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Fooly Cooly is fucking great, goddamit

 
  

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Kali, Queen of Kitteh
14:29 / 21.12.06
This is probably my second favourite anime show, and I have the soundtracks. They are sooooo good.
 
 
Seth
18:23 / 21.12.06
You know, I've seen FLCL countless times and I'm frankly amazed that I haven't written more about it for Barbelith. So in order to answer my own question. . .

When I was fifteen/sixteen years old or so my then best friend (who I'll call Rory) and I would leave the house every night and walk to Ocean Village, a little parade of shops, restaurants and cinemas along the harbour where people moored their yachts. It's a two-mile walk from the house where I grew up.

Rory's home life was pretty sucky back then. His parents were breaking up, nothing that many kids don't go through, so he practically lived at my place. Mum loved him and was happy to have him there. My family was more stable but a little weird, as Dad was away at conferences so much. Jack the Bodiless/Hellbunny was in Uni and living elsewhere.

We were bored and totally directionless. We loved music and wanted to form bands, were in a couple together with me on drums (very badly played back then) and Rory singing. I loved sci-fi and watched Star Trek: The Next Generation every weeknight at 1700 on Sky. I think DS9 had just started by that point too.

And we were just starting to get interested in girls. Rory was a year older and had a head start on me. He also went to a mixed school, whereas King Edwards was single sex apart from the sixth form. We were just starting to meet girls from other schools, some from out of town. It was right at the cusp of us leaving school and going to college.

I had a huge crush on a girl four years older than me who was at University in Plymouth. The awkward thing was it was reciprocated, and she didn't know what to do about it. All I got were a bunch of mixed messages, swinging between "You're so mature for your age" and "You're just a kid." I wrote to her loads and she wrote back. Actual letters, that is. This is before I was online, before most people were online. I kissed her once and it was really awkward. Our teeth clashed because she'd thrown herself at me too hard and she was really aggressive with her tongue. Back then four years was an unbridgeable gulf of an age gap and it felt really strange kissing the person I thought I loved and it being such a fumbled, broken moment.

I think at the time I kissed her I was in my first relationship, with someone else. It's strange. With my girlfriend we kissed and stuck our clueless fingers down each others clothes without any real idea what we were doing, and I'd always feel guilty, like I shouldn't doing it or that we were doing something wrong. But when I cheated on her and kissed this older girl (nearly a - gasp - woman!) I felt no guilt at all, just totally elated. Even though it wasn't anyone's definition of a good kiss. My friends told me I was a bastard and in retrospect I was a selfish little idiot, but at the time I just didn't get why they were so angry with me. I didn't have a clue.

Rory was getting over a relationship with someone who'd really hurt him. I can't even remember her name. To this day I've never met her, it was before I really got to know him.

Rory had lots of good looking friends and I think he fancied every one of them.

At weekends we'd meet up in Rownhams, North Baddesley or Romsey and get drunk on the streets with alcohol that my six-foot plus classmate was able to get. If my life were Bleach then this guy would have been Chad, only more talkative. I lost my virginity to his girlfriend two days after they'd agreed to take a break from the relationship, and I remember meeting up with him on Southampton Common shortly after he found out. Actually, he didn't find out. Somehow he knew. He had a tree branch gripped in his hands and he was beating it as hard as he could against everything in sight in order to stop himself beating me up. He was one of my best friends and our friendship is only just now becoming properly restored.

All the time he was smashing stuff I felt no fear. He was the one who'd called me a bastard for cheating on my first girlfriend, and here I was having had sex with the girl he loved. And I felt no remorse or guilt other than immediately after she and I had finished and quickly got up off the floor of my bedroom and put our clothes on when I heard Mum coming in through the front door downstairs.

My six-foot plus friend and I were on Southampton Common and he had a tree branch that was his weapon and I felt no fear or guilt or even sorry for him.

The sex was pretty dreadful. I didn't know what to do and my body wasn't working how I thought it should. Not like it does in porn.

