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So here goes. Give us your top ten, top three, number one or whatever of albums, singles, songs, live performances, sheet music, random noises or whatever from the past year. I'll leave the specifics up to you.
Being the music geek I am, I've gone for a full top 10 albums complete with explanations. You'll notice that regrettably my list has ended up registering a complete absence of hip-hop, electronica or any other not white-and-guitar-based genres of music, for which I can only apologise and say "hey, whatcha gonna do?", to which you will be entitled to reply "listen to a more varied selection of music".
1. Melt Banana – cellscape
What can possibly be communicated with words to sum up the best Melt Banana album yet? I’m still quite fond of my “they are to other rock bands as giant shape-shifting robots are to cavemen” quote, but aside from that, I dunno..
2. Dead Meadow – shivering king and others
“Black Sabbath, say hello My Bloody Valentine. You guys like weed, right?” Gatefold double vinyl and more wah-wah than a maternity ward. Duuuuuuuuude.
3. The Mountain Goats – Tallahassee
Absolutely the most fun you’ve ever had whilst listening to a one-man lo-fi concept album about disintegrating relationships and alcoholism. This guy strings lyrics together so they hit like hammers .. intense emotion but with restraint and black humour where most would wallow in misery and self-pity. It’s almost like a masterclass in How to Write Songs About Stuff.
4. Jeffrey Lewis – it’s the one’s who’ve cracked that the light shines through
What can I say, I just love this guy.
5. Kinski / Acid Mothers Temple split CD
Looks like an ep, priced like an ep, but (predictably I suppose) plays for 65 minutes. And it’s the best chunk of post-rock type action I’ve heard this year.. the Kinski track goes quiet/loud pretty quickly absolutely RULES, the AMT track is, as expected, 25 minutes of utter psychedelic headfuck glory and the two collaborations are absolutely beautiful excursions into heavenly droning FX and laidback guitar melodies. Seriously damn good.
6. Lightning Bolt – Wonderful Rainbow
This was this year right….? Correct me if it wasn’t.
Either way, what could possibly suffice as a description except AAAA#AAA#-AAA%AA@RRRRGGGGG’GHHH!!!! FFFF;UUUUU//CCCCKKKKK!!!
7. Oneida / Liars – Atheists, Reconsider
Oneida are without question my Band of the Year, and I’ve been rocking their back catalogue pretty extensively, but this split CD is the only thing they’ve actually released this year. Thankfully, both bands’ contributions are really fucking good, and they seem to have undergone some kind of strange merging process, in that their tracks are separate, but they’ve started sounding like each other, as Liars gain freaky psychedelic keyboards and Oneida gain agitated no-wave mentalism.. “good lord!” choke listeners..
8. Party of One – Caught the Blast
Jittery lo-fi indie-funk featuring a man with classic nerd-on-the-verge-of-a-nervous-breakdown vocals singing cheerily misanthropic ditties about Iraq, suicide, Sierra Leone, the holocaust and other such easy going subject matter. Gains bonus points for brilliant and unexpected female-voiced gangsta rap song complete with gunshots, dead cops etc.
9. Grant – Something to Believe In
Not here for reason of sycophancy or backslapping or what have you, but instead because I really, really like it. Grant writes terrific songs and performs them in a rather gorgeous manner.
10. Stephen Malkmus & the Jicks – Pig Lib
I have many thoughts about this record, but I can’t quite put my finger on any of them for more than a few minutes.. the fact that the previous Malkmus album topped by favourite albums list a couple of years ago should tell you something about my initial dissatisfaction with this one, but as ever it’s been grow-grow-growing on me and it’s slowly burrowed it’s way into my head and is getting played rather a lot. Admittedly bits of it still sound like a soundtrack to some incredibly annoying surrealistic Disney movie in which happy sea creatures dance pointlessly around geometric structures for hours on end, but inevitably more of the pure Malkmus-magic becomes evident the more you listen, as melodies and lyrics that initially sounded infuriating start to make sense and become quite lovely… songs like ‘Animal Midnight’ and ‘Ramp of Death’ are as good as any from the Pavement era and even when he dives head-first into full-on King Crimson guitar mangling ( like on ‘1% of one’) the results are surprisingly, well, great actually, once you get used to the idea..
Bubbling under: Herman Dune, Mogwai, Erase Errata, Themselves, Cat on Form, Sleater Kinney, Anaal Nathrakh, Menson, Meanwhile Back in Communist Russia, Northern State, Ex-Models
And albums which I haven’t heard (YET), but feel certain will match up to ABSOLUTELY DESTROY status:
3 Inches of Blood, the Dirtbombs, Nebula, A Silver Mount Zion, KnifeHandChop, Explosions in the Sky, Outkast, the Gossip, the Midnight Evils, Donna Summer, The Caretaker, Hang on the Box, the Hellacopters, the Fall, Crack (We Are Rock) .. probably loads more I guess.. |
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