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The "best records of 2003" thread..

 
  

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Seth
10:45 / 26.12.03
Randy: Rounds popped my Four Tet cherry, so I had no frame of reference. I just got Dialogue yesterday, which on first listen is way primative by comparison. However, I have no need for artists to re-invent themselves or progress, because I can re-invent myself and progress and just listen to other music if I need something a little different.
 
 
Spatula Clarke
15:52 / 27.12.03
I'm in general agreement with you there, seth, but I'm not sure that I expressed myself very clearly before. I'm not talking about progression, because that implies a need for improvement. I don't *think* I'm talking about complete re-invention, either.

Draw a parallel with some fictional novelist. They write one amazing book which blows everyone away. Two years later, they come up with a follow-up which contains both plot and characters who are indistinguishable from - and interchangable with - those of the previous novel. Or a comedian who writes a well-received sitcom, then writes another a bit later which is made up of exactly the same situations and jokes. You'd feel disappointed, like the authors had been stuck in limbo for 24 months.
 
 
Seth
18:10 / 30.12.03
I disagree. Music is a different kettle of fish altogether, so analogies across artforms don't hold up. A quality blues player will play with the twelve bar form for their whole artistic lifetime and it'll still have power. The question is whether the listener has moved on, not the artist. They may still feel they have to mine a specific seam, they may not have exhausted what's in it for them. You create for yourself, after all. If other people love it, so much the better.
 
 
diz
23:22 / 30.12.03
Who cares if I bought this in 2002 on the day of its release? It's the best thing ever made by anyone, ever. If you don't own a copy you're a twat.

i saw El-P and a bunch of other Def Jux people at Coachella this year. El-P's control of the mic is unreal.
 
 
STOATIE LIEKS CHOCOLATE MILK
00:49 / 31.12.03
Already mentioned: Killing Joke, Jane's Addiction, Radiohead, Peaches.

Others that fucking rocked a snow leopard's ass:

Firewater: The Man on the Burning Tightrope
Imagine Foetus and Tom Waits getting together, drinking a shitload of whisky then doing a klezmer album. Oh yes.

The Angels of Light: Evrything Is Good Here/Please Come Home
I think this was this year. Michael Gira's post-Swans miserablism, only this time with added gloriousness. And added Devendra Banhart.

A Perfect Circle: The Thirteenth Step
As broad a canvas as Mer de Noms, but somehow... a bit more like the Cure. Only metal. Of sorts.

Nick Cave & the Bad Seeds: Nocturama
Okay, not the Cavester's best album ever, but still for the most part head and shoulders above pretty much anyone else.

David Bowie: Reality
Carries on where Heathen left off, only much more consistently. And manicaly. And he sounds like he's having fun and looking good again.

A disappointing amount of new DHR or apocalyptic folk stuff this year- although there was the Panic DHH ep and truly fucking awesome live shows by Current 93 and Diamanda Galas, so the year wasn't entirely wasted!
 
 
imaginary mice
07:05 / 31.12.03
I'm amazed no-one's mentioned Amateur Night In The Big Top yet (featuring Shaun Ryder) - bluddy grate album. And all songs are over 6 minutes long, which is always a good sign.
Best single has to be "Jenny" by Stellastarr*.
 
 
rizla mission
10:30 / 31.12.03
And all songs are over 6 minutes long, which is always a good sign.

imaginary mice is clearly unfamiliar with Yes's "Tales from Topographic Oceans".
 
 
Spatula Clarke
11:15 / 31.12.03
The question is whether the listener has moved on, not the artist. They may still feel they have to mine a specific seam, they may not have exhausted what's in it for them. You create for yourself, after all. If other people love it, so much the better.

I think this is where we're coming at the discussion from different angles. If the audience has changed, they can return to the older work and get a new experience from it, hear things there that they didn't pull out originally. As a listener, that almost makes a second album that covers the same ground unnecessary. But, like you say, it depends on who the record is recorded for - the audience or the artist.

