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Arcade Fire

 
  

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Aertho
13:29 / 06.04.05
Finally tracked down the name of the track that's been plaguing me and Detroit's Rock Neue station, 89X.

Neighborhoods #3(Power Out) by Arcade Fire

Went home and downloaded a few tracks, and I'm impressed. While still hit or miss, more miss really, they do have some hella good songs on Funerals. Currently rocking out to the above, but lovin Headlights like Diamonds and Rebellion(Lies). One describes them in review as Polyphonic Spree meets Deathcab with more abstract lyrics. What say you?

Granted, I like Muse, so shields up.
 
 
Gypsy Lantern
14:19 / 06.04.05
Funeral is a great record. I wouldn't call it hit and miss at all, and M**e shouldn't even be mentioned in the same thread as Arcade Fire. It takes a bit of time to get into though, I found. I didn't get it at all the first few times I heard it and couldn't understand what my flatmate heard in it, then after hearing it a few times it clicked with me and it's all I listened to for weeks.
 
 
foot long subbacultcha
14:23 / 06.04.05
Love 'em, and am crazy about Rebellion. I adore how "cmon hide your lovers underneath the covers" sounds cutesy at first, until you realise it's supposed to be a dare. Stay awake! Don't sleep, it's a con!
 
 
skellybones
15:01 / 06.04.05
After loving the album for a while I was lucky enough to see them live at ULU a few weeks ago. It was one of the best gigs I've been to in a very long time. Uplifting, heartfelt, instrument swapping, crash helmet wearing, big drum banging goodness.
 
 
CameronStewart
20:21 / 06.04.05
Funeral is an incredible album - it took a few listens for it to get under my skin but now I think it's an incredible record. You really do need to listen to it all, and in proper order, than just downloading a few songs though.
 
 
nedrichards is confused
22:57 / 06.04.05
They are full of goodness. All the stuff mentioned above is true but I jsut wanted to highlight Neighbourhood #1 (Tunnels), a very, very good song. I can see how'd they'd be very good live, in fact there's a piece on The Beleiver's website about how good they are live. Wish I'd seen them at ULU now. Damn.
 
 
Gypsy Lantern
08:22 / 07.04.05
I'd agree about needing to hear all of it and in the right order to get it properly, it works really well as a single consistent object. Was thinking of putting a track from it on the CD I'm doing for the CD swap thread, but couldnt imagine any of those songs sounding quite as good in isolation as they do in the context of the whole record - and wouldnt want to deprive anyone of the experience of hearing all of it, or misrepresent the glory of Funeral in any way.
 
 
Jawsus-son Starship
07:12 / 10.03.06
Just started listening to this album. Beautiful, sad, scary, odd. Not sure if I think it's hit and miss, but there are some songs that are much stronger than others. Is the first track (Neighbourhood 1 Tunnels) the most beautiful thing I've heard? Certainly today, probably tommorow, and obviously yesterday.
 
 
Lysander Stark
08:34 / 10.03.06
I came across the Arcade Fire by chance, having read a review yet having never heard of them before that. The depth of sound texture and of feeling on the Funeral album renders it completely absorbing-- it is an emotional epic as an album, and if I were not a jealous and hoarding person I would be encouraging more people to buy it. Instead, I keep it in a quiet me corner and pretend that the album speaks to me, only to me...
 
 
Our Lady Has Left the Building
19:07 / 10.03.06
Wonderful. I notice from the notes they recorded it at the Godspeed collective's gaff. The start of the record sounds like an upbeat version of A Silver Mount Zion.
 
 
*Alice
17:49 / 11.03.06
"Polyphonic Spree meets Death Cab"
Polyphonic Spree, yes... but dude, Death Cab? I don't see the link.

Funeral is a great album and is definitely up there among my favourite albums. I really like Neighbourhood #1 (Tunnelo) and In The Back Seat (this song really shakes me up emotionally). However, my favourite AF songs are from their first album: Headlight Like Diamonds and No Cars Go.
They are really good live. I saw them 2 years ago in Toronto when they used to play in smaller venues and it was seriously one of the best concert experiences I ever had.
 
 
Michelle Gale
12:08 / 16.12.06
New song from their new album "The Neon Bible":

http://www.youaintnopicasso.com/

The album is called the "Neon Bible" involving songs about profound things like "the Zach Braffian void" (death).

Apparently they're not touring, just playing in a couple of churches in London in little merry olde englande (where people are culturally sophisticated)

Why no proper tour I don't know
 
 
haus of fraser
15:09 / 08.01.07
Extra dates have been added- they play Brixton Academy on 14th & 15th March- tickets go on sale 9am on Friday 12th January...

Tour dates are...

