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I'm sure a lot of the tributes and stuff will concentrate on the groups most associated with him - The Undertones, The Fall, Captain Beefheart - but after a few hours thought I think the best reasons why John Peel was so brilliant are firstly his total disregard for the idea that music should be divided according to genre or era or social demographic, and secondly his combination of complete open-mindedness with complete honesty.
Where else on the radio can you find a guy (let alone a 65 year old guy) who plays everything from Robert Johnson to Melt Banana to Beenie Man to The Raincoats to thousands of anonymous techno white labels to Soft Machine to James Carr to Bilge Pump to Sun City Girls to Gene Vincent to Wiley to Laura Cantrell to Belle & Sebastian to Venetian Snares to The Hellacopters to Max Romeo to Pavement to Anaal Nathrakh... just because he LIKES IT ALL, and doesn't see anything strange about that, and thinks you might like it all too.
As somebody else who likes it all, I've always found that attitude hugely encouraging.
And nobody else I can think of could do a show like that without being very studied and deliberate and slightly elitest about it... But Peel literally played (god it feels weird writing this in the past tense) what he felt like in pretty much whatever order he thought seemed sensible, and despite covering such a vast sphere of specialist music, he never, ever made the listener feel like an outsider, he never tried to make himself sound clever or superior or down-with-the-scene, he never sneered if somebody emailed asking a really dumb question... he never tried to make any obscurist us-vs-them point or to present himself in a particular manner: he just played the music cos he liked it. |
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