I honestly thought that Shaun Ryder album was one of the worst of the year. Musically it sounded like a second-rate version of the Fall's already second-rate early/mid-90s output crossed with every awful indie/dance group ever, and lyrically it was just abysmal - when you could actually make out what Ryder was mumbling about, bag-lady-stylee, it turned out to be The Life of Shaun Ryder: now with added drug heroics! Like the final spark's left his eyes, our generation's Ozzy Osbourne, with a hint of the Brian Wilsons about him (got a shit album you want to sell? Quick, get Ryder on the phone and attach his name to the project). See you on the comedy show in twenty, Shaun.
 
 
Jack The Bodiless
16:55 / 31.12.03
If the audience has changed, they can return to the older work and get a new experience from it, hear things there that they didn't pull out originally...

I think the keyword there is "can" - 'the audience' tends to blame an artist for their own fluctuating music taste, as in "yeah, I used to be into them, but I got better/grew up/moved on/got sectioned."

Audiences (and this is 'the audience' as in the kind of armchair critic who loves to critique and soundbite others' work on the interwebnet - thee and me, basically) enjoy deciding what other people should create, or should have created, in order to describe a reason for a less potent listening experience than 'last time'. True, sometimes work doesn't seem up to par. Often though, the artist is seen as 'treading familiar ground', or 'having failed in a brave experiment'. Seems to me that there's too much identification going on with the artist with the original material, and, a little like a break-up, you tend to blame the other for the fact that the relationship can change with the next LP.

Or something. I don't listen to new music, so what would I know.
 
 
Regrettable Juvenilia
02:07 / 03.01.04
Well, I thought it was a great year for music. I don't really think there is such a thing as a bad year for music, but this year I was lucky enough to be exposed to a whole lot of stuff that rocked my world.

There are nine albums released this year which I can unequivocally recommend. Here they are, in very, very roughly descending order.

Outkast - Speakerboxxx / The Love Below
I'm not sure what more there is to be said about Outkast’s (latest) magnum opus – actually, that’s completely wrong - I bet there’s a lot. I bet we haven’t even scratched the surface… If there was ever an argument for the road of excess, a manifesto for maximalism, then these two discs are it. Andre and Big Boi bestrode 2003 like a twin-headed colossus... Okay, that's enough hyperbole – although there can never be enough hyperbole for the likes of ‘Bowtie’. Speakerboxxx is the slightly better album – the instant classic, the “omifreakinGod!” jaw-dropper; The Love Below is the grower, full of hidden treasures. Between them, the two records are a primer for almost everything that’s ever been great about music.
Tracks you must download: 'Unhappy', 'Bowtie', 'Flip Flop Rock', 'Happy Valentine's Day', ‘Dracula’s Wedding’


Twilight Singers - Blackberry Belle
Greg Dulli is back and firing on all cylinders. If some of the ingredients (both musical and lyrical) are familiar, then by now the former Afghan Whigs frontman is a master when it comes to serving them up mixed together in fresh and exciting ways. Ugh, a cooking analogy – still, at least it makes a change from the usual imagery I end up using to describe Dulli’s music, which is either a) alcohol (probably Jack Daniels), b) cigarettes (Lucky Strike), c) a dimly-lit subterranean bar where you can drink Jack Daniels, smoke Lucky Strike, listen to some Isaac Hayes and leer at the bar staff.
Download: 'Esta Noche', 'Teenage Wristband', 'Feathers'


Jay-Z - The Black Album
It's funny, people started saying that Jay-Z was the best rapper in the game a few years ago, when I really don't think it was true... But he's been improving steadily ever since (with the odd occasional wobble - even he's admitted that the double album was a bad idea), and on the strength of this record, it's hard to think of an MC who is wittier, more charismatic, or more surprising. Of course it helps that the production is 100% watertight (when was the last time you could say that about a hip-hop album, even a really good one?). "Flyer than a piece of paper bearing my name" = line of the year.
Download: 'Encore', 'Dirt Off Your Shoulder', 'Public Service Announcement (Interlude)'