01-29 London, England - St John's Church, Smith Square
01-30 London, England - St John's Church, Smith Square
01-31 London, England - St John's Church, Smith Square
02-01 London, England - Porchester Hall
02-02 London, England - Porchester Hall
02-06 Montreal, Quebec - Ukrainian National Federation
02-07 Montreal, Quebec - Ukrainian National Federation
02-08 Montreal, Quebec - Ukrainian National Federation
02-09 Montreal, Quebec - Ukrainian National Federation
02-10 Montreal, Quebec - Ukrainian National Federation
02-13 New York, NY - Judson Memorial Church
02-14 New York, NY - Judson Memorial Church
02-15 New York, NY - Judson Memorial Church
02-16 New York, NY - Judson Memorial Church
02-17 New York, NY - Judson Memorial Church
03-05 Dublin, Ireland - Olympia
03-06 Dublin, Ireland - Olympia
03-08 Manchester, England - Apollo
03-09 Manchester, England - Apollo
03-11 Glasgow, Scotland - Barrowlands
03-12 Glasgow, Scotland - Barrowlands
03-14 London, England - Brixton Academy
03-15 London, England - Brixton Academy
03-19 Paris, France - Olympia
03-20 Paris, France - Olympia
03-23 Stockholm, Sweden - Circus
03-24 Oslo, Norway - Centrum Scene
03-25 Copenhagen, Denmark - Vega
03-27 Berlin, Germany - Postbahnhof
03-28 Munich, Germany - Elserhalle
03-31 Lyon, France - Transbordeur
04-01 Cologne, Germany - E-Werk
04-02 Utrecht, Netherlands - Vredenburg
04-04 Brussels, Belgium - Halles de Schaerbeek
04-05 Lille, France - L'Aeronef
 
 
haus of fraser
07:21 / 12.01.07
After a struggle i got tickets off ticketweb for Brixton on 15th March- stargreen, nme tickets and ticket master were all sold out instantly!

Anybody else get tickets/ going?
 
 
foot long subbacultcha
10:39 / 12.01.07
I'm going with a bunch of friends on the 15th. Yay!
 
 
uncle retrospective
10:46 / 12.01.07
It took 3 minutes to sell out the 2 Dublin dates. But I have a ticket!
 
 
haus of fraser
11:27 / 12.01.07
Just a word on the music- cos i've not contributed to this thread.

I fucking love this band, i can't remember the last time a record had such a long lasting appeal as Funeral does- maybe a Pixies album or a Bowie album, certainly nothing for a long time. I did have a moment when my heart sank cos i thought i didn't have a ticket this morning- cos i had to go- and was mightily relieved when i got one.

On what they sound like- They do have similarities with Polyphonic spree, Mercury Rev, Flaming Lips and the glut of orchestral indie bands that have come out of America over the last 10 years- but i also hear a more classic heritage from the likes of Bowie, Talking Heads, The Sugarcubes, Pixies, The Velvet Underground, Yo La Tengo, Johnny Cash, Echo and The Bunnymen, Nick Cave- big epic heartbreakers with huge yet delicate arrangements. I can't wait for the new record- i'm even considering breaking my self enforced ban on buying from itunes so that i can get the new track- i need a hit!
 
 
lonely as a cloud...
13:23 / 12.01.07
Uncle - damn you! And I suppose there's no chance they could fit any more Dublin dates into their schedule. Typical that they'd put the tickets on sale just after Christmas...
 
 
Closed for Business Time
13:35 / 12.01.07
Heard from my SO today that the Dublin tix were sold mostly to touts, as the sales office(s) had a policy where anyone could buy an unlimited number of'em. Smart move?!
Luckily I'll get to see the jolly Canucks in Brixton Academy on Paddy's Day. Indie-Guiness-greenout here we come...
 
 
uncle retrospective
10:50 / 27.01.07
So the album has leaked That didn't take long.
 
 
haus of fraser
16:06 / 27.01.07
Holy Fuck- thanks uncle- on a first listen its sounding pretty amazing, I knew there was a reason i didn't just waste my pay packet in fopp!

Loving the newer faster version of No Cars Go and Black Mirror at the moment.

I'm very very very happy- and the new shins and clap your hands are out on Monday- the world is sounding good at the moment.
 
 
ZF!
16:01 / 01.02.07
I'm really enjoying this since I dl'd last weekend

Thanks for that link.

Tracks of the moment:

"Black Mirror", the new version of "No Cars Go" (perhaps better than the original), "Keep the Car Running" is pretty great as well, Intervention, I do like but it's a bit dramatic (in good way I guess). "The Well and the Lighthouse" is pretty good too and so is "Neon Bible"... argh maybe they're *all* good!

Real standout at the moment however is "Windowsill".

