BARBELITH underground
 

Subcultural engagement for the 21st Century...
Barbelith is a new kind of community (find out more)...
You can login or register.


Investigating Advertising

 
  

Page: (1)2

 
 
—| x |—
23:49 / 28.05.03
Well, I’m not sure if this belongs here or over in the Switchboard. So, if it is better for there than here, please feel free to move it.

Over here Rothkoid makes the following remarks for a possible thread:

I think we should talk more about the evils of packaging advertising more. It's the advertising that's so ubiquitous that nobody bothers to go "hey!" about it any more. It's not on a billboard; it's on your pockets and watches and all that kinda stuff.

Being interested in advertising and its effects on individuals myself, I thought I’d take the initiative to start a thread about this.

I wonder how many of you have seen the documentary The Ad and the Ego? It is an excellent exploration into advertising and the effects that it possibly has on the people who are subjected to it. Here are some resources pertaining to it:

The Ad and the Ego online

Quotes from the documentary

The Ad and the Ego review @ Negativland

Also, here is a short “how to” guide for deconstructing ads.

As well, the following is a piece I wrote for an online newspaper last year:

Advertisement and Anxiety

Every day we are bombarded by an overwhelming deluge of advertisements. We are exposed to them on the sides of buses, on the inside of buses, on benches and bus shelters, in newspapers, in magazines, over the radio, on television, on billboards, on the sides of buildings, in shop windows, on signs set up on the street, as part of the paint job on some vehicles, in our email or on web pages—heck, we even see advertising on some of the clothes that we wear. We are embedded in an environment that is always out to inform of us of a product we need to have, or a service that we need to employ. In short, we are constantly and unabashedly baited to consume. Advertisements can be shameless in their attempts to bring us to beliefs about what we are, or perhaps better, what we could be if only…and in this, advertisements can inspire shame in the individual.

It is often the case that, if an advertisement is selling anything these days, then it is likely selling an image. Gone are the days were an advertisement would be a simple exposition regarding the product, and list its price. Contemporary ads typically lure people into believing that a product carries with it a lifestyle, a way of being in the world. Many people feel that even if this is the case, they are not affected by the images that ads are selling them. However, the irony is that many of these same people who claim that ads have nothing on them, that they are able to see through and ignore the images that they are being baited with, are in fact the same people who will be wearing Buddwiser baseball caps, Nike clothing, or some other brand label bit of apparel. In fact, it is those who feel that they are immune or able to ignore advertising that are likely to be most susceptible to its insidious grip: when we learn to ignore that which is right in front of us is when what is right in front of us gains its most power. By thinking that we are immune to advertisements we set ourselves into the zombie-like mode when advertising has its greatest hold.

Think of all the jingles and images that occupy a typical consumer’s head space. Think of how easy it is to recall Coca-Cola ad campaigns from years gone buy: “Have a Coke and a smile,” “…in perfect harmony, I’d like to buy the world a Coke…” “It’s the real thing,” etc. And it doesn’t merely begin and end with Coke. How much of any average Westerner’s mind is filled with such refuse? And if only we could refuse this constant bombardment of images, signals, signs, symbols, and messages about what it is that gives our lives value, what things we need to have a meaningful and happy existence. But we cannot withhold our acceptance and reception of these messages: we are living in an environment that is saturated with such one-sided communications.

With all this imagery floating about in anyone’s mind, is it any wonder that people become debilitated with increasing anxiety, and that we live with worry generated from an acute sense of unsatisfied desire? In every add there is the subtle implication that there is something that the individual is lacking, that the individual has a need or desire that isn’t being fulfilled—that the individual is not quite whole, and thus, in a sense, not quite “right.” Ads appear to instill in people the feeling that they are something less than…if they do not immediately get the product, buy the service, subscribe to the image that is being sold. In other words, an ad functions as a way to create in us a feeling of lack, open up a hole in our lives, create in us a void and emptiness where none existed before. In short, ads seem able to breed anxiety.

Thus, ads are neither harmless nor passive. Advertising can be seen as an active parasite that seeks to fulfill its goal by feeding the shadowy aspects of a human existence. In appealing to our wants and desires to belong, to feel fulfilled, to feel secure, to feel safe, to feel as a part of something more, advertising exploits and abuses, assaults and debases, degrades and devalues our lives.