The New Pornographers - Electric Version
First time I wrote about this album on this blog, I said it was almost impossible not to fall into clichés when praising it - so imagine how much harder it is to write a brief summary like this… Hell, I’d just be calling it what it is if I said “it’s a delightful confection of melodic hooks and power-pop goodness!” I could also point out that it’s one of the few albums I’ve ever heard that sounds like it was influenced by Sgt Pepper (a frankly rubbish album itself) and yet somehow manages to make that into a good thing. All hail The New Pornographers. They are the praise and worship band at the Church of Joycore. You are not worthy. Form a line to the throne.
Download: 'The Laws Have Changed', 'It's Only Divine Right', 'Miss Teen Wordpower'


The Rapture - Echoes
Of course, a lot of it is utterly fantastic to dance to: you can't *not* dance to 'House Of Jealous Lovers' or 'Olio' (well, maybe you can - each to his own, but I can't). But Echoes isn't just a dancefloor album. Thanks largely to Luke Jenner's big-hearted, idealistic sense of romance, it's also a love album. This year's best love album, in fact. Check out 'Open Up Your Heart' (nice steal from Bowie's 'Five Years' there boys - if you're going to steal, you better steal from the best) and 'Love Is All' for confirmation. When the romance and the dancefloor combine, as on 'I Need Your Love', The Rapture are just - yes, again - the best thing ever.
Download: 'I Need Your Love', 'Killing', 'Sister Saviour'


Basement Jaxx - Kish Kash
Okay, so the first half is better than the second half. But what an album this is, any way you slice it. So many layers of sound, so many invitations to move, so many little magic throwaway moments that anyone with fewer ideas would have to use as the basis of an entire song. What the Chemical Brothers' Dig Your Own Hole was to mid-90s indie rock and old Schooly D, Kish Kash is to current r&b/pop/electro/bootleg-mash-ups... It's just so cool and exciting to listen to 'Plug It In' and realise the Jaxx are almost certainly trying to make music that sounds equal parts Justin Timberlake and Add N 2 (X). And I still reckon the best way to describe 'Lucky Star' is "like being beaten up by Horus".
Download: 'Lucky Star', 'Plug It In', 'If I Ever Recover'


RZA - Birth Of A Prince
Halfway between the wickedness of bad boy Bobby Digital and the wisdom of Prince Rakeem, this is the best Wu-Tang album I've heard since Ghostface's Supreme Clientele. Somehow RZA has pulled off the neat trick of making an album that simultaneously sounds like classic Wu goodness ('Fast Cars' could easily have been produced in '95, but of course they were a decade ahead of their time back then), makes nods to what's going on in the rest of hip hop today ('We Pop' sounds like it ought to have set clubs alight as much as any Dre banger), and also heads off in strange new directions (that squelchy weirdness all over 'Cherry Range', or the head-mashing entirety of 'Bob N I'). Keep the faith, true believers.
Download: 'The Grunge', 'Chi Kung', 'You'll Never Know'


Yeah Yeah Yeahs - Fever To Tell
Two parts intoxicated trashy sleazy glam hedonism to one part lonely pleading wintry laments. It's the latter that surprises and has won over many of the skeptics, but I still think the Yeahs do the former as well as anybody else, possible incest references and all. It's been argued that guitarist Nick Zinner is the real star of the band, and I think there's a case for that, but you'll never find me joining in with the oddly vitriolic Karen O hate. So she's playing dress-up. Dress-up is fun! Don't need no hateration in this dancerie.
Download: 'Rich', 'Maps', 'Tick'

Cat Power - You Are Free
Almost forgot this one when I came to make this list. I think that's because the best songs here are not ones that I would necessarily choose to listen to in anything other than the bleakest possible circumstances, and my year has been a very happy one... I mean, seriously, 'Good Woman' has to be one of the most emotionally devastating pieces of music I've ever heard, and possibly the most traumatic evocation of a certain kind of break-up ever: Chan knows that ending things is the right thing to do, but she's going to miss him so. Fucking. Much.
Download: 'I Don't Blame You', 'Good Woman', 'Maybe Not'


Single of the year: Chicks On Speed, 'We Don't Play Guitars', followed by the obvious stuff (Sean Paul, Justin, The Darkness, etc).
 