Man, It's like the new "Tunnels" or for me, I love the chorus line;

"Becasue the tide is high
And it's rising still
And don't want to see it at my windowsill"

(in the context of the song it's pretty brilliant imho)

just the way the song builds over the duration (kinda like Elliot Smith's "2:45 AM" but obviously more Arcade Fire-ry). Fantastic!

It's quite funny, like the other new releases I was looking forward to, The Shins, and Clap Your Hands Say Yeah, I was initially dissapointed with this latest effort, but they have all grown on me in a big way. I am qute pleased with all this great new music at the moment.
 
 
Smoothly
16:01 / 13.02.07
I’m a bit behind the times and only got hold of this yesterday, but I can’t remember the last album that made such an impact on me so fast. Interesting to hear other people’s take on it, but am surprised Antichrist Television Blues hasn’t been singled out; it’s heartbreakingly good.

Hoping that first impressions don’t mean that it’s a show’er and not a grower.
 
 
Our Lady Has Left the Building
01:43 / 06.03.07
Downloaded it and loved it, now I'm waiting for my copy of the album to turn up in the post.
 
 
haus of fraser
17:18 / 06.03.07
I have resisted writing about this record till i finally had it in my hands, being the honest geek that i am i also wanted nice artwork and packaging so having ripped it a month ago i was still very happy when i got my physical copy yesterday.

I also felt slightly sorry for the Fopp store on Tottenham court road who hadn't had it delivered and were expecting it in today- the assistant looked gutted when he told me he had turned away about 100 customers asking for it... a big fuck up for someone i'm sure.

So onto the songs- i was very ready to be disappointed given the crop of mediocre offerings from Clap your hands say Yeah, Sparklehorse etc over the last year- however this fella seems to be spot on the money- i'm ready to say this early on that we are looking at a potential album of the year.

Black Mirror- the album opener a slow brooding number that starts kind of down beat with Win mumbling lines- slowly it builds up and up, gradually bringing in strings and stabbing counter melodies till we reach a glorious climax with strings bursting out, Fucking great start.

Keep the Car Running- the first uk single- out and out pop with a country/ surf guitar twang to it, again it bubbles and builds till we reach a beautiful anthemic chorus, a couple of false starts "we don't know where and we don't know when, its coming, oh when? is it coming... keep the car running"

Neon Bible- The title track, maybe one of the weaker tracks on its own but in context of the whole record it fits. Kind of like a slow whispered hymn starts with a simple guitar/ piano line and plucked guitar slowly adds humming and cellos. It kindof feels like an extended intro into Intervension- the itunes sneaky preview track from the album- big and bold with church organs- more of a straight forward verse chorus structure, my least favourite track on the record- but still very very good.

Black Wave/ Bad Vibrations- Regine takes the lead vocal on this song of two halfs- starting as an upbeat new romanticy number - half sung in french- midway through the tempo changes and the mood goes black- the vocals change over to Win singing the lead- we build and build ending with explosive drums and doomy choirs singing backing vocals. strong stuff.

Ocean of Noise- An introverted slowy that builds up with mexicany trumpets and lush strings as Win croons "This time we'll work it out"

The Well & The Lighthouse- a joy divisiony/ interpol-esque bass line opens this poppy number that see's Win and regine swapping lines before bursting into a glorious chorus that has trumpets, horns and bells.

(antichrist television blues)- Maybe one of the standout tracks- the springsteen comparisons are pretty valid- but it still sounds like the Arcade Fire at their best as much as anything. It starts like a slice of springsteen americana but with strings that build into a song reminiscent of Rebellion (lies) before climaxing to an abrupt halt. fucking ace.

Windowsill almost feels like a part 2 to antichrist- similar tone hits a poignant note with the refrain "MTV what have you done to me?" and ends with a glorious anthemic choir.

No Cars Go is a new recording of the track from the first ep and it is slightly faster with a big orchestra on it. It doesn't feel out of place and has the right amount of punchy drums and shouts to make you want to jump all over everything. (on a side note The opening with the orchestra slowly bursting to life reminds me of the score to brazil- when the shop explodes at the start or during central services jingle- is this a knowing nod cos they also cover the song brazil live??)

We finish with the stripped down croon of my body is a cage, sparse and doomy with yet more church organs. blloming great.

as you can tell i've pretty much fallen head over heals with this record. The songs seem to have a sense of continuity and its a natural progression from Funeral- looking very much to seeing them live next week, although gutted as a friend claimed he could've got me on the guest list at the porchester hall shows....

anyone else?
 
 
Our Lady Has Left the Building
06:53 / 08.03.07
Yes!
 
 
Closed for Business Time
09:08 / 08.03.07
No!
 
 
haus of fraser
11:13 / 08.03.07
Nice contributions to the conversation guys, care to expand?
 
