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The Golden Dawn still looms large in the mindset of contemporary magicians. Rather than dismissing the order and its methods as "outdated", shouldn't we rather honour the Golden Dawn as innovators and to a large extent, the founders of modern magic?
The membership list of the order in its heyday reads like a "who's who" of the late Victorian glitterati: Moina Mathers (Henri Bergson's sister and an early exponent of Collage) William Peck (Astronomer Royal of Scotland), Gerald Kelly (later president of the Royal Society), multi-talented actress & diva Florence Farr, Annie Horniman (founder of the Gaiety Theatre), W.B. Yeats, Algernon Blackwood, Papus, Bram Stoker, Sax Rohmer, Arthur Machen, Irish revolutionary Maude Gonne, Constance Wilde (wife of the divine Oscar), A.E. Waite, Pamela "Pixie" Smith (who painted the so-called Rider-Waite Tarot), Dion Fortune (albeit briefly) and British Museum curator & Eygptologist Wallis Budge. And Crowley, Mathers, Westcott & Woodman of course. Aubrey Beardsley is 'rumoured' to have been a member, although this is unsubstantiated as far as I know (but he was certainly friendly with Yeats & Farr).
The G.D. was one of the first organisations to admit women on an equal basis to men, and Moina Mathers, Florence Farr & Annie Horniman were prominent members. Annie Horniman effectively bankrolled the order, and Florence Farr wrote a great deal of the order's material. She became the Praemonstratrix of the outer order in 1892.
The G.D. tends to get portrayed as a predominantly qabalistic order, but it's great achievement was to draw together the disparate strands of Western Hermeticism - Qabalah, Alchemy, Enochian, Tarot, Astrology, scrying, Greco-Roman & Eygptian romantic magic etc. - into a unified whole.
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