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Stupid Creation Questions

 
  

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Princess
19:10 / 07.09.06
Um, at my present rate of writing, it will probably be about 20,000.
 
 
Feverfew
17:08 / 03.05.07
Filmmaking, or, more specifically, Trailermaking.

Can anyone recommend good free-to-cheap sources of stock footage / news footage / free usage or out of copyright film around out there? I'm desirous of cutting together a small trailer on the cheap, but I'm only going to be able to fill around 30 seconds to a minute of the three and a half minutes with self-shot camera footage and another fifteen with captions/subtitles/announcements, and I'm wanting it to look relatively good, if possible.

Any thoughts or links gratefully accepted! There may even be candy involved.
 
 
misterdomino.org
20:48 / 03.05.07
archive.org is exactly what you want. Link

also, try using limewire or other filesharing programs sometimes; google video can help, but I'm not sure if you can download movie files off them anymore. Or you could always just point your camcorder at the screen.
 
 
Feverfew
16:07 / 04.05.07
Thank you! Much appreciated.
 
 
misterdomino.org
22:58 / 04.05.07
How do I inspire and organize a large-scape Happening or Flash Mob? I can never unify people behind one idea; people are always disagreeing about specifics or just show very little interest at all.
 
 
grant
16:57 / 07.05.07
Make it simple, make it snappy and don't leave room for debate over the basics.

Simple and authoritative: Show up at place X and do Y (or be wearing Z). Either the idea takes off or it doesn't. The guy who invented Flash Mobs claims they were a hoax (which is a complicated claim to make). Basically, that he created them to be able to cover an internet phenomenon, I think.

He's linked to over here, in a discussion which includes much on the virtues of "snappiness":

Here in San Francisco, for instance, we consciously designed events that would be inclusive and inviting to passersby who hadn’t already received the secret “insider” instructions. When we whirled across a pedestrian crosswalk at a famous cable car stop, the mob grew larger over the course of the 10 minutes as tourists and locals joined in.

It was “transparent play”, not “dark play”—the rules were obvious to anyone who was watching, and there was ample opportunity to become a part of the experience. When we threw a massively multiplayer duck-duck-goose game in a public park, it was obvious to all nearby what we were up to—and that’s why many more people outside of the original network began to play with us. We picked a familiar childhood game so that as diverse a group as possible could jump in and take part. In short, we were explicitly working against what we perceived to be the exclusivity of the East Coast flash mobs.
 
 
grant
16:58 / 07.05.07
Oh, and also it aids authority if you're not perceived as the one calling the shots -- if it's just this thing that seems to sort of be happening on its own.
 
 
misterdomino.org
03:57 / 08.05.07
Great advice. I've noticed that if I even attempt to play the leader role, people are immediately put off by the entire thing, which is good, because these things should be leaderless. To allow for outsider participation is also key. I suppose my final challenge is against apathy.
 
 
Sibelian 2.0
07:38 / 21.05.07
Does anybody know of a decent freeware pixel to vector converter? I've found one than can output a spectacular range of completely alien file formats but can't do simple svgs.
 
 
misterdomino.org
17:21 / 31.05.07
I can't think of anything open source or free ware...but...BUT...dare I say it...I'm certain it can't be TOO hard to download a certain adobe program that specializes in vector graphics. Any torrent site should have a bunch of options.
 
 
andrewdrilon
17:09 / 03.07.07
HELP! I need advice please, in case anyone here's doing webcomics and has insight into this. I need advice on the best place to get free and easy hosting--there are actually a good number of options up on google right now, but I'm not sure where to position myself.

I'm planning for an atypical short-comic-collection-style format (right now I've got a hefty 'bank' of sorts up HERE @ The Engine if you wanna see) and I kinda wanna graduate from that, transfer comics to a new venue and update more regularly, but I don't know where or what's the best web format.

Is an LJ or a Blogger cool? Or a webcomics hosting site? Thoughts, anyone?
 
 
Saint Keggers
17:50 / 03.07.07
Is there anything that will soften old Sculpey?
 
 
MattShepherd: I WEDDED KALI!
09:12 / 13.07.07
@andrew: Former Keenspace, now called ComicGenesis, I believe, is okay. Honestly, a lot of good comics are now powered by Blogger. I'll PM you, though -- I have an idea that might work.
 
 
MattShepherd: I WEDDED KALI!
14:23 / 13.07.07
My problem now:

Okay, so I'm working a job adapting a novel to comic book format. I can't say what and for whom yet, because the contract is still being nailed down, so hypothetically speaking, here's my problem:

There is, especially early in the book, a lot of blingualism. The book features a bunch of English-speakers, but they have among them a guy that only speaks Polish.

So initially, I was planning on putting the < translated marks > around word balloon dialogue to show that it was being translated for the reader's benefit.

But then we get into these huge passages where the main character and the Polish guy have long conversations. Like, more than a page. And then the main character (who is fluent in Polish) actually goes and hangs around with more Polish-speakers for a while.

Normally, I'd say "just write everything in English and stick an editor's note early on in the issue that explains that the Polish is being translated for our convenience." But one of the plot points is that the Polish guy is feigning not knowing any English to lull other characters into revealing more than they should around him. And there's a big reveal when the Polish guy is all like "Ha! Little did you know I understood EVERY WORD YOU WERE SAYING!" in English.