 
Keith, like a scientist
18:19 / 03.01.04
10. Richard Devine "Asect: Dsect" (Schematic Records)
09. Quench "Punctuated" (N5MD)
08. Swollen Members "Heavy" (Battle Ax Records)
07. Radiohead "Hail to the Thief" (Capitol Records)
06. Lifesavas "Spirit in Stone" (Quannum Records)
05. The White Stripes "Elephant" (V2/Third Man)
04. Chris Clark "Empty The Bones of You" (Warp Records)
03. Non-Prophets "Hope" (Lex Records)
02. Prefuse 73 "One Word Extinguisher/Extinguished" (Warp Records)
01. DM + Jemini "Ghetto Pop Life" (Lex Records)
 
 
Regrettable Juvenilia
21:30 / 03.01.04
What do like about those records, Keith? Tell us why.
 
 
Matthew Fluxington
21:34 / 03.01.04
I didn't tell anyone why I liked what I listed. Normally, I'd say that we should give reasons in this forum, but I think that in this thread, lists alone can be permissable.
 
 
Shrug
21:41 / 03.01.04
Also loving Speakerboxx, Common was good too.
 
 
Keith, like a scientist
23:17 / 03.01.04
10. Richard Devine "Asect: Dsect" (Schematic Records)
Wasn't sure what to expect from this. The last couple one off tracks of his were lackluster, but his previous album was pretty slick. Devine is the king of spatial DSP madness, full sensory experience. I'm graphic designer, but I don't consider that to be an artist. Devine is musical, but I would almost call him a music designer in that everything is considered in minute detail. He's just a genius.

09. Quench "Punctuated" (N5MD)
Quench aka Funckarma aka Cenik aka a billion different aliases. One of those groups that started as shameless Autechre copy cats, but have now gone down a different path. I thought the last Quench album was amazing, and this one is not quite as breathtaking, but shows enough moments of beauty vs. technology loveliness that I am very happy indeed.

08. Swollen Members "Heavy" (Battle Ax Records)
The Members have gone quite commercial with this record, but it somehow still works. The previous albums were very dark, but the combination of dark, hardcore lyrics and glitzy Timba-style production comes together quite nicely here.

07. Radiohead "Hail to the Thief" (Capitol Records)
It's Radiohead, right? I mean, did you think it was going to be bad? Even Amnesiac is swell, and that's far and away the worst Head entry. This, though, is a great cross between Kid A and OK Computer.

06. Lifesavas "Spirit in Stone" (Quannum Records)
Blackalicious proteges that are the funk to their mentor's soul. "hellohihey" is worth the price of admission alone, with the lead MC, Vurstyl, taking on 3 or 4 different roles. Oh, so funky.

05. The White Stripes "Elephant" (V2/Third Man)
Jack White...that voice, that Cure-been-living-in-the-boonies voice. How can you resist?

04. Chris Clark "Empty The Bones of You" (Warp Records)
Oh my was this a revelation. Easily the best electronic album in years. Such beauty, such bumpin' beauty. Clark meshes the best of hip-hop, IDM, ambient, techno into his own distinct blend. Hell with those other Warp stars (Aphex, Vibert, Plaid, etc.), Clark is the real deal.

03. Non-Prophets "Hope" (Lex Records)
Lex does it again with Joe Beats and Sage Francis. "No Style" is the successor to Pharcyde's guitar driven "Runnin' Away" and "That Ain't Right" has THE best snare pattern ever. This is hip-hop the way it should be, funny, insightful, hard as hell.

02. Prefuse 73 "One Word Extinguisher/Extinguished" (Warp Records)
Prefuse is king...my god, this album was amazing when I heard it, but then I saw him do this stuff live and it cemented him as a god in my book. I love that's it's flawed and raw, too. Full of little bits of nothingness, and bad production...hell with it, it all works together in this sometimes hard, sometimes soft, apocalypse of beats and synths. Yes, Yes!