When my six-foot plus mate couldn't get drink, or when we had no money, we'd just wander the streets. Every Friday and Saturday night.

Anyway, almost every weeknight after school Rory and I would walk to Ocean Village. We would be bored, the kind of bored that has a long summer evening ahead and nothing to put in it. We'd walk down the High Street and buy cigarettes with whatever small amount of money we could scrape together. We'd walk through past the train station and round the back of Toys'R'Us, through town and cut down Oxford Street, past the casino and through that weird covered area that's now a block of expensive flats that no-one can afford.

We felt lost. We were about to go to college. The older of our friends had jobs or had moved away to University. There was nothing in Southampton. No cool bands. A lot of our friends lived out of town. We were too young to sneak into the local indie nightclub and too old to sit around playing at home. There was nothing for us to do or be, or nothing that we wanted to do or be. We sat by the water at the harbour and looked at the boats, hear the sound of people eating in the restaurants and the music coming from the bars. When we needed the toilet we'd go in the cinema and get out before we were asked to leave.

We talked the whole time. I would talk endlessly about the Manic Street Preachers. Rory was into Pearl Jam. We'd rabbit on about the X-Men or Star Trek or Star Wars, I'd enthuse about Akira, he'd go on (and on) about Prince. We chatted about the girls we fancied and he spoke about what he did with them. I didn't so much. I've put a little detail in this account because it needs to be there, but on the whole I've seldom been one to kiss and tell. On the rare occasions that I did he'd laugh and say something along the lines of "Nice one."

I met the first major love/infatuation of my life a couple of years later. It was when I was old enough to finally get into the indie nightclub. I was still young and clueless, and to me she was like an alien from another world. I couldn't take my eyes off her. I was lovestruck in turmoil and my adolescent hormones threw me all over the place. She listened to different music, she was into politics, she dressed cool, she read Angela Carter and Maya Angelou and her mum had divorced her dad for another woman. She was pretty much abandoned by her parents and lived alone in the house that she grew up in, which was unbelievably cool for someone only a year older than me. She was about five feet tall and had an amazing figure, short black hair and green eyes that looked brown in certain lights. She lied all the time and even though she said she was with me she'd never really split up with her boyfriend of two years. She wouldn't sleep much and I secretly always knew that she was too much for me, too much for anyone. Including herself.

Meanwhile I watched Fist of the North Star and Tetsuo the Iron Man. I listened to Wu-Tang Clan and Tricky and The Holy Bible, there were too many X-Men titles to maintain an interest in and Enabran Tain was leading a doomed first strike against the Dominion.

I had a recurring dream that the dimensions in my head were expanding and contracting, like there was some kind of vibrating red spatial phenomena that was occupied all points in the universe but was nowhere all at once. Within the vibrations was a sense of guilt, as though something somewhere had gone horribly wrong. A space captain of a vast intergalactic vessel was guilty of an ancient sin at the inception of the universe, and a black hole was slowly spaghettifying him and his doomed ship and every soul on board. Sometimes it felt as though all this fit into my mouth, and my tongue would feel weird and I would be like another person.

The adults had other concerns and I had fallen through the cracks. It would take me years to find my way out again.

A decade later, the girl who told me lies and read Angela Carter told me that the recurring dream was a birth dream. That I was remembering being born.

I still go to Ocean Village to watch films at Harbour Lights. It was voted Britain's Best Loved Independent Cinema. When they had financial troubles the staff worked there without pay. It closed for a while and reopened with some local government money.

The old shopping area has been torn down to make way for expensive flats that no-one can afford.

All that stuff that I just wrote. That's what FLCL is about. And that's why we love it. And it's probably why you'll love it too.

Best non-spoiler review I can manage.
 
 
_pin
21:37 / 21.12.06
I love you, Dix. In the face.
 
 
Nocturne
23:17 / 21.12.06
I secretly always knew that she was too much for me, too much for anyone. Including herself.