So -- for emphasis -- I need to show this dramatic transition from Polish to English. But I'm getting shoehorned into putting pages and pages of dialogue in < > to show that the Polish conversations are, in fact, in Polish, and I'm worried it's going to look really ugly.

Suck it up? Font change? It's really also up to the artist to decide, ultimately, but I'm wondering if there's a cleverer way to go about this than pages of < translated dialogue>.

This is further complicated because in future issues, Our Hero goes on to have dealings with more people in EVEN MORE different languages. He's quite linguistically gifted, apparently.
 
 
Jack Fear
14:32 / 13.07.07
I'd say a font change, with an instruction to the letterer to use one of those goofy pseudo-cyrillic fonts. I've seen it used before—I think it may have originated in Howard Chaykin's BlackHawk revamp back in the 80s—and it seems a fairly elegant solution, imparting the necessary information to the reader without drawing undue attention to itself, as brackets do.

Of coursed, a lot of it is going to depend on the letterer's abilities and design skill, in the creation of a font that is recognizably "Polish" without sacrificing legibility, particularly if there are long conversations. Todd Klein did a good job with this in the recent Neil Gaiman Eternals book; in fact I reckon the lettering was the best thing about the book...
 
 
Jack Fear
14:35 / 13.07.07
Venger: You need Sculpey Softener, of course.
 
 
epona
14:39 / 13.07.07
my suggestion? font change. you could either explain it in the beginning or not. one of the things that i loved about 'the sandman' was that special characters (arg, no pun intended) had special fonts used in their speech bubbles. i remember bast had a angular font similar to herculanum, the angels had a fancy edwardian script, and everytime dream spoke his speech bubble was black instead of white. its possible some folks might forget and miss the transition into english, but it seems to be the simplest way. other than really writing it in polish.
 
 
epona
15:53 / 13.07.07
jack fear in the house: haha looks like we both thougth of the same letterer! todd klein is the man.
 
 
ONLY NICE THINGS
16:06 / 13.07.07
I dunno - it could just be me, but roman fonts which express the design qualities of language's character set used to express exotic speech make me a bit twitchy. I wouldn't think it was a safe reason on its own to have Willingham and Gaiman made to SHUT UP, but then fortunately it won't be on its own.
 
 
Jack Fear
16:32 / 13.07.07
I'm largely agreed with you, Haus—there's are problematic issues of exoticism and of cultural appropriation, the same issues that itch me about Japanese tattoos etc. ("We think your language looks very pretty, but we can't be bothered to actually learn it"), and also that (for example) the Cyrillic "backwards R" has its own sound, its own specific meaning, within its own cultural context, and yeah, one one level it squicks me out to see it used simply as a substitute shorthand for Johnny Foreigner-speak.

It's just that, on a practical level, I find all the other alternatives far worse.
 
 
MattShepherd: I WEDDED KALI!
16:46 / 13.07.07
Comic will be B&W, otherwise I wonder if coloured word balloons would help (or, conversely, if it would just convince people that all Polish people talk like Swamp Thing).
 
 
Saint Keggers
18:42 / 13.07.07
Thanks Jack, my sculpture attempts will greatly improve.
 
 
grant
19:36 / 13.07.07
If a font change isn't working well enough, you *might* be able to communicate something similar by reshaping the speech balloons - putting Polish in jagged lines rather than smooth curves or something. Or, you could just put it in italics.
 
 
Happy Dave Has Left
15:46 / 08.08.07
Hello folks -

I've been inspired recently by the 'Drawing Salon' thread and also my little brothers efforts on DeviantArt (he's quite the artist). I'd like to 'ave a go. First off, does anyone have any recommendations for scanners in the £40 - 80 price range?
 
 
Less searchable M0rd4nt
19:41 / 20.08.07
What is a good method of painting lightnings? I'm doing Mjollnir and it must have lightings round it, but they're going wrong.
 
 
Whisky Priestess
09:07 / 21.08.07
Princess: Novellas ... are they really as unnattractive to publishers as the internet tells me they are?

Yes.

But The New Writer does run an annual competition for (among other things) novellas up to 20,000 words, which might get you noticed and would certainly get you published if you win.
 
 
All Acting Regiment
11:48 / 21.08.07
LTIY, I would get some photos of lightning and copy from that. If you're painting on a black background the strands of lightning should be thin and pure white with an aura of blue.
 
 
Less searchable M0rd4nt
13:53 / 15.02.08
I am trying to flog my art online. Anyone got any tips?
 
 
grant
18:57 / 15.02.08
Do a painting blog with links to the stuff for sale on the side?
 
 
Less searchable M0rd4nt
13:37 / 12.03.08
Done.

Next stupid Q.: How do I painted bead? I have a couple of big bags of wooden beads which I bought with a veiw to hand-painting them. I was planning to use my acrylic paints then go over them with a layer of picture varnish, but I'm not sure how durable this would be. Thoughts?
 
 
grant
13:43 / 12.03.08
I don't know about picture varnish, but if I was doing that I'd try water-soluble polyurethane. It's meant for woodworking/painting rooms. If you wanted to go wild, I suppose you could use tung oil (refinishing tables & that), but that'd be a lot of freakin' work.
 
  

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