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I want to take this in three directions simultaneously, so I hope that's okay - we can maybe start some spin-off threads if it seems necessary. Thanks to everyone for helping me focus my random, scatty and not-very-well-expressed thoughts...
Ex:
feelng secure in their general mainstream/dominant image, they can introduce kooky, specific elements
Damn/thanks. I think you've put your finger on it there - it reminds me of an article by Susan Sordo (I think) which I meant to quote in another thread. She's talking about 'postmodern effacements' (of, among other things, race and skin colour) and gets very depressed by a Donahue show which posed the question of whether a particular set of adverts for green contact lenses was racist; the audience all responded (dating the show/article slightly) "Black women wear green contact lenses, Bo Derek puts her hair in cornrows, what's the difference?" She suggests that "the difference" is precisely that black women have historically been (and still are) pressured to spend time, labour and money on making their appearance "whiter", whereas Bo Derek is in a position of such stability and dominance that she can afford to flirt with cornrows (secure, for one thing, in the knowledge that even in cornrows she won't be mistaken for/treated as a black person, so she can pick up the attractive 'look' without it signifying in the same way on a racist street). That is, it does nothing to - expose white people to the same level of risk as black people.
Um, not that my desire is for there to be a 'level playing field' of racism, obviously - I also certainly don't want white cultures/people to be 'victims' ("Oh the tragedy of how Morris-dancing whiteness is oppressed!" - such nonsense), that wasn't what my 'safe space' anecdote was supposed to be about at all. I guess, actually, I was thinking something about how white minority - or at least historically specific - cultures are places where there is a cultural content - not just "whiteness = universalism" or "whiteness = the blending of all colours together into a blank page of humanity" - which is not linked to oppression, and so maybe that could be a model for, or a route towards, some sort of non-oppressive whiteness and/or cultural-racial multiplicity. But you're right that actually it's because "whiteness" as dominant can afford to be kooky. Hmm. Oh well, I had the feeling Morris-dancing couldn't possibly be the cure for any of our social ills and now I know why...
This
it might just work to suck up a load of different ethnicities and cultures into the mass of whiteness. To ducttape more things together, rather than pull them apart.
is interesting too and I hadn't thought of it - thanks again. You mean, like, it would show how inclusive and universal whiteness is, rather than the reverse?
Kit-Kat Club:
I have been thinking of whiteness along the lines of the very helpful gender pyramid thingy outlined in Kate Bornstein's My Gender Workbook, where the nearer you are to the pinnacle of whiteness the less complicated everything is for you
Ooh. Now what that reminds me of (because [shame, shame] I still haven't read My Gender Workbook) is Eve Sedgwick saying that there is only one perspective from which sex/gender/desire/(race) all make sense in terms of compulsory non-miscegenating heterosexuality (again, that perspective is the white Anglo straight male). And, like I said, I've been reading Notes of A White Black Woman recently, which is about the experience of being a "white"-skinned African-American woman. Which sort of gets at Anna's point that
skin-colour isn't significant
Sort of yes and no. No, in that skin colour isn't the determinant: it doesn't determine culture, or even race - and, in fact, if you're in the 'right' point of the pyramid or chain, where your skin colour, your experienced race, and the cultural connotations of that skin colour in your social milieu all line up "correctly", then skin colour isn't significant. If you're a white black woman (or, for that matter, as BiP points out, a black black woman), it probably is.
Some scatty responses to your post, Anna, which I thought was really interesting, and I'm still thinking about it:
certainly one thing "Britishness" *can* mean is whiteness I find myself compelled to reply that it's just not my experience of Britishness
Which is good, and also interesting. But I wondered if you could explain a bit more in general terms what you mean? Obviously you weren't experiencing Diwali in the same way as the (presumably religiously/culturally engaged) people you were celebrating it with - just as obviously, these experiences have formed part of your cultural vocabulary in a way they haven't, say, mine.
When you ask:
how could Britishness be about whiteness?
well... that's kind of what this thread is about: how can it be? How does that pyramid/thread work to line up Britishness and whiteness, and how can we stop it? Can we stop it without seeing how it works? Simply through greater cultural interchange/integration? What kinds of Britishness can we invent, circulate, create, experience, that specifically resist the specific rhetorics of 'white Britain'?
I can't help thinking that Britishness does mean something (having just moved my Australian girlfriend in, I can tell you that she experiences something 'British' about living here and not in Australia) and whiteness means something different in Britain than in, say, Australia (this is partly why I've been thinking about British race/racism since I went to Australia last year, because it was so strange to be somewhere where "rights for indigenous people" was a good thing and not vile BNP jargon).
(Pedant corner: the only person to have used the word 'multicultural' in this thread is sdv, in a very critical sense, and BiP, in quotes in an informally phrased sentence, also in a critical sense, so I'm not sure who's 'bandying it about' in the Head Shop.)
As for this:
global capitalism is the *object* that creates these divisions... So if you want to resist racism and really examine the meaning behind British whiteness than it begins, not with Britain but in fact with the entire world and not with an examination of Britain and our status as white but with the interplay and clash of cultures that happens everywhere and is antagonised by capitalism
Okay, that's clearer than sdv, and many thanks, but I have the same reservation: maybe the most important thing is to combat capitalism, but no-one is posting in the Big Brother thread to say "Capitalism produced Big Brother! That's all there is to say about it, and continuing this thread is a waste of time, when we should be combating capitalism!" I mean, if you and/or sdv can come up with a good model for how global capitalism produces race and racism, how they work to help global capitalism, and what we can do about that, no-one will be more grateful than me: but in the meantime, just saying "This is a pointless use of time because we should be fighting global capitalism" applies to everything.
Or, in other words, please talk about the interplay and clash of cultures that happens everywhere and is antagonised by capitalism. I'd love to see it. I don't know enough about it and would be really interested, and it's an important answer to the questions I posed in this thread. I get the feeling that you and sdv assume that I only want answers that are framed in terms of personal identity. I really did want this thread to be open-ended.
But this is part of my larger (occasional) problem with the Head Shop: I think it should be a place for collaborative thinking, where people correct each other and reframe questions in their own way, not a place where people go "Aha! You didn't mention capitalism in your first post! This thread is worthless!" I didn't mention it because I didn't think of it, and I want other people to bring in other perspectives. If I could encapsulate the whole issue in a single post, what would be the point of having a discussion?
Bollocks. I'm late now so I can't even really reread this post - hope it makes some sort of sense. back tomorrow. |
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