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hey late shifters: i'm up latish and drunkish 'cause i have to write an article on reggaeton for mag. this is the (current, ruff) intro:
"What would we do without artschools and ghettoes? I mean, really.
‘Cause (conveniently forgetting Neo-Pop Futurism for one mo) it’s always all about a) the exquisite knots of bourgeois self-loathing that synthesise experimental bohemianism or b) raw creativity backed into a corner, improvising with the barest of means and no help from no one – turning abandoned oil drums (fucking steel drums) and record players (machines for playing other peoples’ fucking records) into fucking instruments. Making defiant songs that expose poverty, name/shame those responsible, and more recently, with supreme chutzpah, trumping oppressors by blinging so fucking hard their nouveau riche schtick is visible on CIA satt-cam scans from New York to Puerto Rico. Wait. Puerto Rico? You heard. Zoom in."
i like introductions. |
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