Beautiful. Just beautiful.
 
 
Tuna Ghost: Pratt knot hero
04:12 / 24.12.06
What makes it such a good coming-of-age story is that many such stories come off as trite because they view childhood from a distanced adult perspective with this nostalgaic things-were-simpler-then lens. FLCL, on the other hand, views the world of a child as baffling, incoherent and scarringly awkward, which I feel is a more interesting and honest interpretation.

The adolescent boy attitude about sex rings truer as well in that it's all-pervasive, confusing, often creepy but desirable, and none of the euphemisms make sense at first (or indeed at all).


What can I add to this? Nothing, that's what. Insightful stuff, JO. More and more I marvel at the show's ability to present something so honest and familiar in the midst of Pirate Kings and aliens and robots and shit like that.

Interesting bit I saw on wikipedia: It was rumored that the whole series was merely an experiment by Gainax to test out new techniques (such as, perhaps, bullet time), and that they used 26 episodes' worth of budget to produce the high quality animation.

I'm glad this thread has been brought up out of the depths for more discussion. FLCL continues to be my favorite.
 
 
Seth
11:31 / 24.12.06
Has anyone seen this in the context of Gunbuster II? Gunbuster is one of my favourite animes ever, it's easily on a par with FLCL for me. What's interesting about the sequel (well, one of many things that's fascinating about my favourite series of 2006) is that it reads like a cross between the original show and FLCL.

It had a lot of the same creative staff and the similarities in animation and character design are apparent. The forehead patches used by the Topless reference Naota's cranial portal, there's a yellow vespa and communication across space using cats. There's a captain who looks a lot like Amarao and Lark bears a strong resemblance to Amarao's sidekick.

As an aside there's also a ton of cool stuff that isn't in FLCL, like cute dog spacesuits and an amazing pink tennis player mech that is first delivered to them in a gigantic action figure style blister pack. It's got a lovely knack of depicting the kind of frilly excess technology of a decadent society. And Dix Neuf is amazing.

I can really see the case for FLCL being a vehicle for experiment on the part of Gainax, because it looks utterly unlike anything else that came out before. If you want to see where some of the ideas and techniques wound up then check out Gunbuster II, but only after seeing the original Gunbuster. The former is easy to get hold of on DVD or stream from YouTube or similar, the latter is up on Lunar Anime (I purchased my DVD copy from a guy on Yahoo Auctions).

If you've never seen either show before you're in for a total treat. Gunbuster is the show that Hideaki Anno made before Evangelion and is packs a huge emotional wallop. The sequel is seemingly much more frivolous but there's an awful lot more going on under the surface, it's much more complex, and packs a similarly huge puch in its ending. They're total fan favourites that make grown men cry.
 
 
Mysterious Transfer Student
13:28 / 24.12.06
Bad news for our wallets is imminent, as the FLCL Ultimate Edition, groaning with extras, "streets" either in the New Year or sooner, depending on which site you visit.

Of course, this is as nothing compared to the poverty that will be caused by the new Gunbuster collection....

(Sorry for what looks like a fluff post immediately after Seth's request for Gunbuster I/II related discussion, but I couldn't resist plugging these two releases as I've been waiting for them for ages.)
 
 
Seth
09:25 / 21.03.07
Does anyone have this FLCL set yet? Or even the Gunbuster set? Are the extras worth the purchase?
 
 
Spatula Clarke
23:31 / 21.03.07
Yeah, the Ultimate Edition is the one I bought. It's my only experience of the show, though, so I don't know which extras are extra extras over the regular extras on the regular releases.

Actually, I just remembered that I've not even watched the bonus DVD once yet. It reads from the contents list on the inside of the box like all it contains are videos for the various songs in the series, which is why I've given it a pass up until now.

The little book is a nice thing to have and has some useful annotations that go some way to explaining a few of the puns that become meaningless in translation and the references that you've no chance of catching unless you've got an extensive knowledge of modern Japanese pop culture. it also contains fully translated, printed versions of the two manga strips that appear in the series.

