple-box about truth being a fallacious concept or anything like that.
There is a spirit of animosity in the writers who haunt this discussion (Not Marx but Adorno, Jameson, et. al) and it's an animosity toward human power, toward agency. They don't really know they're doing it, but writing is sorcery, not description. Words are power.
Writers of this school toss phrases like "the alienated subject/ego" like wicked witches trying to turn the Reader into a toad, and, in an equally predictable Grimms Fairy Tale fashion, they tend to act like they're on the Worker/Reader's side.
And while we're chatting, what ever happened to good manners? Isn't it rude to subjects to say that they're alienated and incapable of changing that, they may not know it, but it's true? Again, why ask about magick if you're willing to "believe" assumptions so banal and constrictive? I mean, you boldfaced the words real and true, so you're investing belief in something, and you seem to be doing it in the name of compasion, but from another vantage point, it could be seen as condescending.
I hope I'm a little clearer... I'm sticking to my guns on this one; it's dangerous not to see writing as an aesthetic exercise, even if you believe it, even if you find it "true." Especially if it's supposed to be true, in fact.
I'm one who thinks life is pretty random except where human efforts make it less so, and I think it's a tragedy that the Old Testament is the center of world literature; it got to be that way because folks decided they'd rather not see it as a work of art, but rather as a book of facts. But they responded, not to truth, but to aesthetic power resonating in the text. Marx is no different.
And you can call me Susan if it isn't so.
Am I a little clearer now? |
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