 
Chiropteran
12:08 / 08.03.07
One thing that struck me listening to Neon Bible (the album, not the song) for the first time, even moreso than Funeral, was how boldly it displays its influences. There are moments - even entire songs - that scream: Pixies, Talking Heads/David Byrne, Springsteen, etc., yet for whatever reason it doesn't feel (to me) "derivative" in a negative sense. I'm not quite sure why I feel that way, since it's something that often annoys me when I hear it elsewhere. Instead of sounding unoriginal, I guess the album sounds like the next generation of a diverse musical family, with the Boss's eyes and Frank Black's laugh, but its own personality, or something, if that's not too terribly twee. *hides*

And danged if the opening of Intervention doesn't half sound like old Strength Through Joy/Ostara...
 
 
Smoothly
12:42 / 08.03.07
And if we’re playing the soundalike game, I can’t be the only one to notice that Black Mirror sounds uncannily like late ELO.
I’ve never cared if one artist sounds like another. I’m not sure why ‘derivative’ is a bad thing.
 
 
Closed for Business Time
12:56 / 08.03.07
I’ve never cared if one artist sounds like another. I’m not sure why ‘derivative’ is a bad thing.

Agreed. What matters is - is it any good? If derivate = bad, I could never listen to any popular music any more, or jazz, blues, country, techno. I'd be stuck with Tony Conrad, or Stockhausen. Maybe not even that.

As for Arcade Fire. Apologies for the brevity. The fact of the matter is I'm never any good for explicating or explaining why and how I judge and rate music, or movies, for that matter. Arcade Fire? Sure they have some good songs. But most of it.. I dunno. It just doesn't stick in my brain, it doesn't leave a lasting impression. I like their penultimate effort more, it seemed more adventurous. Using a pipe organ on that one song sounded like a good idea on paper, and it did fit what I felt was the intention of the song, but on the other hand I kept thinking - megalomania?

This is the reason I should just shut my trap and leave the Radio & Music forum. I don't have anything interesting to say. I waste your time.
 
 
haus of fraser
12:57 / 08.03.07
while certain songs wear their influences on their sleeve- it always sounds primarily like an Arcade Fire record to me, in terms of Vocals, string arrangements etc.

The whole obvious sound alike thing only really becomes annoying when the rip offs are badly done and the songs are shit. However Neon Bible is filled with really great songs so not a problem for me.

(*Threadrot* i still love Bob Mould's/ Sugar's take on debaser with the most blatent rip off to date in "good idea" but then he was in husker du who the pixies ripped off...)
 
 
Chiropteran
13:03 / 08.03.07
The whole obvious sound alike thing only really becomes annoying when the rip offs are badly done and the songs are shit.

Oh, exactly - and that's often the case. My point is that you can hear the influences so clearly while it still sounds, as you say, like an Arcade Fire album. This is a good thing, not a criticism.
 
 
Regrettable Juvenilia
13:34 / 08.03.07
Using a pipe organ on that one song sounded like a good idea on paper, and it did fit what I felt was the intention of the song, but on the other hand I kept thinking - megalomania?

Could you explain this a bit more - what's the connection between using a pipe organ and megalomania?
 
 
Closed for Business Time
13:49 / 08.03.07
Yeah, sorry. I read an article on Arcade Fire in the New York Times the other day (link), which had these lines in them: "For “My Body Is a Cage” and “Intervention,” Win and Régine heard in their aural imaginations the sound of a mighty organ, so they rented the Saint-Jean-Baptiste church in Montreal with its 500-pipe instrument; after an engineer miked the entire place, Régine recorded the parts in a series of single takes (though there was a half-second delay between depressing the keys and the overwhelming sound it generated) while the band tracks played into her headphones.

As I said, a cool idea, and when I heard the song(s, I only remember the one now, can't remember its name), it did fit well sonically. Megalomania - it.. well, I just think, and I do recognize that I'm hyperbolic here, I think it was somehow unnecessary. I mean, it sounds great and all, and I bet it was really cool for both the musicians and the technicians, but.. couldn't they just use a bloody syntheziser or a regular size (pipe) organ? Admittedly I listened to it on a laptop with crap tinny headphones, so I very much doubt that I got the full spectrum and effect - but it didn't sound "overwhelming". It had a nice rich full-bodied sound, sure.

I guess what I'm trying, and probably failing to say, is I've got issues with bands trying too hard, especially when it fails (as I think AF does), especially when they go to great lengths to get it just so, spending shit-loads of money and manpower. Overkill, is perhaps another word I could've used. Shooting sparrows with cannons. My two cents anyway. I'll go away now. Back to lurking R&M.
 
  

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