Two of the three episode DVDs in my copy were slightly damaged/poor quality, though, which is a real shitter. They look like they've suffered some kind of environmental exposure - all misty patches on the reverse side of the disc - and will only work without jumping all over the shop on one of my two R1-friendly players.

Image quality is amazing on an HDTV through component cables, but really pixelated on a regular, standard def set - so much so that I've found it slightly offputting. Possibly due to the digital nature of the show, I'm not sure - again, I've no other copies to compare it to.
 
 
Seth
08:00 / 19.06.07
I watched this again last night with a new batch of initiates. Produced very different reactions, from bemused to brainfucked to full on joy. The brainfuck usually peaks at episode four, the joy peaks at episode five and there are usually a few "awwws" and sniffled at six.
 
 
Mysterious Transfer Student
09:01 / 19.06.07
Nothing is more heroic, joyous and bats-arse unpredictable than the climactic scene of FLCL episode five, accompanied by the 'Hoovering up the entire universe' punk stylings of The Pillows' "Blues Drive Monster".

Still haven't shelled out for the deluxe set thanks to the caveats in Randy's mini-review just above, but since my copy of DVD volume 2 is missing the booklet, which in turn has been deleted, it may prove necessary.
 
 
Tuna Ghost: Pratt knot hero
03:59 / 20.06.07
God damn I love this show. You know what? Eff Casablanca, I've seen too much of Bogart in the last few days (recently downloaded The Big Sleep and The Maltese Falcon). I'm gonna watch FLCL again.


...except that I don't have the DVD and my VHS copies were stolen from my car. *weeps, rends mantle*


Well, I guess there's always YouTube.
 
 
Seth
08:19 / 20.06.07
There are dirt cheap copies on ebay all the time. It just depends whether you want Gainax to have any money.

This post was bought to you courtesy of my mobile phone, by the way. YO!
 
 
Mysterious Transfer Student
12:39 / 20.06.07
A mobile phone which must of course be passed on to a lovelorn, rootless teenage girl to feed to her pet robot by the canal, on a rainy afternoon.

Re-reading this thread, which recently celebrated its third birthday, it occurs that just about everybody managed to say something personal and insightful about FLCL except for me. So I'll make a pass at something about it that hits me close to home. Minor spoiler if you're bothered.

There's a fair amount of stuff submerged in the show about being left-handed versus being right-handed, and liking spicy foods rather than bland ones. Haruko is sinistral and loves fiery curry and exotic carbonated drinks, Naota is dextral and can't abide either. It's not something that powers the plot especially but when invited to expand on it in the commentary, director Kazuya Tsurumaki explains that he included it as part of his personal conviction that people who are left-handed belong in the same category as those who love spicy foods: exciting, adventurous, possibly dangerous people who carpe diem daily. He himself is of course right-handed. So am I. My (younger) brother, who is left-handed, plays the guitar well, has a PhD in mathematics, has broken his leg skiing at least once, travelled across Canada and Latin America, gave up being a financial actuary to teach English in China, and seems to have more friends and girlfriends than I can count. I'm a social agoraphobic who never leaves his physical and emotional comfort zone if it can be helped and who has wasted years of his life avoiding unfamiliar experiences of any kind.

One way, one rather bleak way of watching FLCL is this: it is about of the feeling of nothing happening, and yet of not wanting anything to happen. About purposefully not getting involved, and how futile it is because the more you disregard the chaos and mess of life the more it will be compelled to visit itself upon you in stronger and stranger forms. It knocks you down in the street, forces itself out of your body in bizarre contortions, barges into your home and won't leave, drags you into scenarios that you have no natural involvement in but cannot escape because it is burning with avarice and glee and you are quiet, passive and cold. It's no accident that Naota's denials that anything is going on, that it's just another Sunday, never let up throughout the series. He doesn't have anything like the mental equipment to process what is going on, whether on a prosaic or fantastic level, and so simply refuses to accept it. And fittingly, at the end, FLCL turns out not to have been a "boy's journey" or a rite of passage or any of those conventionally understandable narratives; Naota hasn't really changed, just started going to another school, wearing a different uniform, but still drinking the same soft drinks and having the same arguments with the same friends. Instead it's Mamimi who grows up, lets go of the past and reinvents herself because she hasn't any other option.