01. DM + Jemini "Ghetto Pop Life" (Lex Records)
I just love this album to death. Danger Mouse is such a fantastic hip hop producer. Songs like "Born a MC," "Take Care of Business," "Copycats," and most especially "Medieval" with Pharcyde are just funky fun and hard hitting. Jemini busts more flows than ten MCs put together and every one is tight and correct. Topping off a banner year for hip-hop, no doubt.
 
 
superdonkey
20:20 / 04.01.04
I have a big list, which is what happens when you just try to think of the things you liked without limiting it to 10 cds...

AUDIO SOUNDS:
(also in no particular order)

Outkast - Speakerboxx/The Love Below
Fannypack - So Stylistic
The Rapture - Echoes
Themselves - No Aiffs remix album
The Gold SParkle Band - Fugues & Flowers
Jennifer Gentle - Funny Creatures Lane
Peaches - Fatherfucker
V/A - Lost In Translation OST
Alvarius B. & Cerberus Shoal - The Vim and Vigour of Alvarius B. & Cerberus Shoal
We Ragazzi - The Ache
Dwayne Sodahberk - Unfortunately
Beans - Tomorrow Right Now
GOGOGO Airheart - Green cover S/T re-release
Dance Disaster Movement - We Are From Nowhere
Nettle - Firecamp Stories Remixes
V/A - DFA Compilation #1
Daedelus - Rethinking the weather
DM + Jemini - Ghetto Pop Life
Lightning Bolt - Wonderful Rainbow

There are also some things people've posted here and reminded me of, like the AMT/Kinski split..
 
 
Deltzer
02:51 / 05.01.04
just like alcohols, you don't mix genres, so my list is without the happy PC multicultural slant:


5. South - With the Tides
4. The Wrens - The Meadowlands
3. The Postal Service - Give Up
2. Death Cab for Cutie - Transatlanticism
1. The Stills - Logic Will Break Your Heart
 
 
Regrettable Juvenilia
09:35 / 05.01.04
"just like alcohols, you don't mix genres"

Spurious analogies ahoy! Sorry, what? So in any given year, a person should restrict themself to only listening to music from one genre? Or let's assume you're a less extreme brand of crazy person, do you mean that people should limit themselves to only recommending albums from one genre in this thread? Either way, that's nuts, and no amount of arbitrary, meaningless "see! it's like drinking!" comparisons are going to help you convince anyone otherwise. As for "PC multicultural slant"... Lordy. Is the implication here that people who dare to listen to music other than that made by white kids with guitars must be only doing it to be right-on and trendy? I'm sorry, but I'll recommend whatever the hell I like, and fuck you for casting aspersions on anyone else's motivations. Go ahead and restrict yourself to "not mixing", it's your loss, but I think the phrase you were looking for was "I don't mix genres", not "you don't mix genres".
 
 
rizla mission
11:26 / 05.01.04
you tell 'em flyboy!
 
 
Matthew Fluxington
12:13 / 05.01.04
Geez, you know, as repulsive as the "I only listen to one genre" bullshit is, the thing I find most depressing is that Deltzer decided to focus on only the most drab and lifeless borecore indie music of the year. It's almost like a partial list of Why I Can't Support The Indie Scene In 2003.
 
 
Deltzer
18:10 / 05.01.04
ok, i have to laugh. i knew someone would fall into the trap that i set up by making that statement. i figured i'd rile someone up by saying that. i did not mean that people should limit themselves in any way to their 'best of 2003' records to just one genre or even to one list. nor did i want to impose that anyone should limit themselves. i was just taking the piss and seeing who would bite. i'm amazed at how many different genres we have in today's music and i find it hard to think of them being thrown in a blender to respresent what is the 'best of' due to the differences in opinions and styles. and that is exactly what this entire thread is about - people's personal 'best of' list, which is as open to debate as any that you would see in rolling stone, filter, CMJ, Q, or whatever. even my so-called drab and lifeless borecore list. but that's just me.
 
 
belvedere
19:57 / 05.01.04
does that mean that i can say that i thought the new whitehouse album "Birdseed" was pretty good?
 
