Four horsemen makes sense. And this arrangement of significant players is a helluvalot more interesting and substantial than the "powering-up" of Caliban and Deathbird. And utilizing the most significant enemies makes poetic sense too. The X-Men have only really had a few enemy types - Sentinels, mysterious and uber-powerful mutants, humans, and Magneto. Grant's tied them together in a significant parcel.
New Death, or as Grant calls it: Transformation, makes sense with Cassandra, who has probably transformed and ended the most in the series.
War is probably more than just QQ, I see War as being the “war between mutant and human” that everybody seems to want to happen. I mean, on a somewhat smaller scale, it was played out by QQ, but I think the Weapon Plus Programme serves as Apocalypse's New War.
New Famine makes sense as Magneto because he lied so much. “He filled their lives with lies” and meaninglessness. Granted, he starved the mutant population of NY, but we're talking actual famine-like devastation, and that means removing sustenance from the world. The X-Men were removed from the equation, and we get Planet X Manhattan.
New Pestilence is for sure the Nano-Sentinels, the more effective way of attacking the mutant population.
I really like this theory, but I don't know if it will be addressed as such in the “Tomorrow” storyline. |