I'm hitting post before I get cold feet because I think I need to cure myself of the habit of never writing anything personal, anything real on Barbelith, of never putting anything on the line. Writing about an obscure cartoon seems not a bad starting point.
 
 
_pin
07:58 / 21.06.07
Well that's really, really it, for me, wrt reading this show.
 
 
Mysterious Transfer Student
08:28 / 21.06.07
_pin, sorry to leap upon your comment, but by that did you mean that you agreed with the content of my post, or that you were through with analysing FLCL? If the former, you're too kind; if the latter, that's a shame as any further perspective from others on this amazing show is always welcome.
 
 
_pin
19:25 / 21.06.07
I first wrote it unpunctuated, but then that sounded like the latter of your thoughts, so I tried to make it sound more like the former, for that is what it was.

You have, indeed, nailed it. Let's have no friends together.
 
 
Imaginary Mongoose Solutions
14:21 / 22.06.07
Whew. I watched FLCL last night and... for so silly a show, it was just so goddamn moving. It's like someone made an anime about everything important, ever.

It was awesome, funny, silly, painful and heartbreaking. Kind of like being 12, I guess.

Or 29.
 
 
Tuna Ghost: Pratt knot hero
04:58 / 23.06.07
Whew. I watched FLCL last night and... for so silly a show, it was just so goddamn moving.

I know, right? The first time I saw it I couldn't explain for the life of me why I was so moved.
 
 
iamus
00:26 / 30.07.07
So... having just rewatched this with some awesome people, under Seth's gracious hospitality it's probably about time for this.

This post didn't seem quite as bullet-pointed as it does now when I was writing it, but I'm trying to lay out the facts of the story as I see them as logically as possible.

I wanna see if we can turn this fucker over and poke it with sticks.




BIG SPOILERS






Naota is a very, very lonely young boy hitting puberty in a boring nowhere town in Japan. He feels abondoned by his idol (his older brother) who has gone to America to play professional baseball and is disgusted by his sleazy father. He can't form proper relationships with anyone, never mind children his own age

Without a proper role-model and unsure of how to act, he's constructed a cage for himself. Naota thinks he's a lot more mature than he actually is and tries very hard to be non-plussed at all times and dismissive of the world in general. He is very afraid of feeling because he knows he'll be hurt again.

To vicariously get close again to his brother he has an awkward semi-sexual relationship with his brother's old girlfriend Mamimi. This is a toxic relationship for both of them that only reinforces their lonliness and insularity.

Then Naota meets Haruhara Harako and everything explodes in his face.

Haruhara is on the trail of the Pirate King Atomsk. Atomsk is a galactic god thingy with insane amounts of N.O., meaning there's a bloody massive portal in his brain through which things can move or be swallowed. He has been captured by the galactic corporation Medical Mechanica and Haruhara has traced him to earth.

When Haruhara crashes into Naota's life and singles him out, she splits apart everything. Haruhara is not the non-relationship Naota has with Mamimi, that allows him to keep his cage locked. Haruhara relentlessly and repeatedly rattles his bars and give him no place to hide. Naota is ruled by how he thinks he should behave. But being around Haruhara forces him to act as he wants to behave.


She opens up an N.O. portal in his head. The N.O. portal, cleverly but not too subtley, is a cock metaphor. It has a mind of its own, produces really embarrasing protrusions at inopertune moments and it's probably best to pretend it's not happening most of the time.

It's also activated by all the big psychosexual emotions. Haruhara brings up all these massive emotions that just won't fit in Naota's head without significant rewiring. As he struggles to make the impulsive hemisphere of his brain work in harmony with his logical hemisphere, big things start to happen.