 
Bed Head
20:18 / 05.01.04
i was just taking the piss and seeing who would bite

Well, I hope a Rottweiler is on hand next time you take a piss, then. This so-called cunning trap you set up with phrase “the happy PC multicultural slant” seems a snide put down of other lists on this thread. Everyone else has managed to debate choices without being so rude, and most normal people easily and happily enjoy different kinds of music without having to make any effort at all for correctness’ sake. The relative shittiness of your list is, as you say, entirely a matter between you and your ears. Although I think you could probably fit more than five records in there.


Wish I could contribute a list, but I haven’t listened to anything modern this year.
 
 
yawn - thing's buddy
21:18 / 05.01.04
kelis/richard x: finest dreams

cos it sparkles.
 
 
Ms.Blue
22:16 / 05.01.04
The American Song Poem Anthology-Do You Know The Difference Between Big Wood And Brush?


this is the most fractured,mind numbingly painful and hilarious thing i have heard in AEONS.
ever see those "have your song recorded" ads in the back of magazines?...this is the product,all of the tracks are from the mid 70's..writers have no control over how the song sounds,and the vocalists have to stumble through the horrible grammar and poor rhyme scheme.
my fave. is probably "a blind man's penis"
good show.

here's somewhere to download an mp3,try "convertibles and headbands",it just fucking atrocious.
http://www.aspma.com/comps/bigwood.htm
and listen to the whole song man,or else you miss the full seXXXperience of it all....but don't bother downloading "i like yellow things"..it's not as promising as it sounds...
 
 
Sexy Legendary
14:29 / 06.01.04
okay chaps and chapesses. here we go...

1) broadcast - hahasound: sweet, retromodernist psychedelia that confounded most people's expectations of just how fucking brilliant it would be. their lead singer's damn sexy too.

2) the fall - real new fall lp: iggy's the passenger is "borrowed" not once, but twice on what has been regarded by many as "their best album in years", also known as "their best album since their last best album in years". or something.

3) soundmurderer + sk1 - rewind: presenting the tuffest dnb in years and fucking years. aggressive and progressive, but never over noodly, the duo proved that you can innovate the field without making it undanceable. the track "soundboy" is also number one in this boy's festive fifty.

4) crack: war - cosmic mind flight: seedy and satanic, crack war's full length debut is the best electro i've heard in ages, possibly due to the fact that they seem to have a music collection that extends beyond kraftwerk and miss kittin.

5) numbers - life: ok, technically this came out in 2002, but we didn't get an official release in the uk until last year. but yeah, this is great stuff, despite the fact that there isn't exactly a shortage of post-punk influenced bands around at the moment. to my ears, they sound more like their own band than many of their contemporaries and most importantly don't sound remotely like duran duran.

honourable mentions must go to prefuse 73 (for both one word... and the outtakes extravaganza that was extinguished), the bug, lory d, erase errata, cylob, astrobotnia, nina nastacia and the fat truckers.

and from the looks of things, it seems i need to get hold of that outkast album and the melt banana one too.
 
 
_Boboss
15:35 / 06.01.04
i got aes rock's bazooka tooth on christmas day

El Producto's producto on that un is...

...difficult.

but i'm getting in to it, less bouncy than the first album and slick than the second, but the rest of the world is gonna take at least five years to get with these beats and loops, so its best to be around for it now.

also response to deltzer = classic flyboy: 'oooh, precious'
 
 
RadJose
01:33 / 07.01.04
as always a day late w/ this kind of thing... bah... and plus more than a little shy, like i'm some kid at a big family dinner sitting at the grown up table for the first time and talking... bah... okay here we go

5: Pretty Girls Make Graves the New Romance: moody, w/ a bit of punky and harsh noise mixed in w/ a dose of dark new wavey goodness, or somthing like that... i dunno, this is one of the hardest things i've ever had to try and describe... i just like this record, and it gives me that feeling of "newness" that Bis always used to give me

4: Junior Senior D-D-Don't Don't Stop the Beat: if you don't like this record yr a hater! this is the most fun CD i think i've bought in a long time! no lie! you put on this CD and you smile, this CD is FUN! look at all these exclamation points! the CD is that exciting! for real!

