|
|
Because someone in another thread said...
/You take back every nasty insinuation you ever made about the godlike genius behind all five seasons of Babylon 5, RIGHT NOW./
Hahaha...
Oh I'm sorry, also the genius behind "Midnight Nation" and "Rising Stars."
Since I've never seen that show or any SF shows I'm not sure if you're serious?
Look, I used to hate Babylon 5. Deeply. I thought it was pretentious, dull, and everything that I dread in a sci-fi franchise. My partner, who has excellent taste, managed to cajole me into borrowing all five seasons from a friend and watching them consecutively.
After the first season, my thoughts were largely "Why the fuck am I watching this dreck?" the plots were flimsy, the lead was wooden to say the least, and the effects could have been done on a ZX Spectrum. But I stayed with it.
Second season. Still, not overly impressed, but really starting to love G'Kar and Londo as characters. Improving, so I stuck with it.
Third Season. Wow. So Good. How can they top it?
The final episode of the fourth season of B5 is the single most brilliant piece of sci-fi I have ever had the priviledge of seeing on a television screen. Seriously.
So, the fifth season was a disappointment after it, and having discussed B5 with haters and lovers alike, I quickly give my reasoning before fucking off again.
1. Unlike Star Trek, it has realism. Workers are exploited, the "federation" is corrupt, and racism is a huge problem all over the Universe.
2. Acting. G'Kar and Londo are characters you become so attached to, and the fact that their respective actors manage to convey such emotion through their costumes (G'Kar in particular) is impressive.
3. Direction. I don't actually think JMS is a brilliant director, or if he is, it hasn't been apparent in anything else he has done. Still, he manages to write himself out of difficult situations (actors leaving, mostly) in quite an elegant way.
4. Like someone already said, breadth. This, however, is also the weakness of B5, because it's most spectacular episodes are a crescendo, the episodes before are the movement leading to it. You need to watch the entire run (well, you can leave out season five because that telepath plot sucked so hard) in order to appreciate some of the brilliantly woven suggestions, thematic elements, and plotlines.
Anyway, just needed to say that. It's a good show, and I'd reccommend it to anyone who is willing to spend the time watching some less-impressive early series. It's worth the effort. |
|
|