Like big bastard-huge robots smacking the living fuck out of each other.

The reason Haruhara's so interested in Naota is because it shows potential. Naota's portal is an escape route for Atomsk, who makes his break from Medical Mechanica
(Atomsk = Ultimate Personified Cockpower), piggybacking Canti, a Medical Mechanica robot. He's defeated and restrained and hauled back leaving Canti in Naota's care. Canti is Naota. He's his repressed spirit that can fly to the sunlit heavens through cracks in the clouds, but is most often stuck doing the dishes.



As Naota is confronted with all the emotional blockages in his life, they're externalised in the physical world as monsters to be beaten.

The Robot and its hand that try to retrieve Atomsk in the first and second episodes are Naota trying desperately to hold back the floodwaters that are about to break. All the repressive aspects keeping the illusion going.

The cat ears are symptomatic of how totally emasculated he feels around Ninamori, a beautiful and smart girl in his class he has quite a lot in common with. That comes out by transforming Ninamori into a rampaging monster.

The giant baseball is the nightmare of his abandonment and role-model issues writ large. Too big to be dealt with until it absolutely has to and he has no choice but to face it or be destroyed by it.

With the boost in his self-confidence, his ego grows and he starts to believe his own hype. The gun begins to click in his head, becomes a giant shooty robot rampaging through the city and ends with Naota lying at the feet of all his friend's being squirted by a water pistol.

Finally the fall-out of the connections in his old life start to catch up with him as he has to get closure on his time with Mamimi and admit to his feelings for Haruhara.



Often the way these monsters are fought is that Naota and Canti merge. When inside Canti, Naota becomes a conduit for Atomsk through his N.O. portal.
Naota's not in control during these fights. He's an instrument through which something much older and more primal drives and it's going to radically transform him whether he likes it or not.

Being true to himself, Naota at first submits to Haruhara as if she were his mother, admitting the hold she has over him completely. But channeling snd mastering the power of Atomsk he meets her every bit as much as he would as a lover.

In the end, it can't last. And for everyone's good, Haruhara has to move on.



Mamimi was a repressive, toxic relationship that did neither side any good.

Haruhara was a vital and galvanising thunderbolt of relationship that shook up and exposed a lot of things, but which could never have been sustained for long.

Ninamori is the girl Naota will end up with though, because they're the ones that can actually start to grow something new and positive together on all that newly-tilled soil.

The final scene with Ninamori and their friends echos the first few with Mamimi. Naota is still Naota and still has a lot of growing up to do, but he's in the right place for it, living on his own terms.

Everything in FLCL reflects the massive transformational change of puberty, right down to the wildly swinging tone and manic energy, which bombards you with so many different viewpoints that the only way you can make it through is by a blind rush and hoping for the best. It's a quiet emotional story told in a way that's rampaging out of control.



..... Speak to me!
 
 
Seth
12:31 / 30.07.07
That's a fantastic post and a very detailed summary of a very complex show.

I'm currently torn concerning how to interpret the end of this series. On the one hand I think the theory subscribed to by Transfer and _pin above is extremely accurate but also possibly too harsh. I think it's inarguable that Mamimi is the character who is most obviously changed by her experience, who has hit a brick wall and leaves town. Whether she's capable of changing sufficiently in order to be happy is another matter, a question that the series leaves unanswered. Mamimi tends to reject situations that get beyond her ability to control, and so it's very possible to read her decision to leave as a rejection of Mabase. Wherever that girl goes she'll encounter the same problems, so her stated intent of becoming a photographer is not necessarily something that will sort her out or make her happy.