3: Less Than Jake Anthem: their previous effort Borders & Bountries left a slightly sour taste in my mouth, a "they're getting old, maybe they've lost it" then this year Anthem comes out and i'm knocked on my ass, makes me shake my head and reopen my ears... the CD is chock full of sing along punk rock *ahem* anthems that follow the theme of growing old and finding yr place in life... it also contains the best ska song i've heard all year, "the Science of Selling Yourself Short"... this CD is not only a highlight of 2003 but one in the career of Less Than Jake

2: the Shins Chutes Too Narrow: it's not often that you put on a record that you were aprehensive about buy because you didn't know much about the artist and by the second song you think to yrself "wow this is fucking good" and by the end of the CD yr all "let's play that again", that was me w/ the Shins... slow sweet american made brit-pop w/ a touch of old skool country twang at a few points... this CD is a spring afternoon of reading a good book or lighting off firecrackers later that night... after 3 rotations you know most of the words, or yr at least looking them up in the liner notes so you can correctly sing along that's how catchy this CD is... i've found myself humming some of these songs while i'm just out and about

1: Mates of State Team Boo: i feel stupid not buying this CD earlier in the year when it came out, that i feel was a mistake... this CD is cute distilled! every song is an indie pop music ride w/ strange bends and odd hooks... all the songs at first sound unfinished until you start to realize the crazy intracate struture of each song... it becomes unreal when you think about it, but the beauty of it is the music never asks one to ponder it, it's just fun catchy adorable music w/ choruses you won't forget anytime soon... it's as breazy and crisp as an early fall wind, this CD rarely leaves my CD player anymore, it is seriously the best CD of 2003!

and there you have it... one of my best friends told me "i was w/ you all the way up to your #1, that's when it all fell apart" meh, oh well...
 
 
Ellis says:
12:24 / 07.01.04
I can only think of two new albums that I have bought this year and enjoyed:

Mogwai- Happy Songs for Happy People: Just amazingly moving pieces of music which seem to reflect whatever mood you're in perfectly.

Nina Nastasia- Run to Ruin: Haunting and heavy acoustic music, the kind you stay up really late with a bottle of vodka and listen to repeatedly.
 
 
juan de marcos
01:05 / 15.01.04
WIRE: "Send"
ELBOW: "Cast of Thousands"
DIAMANDA GALAS: "Defixiones, Will and Testament"
 
 
Spatula Clarke
01:29 / 15.01.04
In the "albums that came out in 2003, but I've only just got around to hearing" pile is Belle & Sebastian's Dear Catastrophe Waitress, in which our heroes dump the "We're posh! We're students! We get beaten up by the sporty kids quite a lot!" routine and instead manage to fully realise their ability to write brilliantly catchy pop tunes and marry them to lyrics which aren't about Belinda who lives in Cambridge with her cats and dreams of badgers running free in the fields on fresh spring mornings. Lord Anthony's the only place they mess it up, but I can put up with that as I'm a Cuckoo more than makes up for any and all of their past sins.
 
 
No star here laces
01:33 / 15.01.04
My late entry, thanks to its appearing on some bloggers' "best of" lists is the unbelievably good Dr Ring Ding - "Bombs over baghdad". It's got nothing at all to do with the oukast song of the same name, instead it's a ponderous, measured and utterly disgusted critique of the war on Iraq. Sarcasm and dancehall are not normally two things that go together but when the good doctor says "watch the peacemaker come" you realise its a shame that they don't coincide more often.

I'd about burnt out any moral outrage left about the war - my state of mind was "America is powerful. They are not going to give that up easily. We can whinge about it all we like, but it won't make a damn bit of different - it's like talking about the school bully behind his back."

After a few listens to this tune it's back to screaming INJUSTICE!.

So I recommend anyone who is feeling a bit jaded give it a listen. Seriously.
 
  

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