However... I wonder whether the critique is too harsh on Naota. He is only twelve years old after all. Other characters consistently call him immature, but is it really his most pressing job to be mature at this stage in his life? And think about the characters who refer to him as immature - is this not a case of the pot calling the kettle black? Is there any character in FLCL - adults included - who can be said to be *mature?* Given a little further thought Ninamori does indeed seem to be a good match for Naota, in that she round about on his level, a hurt kid who finds it hard to admit her feelings and has a practised veneer of detached cool instead. She insults and teases Naota as a cover for the fact that she fancies him, and Naota encourages that kind of relationship. One could say that the last appearance of the two characters, or them bickering together, is vaguely encouraging.
 
 
Nocturne
15:48 / 30.07.07
but is it really his most pressing job to be mature at this stage in his life?

Is it just me, or does Japanese society place high importance on a male child being as mature as possible, as soon as possible? Something about them being responsible for the rest of the family? I'm not too sure. I remember Momiji in Fruits Basket being immature - and pissing a lot of people off in the process. Grave of the Fireflies seemed to place high importance on it, but those were extenuating circumstances.

I don't like Ninamori too well. She's deceptive, which is never a good omen in a relationship, although she's been (kind of) honest with Naota (she admitted she wore glasses to him). Her manipulating could be every bit as detrimental as Mamimi's need for control. The one thing she has in her favour is that she seems to be interested in Naota. Mamimi wasn't too interested once she had some competition from Haruhi.

I'm going from fuzzy memory so feel free to correct me.
 
 
Seth
17:15 / 30.07.07
There's a certain quality to the upbringing of Japanese males that Ian Buruma's Japanese Mirror details in terms of them generally being pampered in early life and then forced to survive alone in a much harsher environment without much of a gradation between the two. However, that doesn't necessarily equate to maturity... indeed, the same source seems to indicate a kind of perpetual immaturity. There is certainly a stereotype of the emasculated Japanese male, the powerless father figure who doesn't get a great deal of respect from their family.

However, the pressure on teens to be *mature* is on teens worldwide and largely in the form of peer pressure, especially when it comes to peer pressure. That's one of the things that's refreshingly honest about the treatment of teenagers in anime, in that even in a relatively non-sexual, *innocent* series like Azumanga Daioh the high school girls are comparing breast sizes, or the jokes in Eureka Seven about whether or not Renton has any pubic hair. It's certainly a lot closer to the mark than many of the Western children's growing up texts that I've encountered. I remember in school being teased about never having been drunk, or pressure to quickly kiss, fool around and lose your virginity. Growing pains seem pretty universal.

I don't believe Mamimi cools her relationship with Naota because of competition from Haruko. Mamimi seems to like the world in chunks that she can comprehend or control to an extent, and when things slip beyond that she gets anxious, or loses interest, or gets hurt. Naota starts as her Takkun but he resists and eventually outstrips the definition, her rescued kitten then becomes Takkun but also eventually leaves her, and the Terminal Core is then fed and raised for her as Takkun. It's worth noting that she uses operators of necessity when she loses her grip on her respective Takkuns, in that she tells both Naota and the Core, "We're/you're not supposed to do things like this." It's clear that she likes things to be just so and gets upset when they don't fit the narrow band of what she wants... it's an unreal, immature perspective that seeks to make the world into a plaything, a comforter.

Yes, Ninamori is manipulative... but beyond the third episode do we see her continuing to be manipulative? Her revelation while doing the high jump implies she has processed and grown a lot. She talked to her parents about their break up and then cried about it. Good on her.
 
 
iamus
23:03 / 30.07.07
Ninamori is manipulative, but it's possible that this is a way of acting that comes from her father. She obviously likes Naota a lot, and is prepared to do what she has to to get closer to him. She teases him because she likes him. Ninamori has problems and Naota has similar ones, and I think that's why they're perfect for each other.

As for the ending, it seems to me that when Mamimi leaves, it doesn't necessarily mean she's moved on any further than Naota, it's just about what's right for them at that time. She leaves because all Mabase has been doing is holding her back. Naota still has the whole of his adolescence to go through and with Ninamori and his other friends is the best place to do it, not out above his head with Haruhara.
 
  

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