Take, for example, an ad currently running on television which appears to assault and degrade children who wet their beds. The child in the ad is happy once he has the product because now the other kids can think of him as normal. The implication for any bed wetting child—and his or her parents—who views this ad is that a child who urinates while sleeping is abnormal, and that until he or she uses the product, there is reason to feel ashamed. How does this not increase anxiety in the child, and likely in his or her parents, who is probably already feeling distressed about an aspect of his or her human existence? And this merely one of a plethora of examples that could be cited. Ads often attempt to instill a sense of shame in the individual if he or she is not using the product, is not buying the service. If the individual doesn’t have the product/service then he or she is somehow subhuman, is living a life that is lacking, is in no way in a position to have a fulfilling and meaningful life. This is what some advertisements seek to inspire in their victims.

Is it any wonder, then, that we sometimes feel that we are living in a world on the edge of oblivion? Is it any wonder that we feel anxious and alienated from our fellow human beings? There is no doubt that some advertising promotes and contributes to such feelings of dissatisfaction, lack of fulfillment, a sense of depreciated worth. If we are constantly exposed to, and dwell within, images and messages that suggest that we are not whole, not satisfied, not normal, then there can be no doubt that these images and messages will be adopted into our self images. Advertisements, by their very purpose and design, appear to be creating more anxiety in an already over anxious world.
_________________________________________________

So, what about ads? How insidious are they? What are ways that we could challenge advertising or otherwise recontextualize it? Is it a waste of monetary resources that could be put to better use? How important are ads in actually getting us to buy a product—would we buy the same product anyway, even if we’d never seen an ad for it? What other things about advertising might we want to consider?
 
 
pomegranate
01:05 / 29.05.03
there was this study done. i read that they (whoever 'they' are) took the same deodarant and packaged it 3 ways. one deodarant the test subjects liked, one they didn't, one made them break out into a rash!!!!
woah. i'd like to get my hands on that packaging. and offer my enemies some deodarant.

i highly, highly recommend the book can't buy my love by jean kilbourne. it is a super book about advertising and its ill effects on society.
 
 
alas
02:32 / 29.05.03
my latest beef is the "first fix is free" approach to advertising. In my parents' lifetime, I'm told, FM radio was Ad free in its early days--nothing but music. I can still remember the early days of cable TV in the US: Ad free. I used the Internet when it was pretty much a bunch of universities and military sites and nerds hooked up with no pictures and then with mosaic: ad-free, of course. Public TV and radio used to actually not have ads--now the messages about the "underwriters" are, lets face it, fully-fledged commercials. They just gradually got longer and longer, more descriptive.

stop the insanity
!
 
 
—| x |—
03:22 / 29.05.03
…the "first fix is free" approach to advertising

Excuse me if I’m being a bit dense, but do you mean (typically service) ads that offer to give you the initial service for free with the expectation of future monetary gain from subsequent dependence? Kinda’ like that dreaded semi-urban myth / (somewhat) propaganda about those typically slimy drug pushers who’ll give ya’ the first fix for free?

Yeah, alas, there does seem to be a certain sort of insanity to ads and it seems other forms of insanity from ads. The current ubiquity of advertising is certainly one of its most subtle and insidious properties. I mean, in taking a moment to look around the room that I am in, which is a shared work space between my partner and I in our home, I can count thirteen examples of more or less obvious advertisement (the mouse pad is an advert, every component of the computer has at least one logo, a few boxes that loudly declare the contents with image, logo, slogan, etc., a couple of flyers yet to be binned) and probably about twenty or so more things that could be marginally considered as “public notices” endorsing some company or another. This is in one room of our home fer crissakes!

Certainly I don’t think that we need to live in an environment that resembles that of Repo Man: everything generic, with simple lettering, such as “cola,” declaring the contents of the package. However, there certainly seems to be an excess in advertising—quantitative and qualitative. Is this an inevitable result of its function, i.e., since advertising seeks to promote a lack in the particular individual, does it need to necessarily become increasingly excessive in both its presence in our lives and its images / messages in order for it to fulfill that function?

As far as that deodorant study, it would be great to know more about the details! However, I don’t particularly doubt that its results are possible. I think that things like this are reflected in the sentiment of a social critic / magician that I am aquatinted with. If I remember correctly, it his opinion that advertising exploits some of the basic principles of magick—although, most people who work in advertising would not necessarily recognize this. Thus, I think it is quite possible to manifest involuntary and/or subconscious physical reactions via advertisement and, in the case praying mantis mentions, packaging specifically.
 
 
pomegranate
16:51 / 29.05.03
i wish i had more details to give you! i'd like to know them as well.
must work; i'll google it later and see if anything turns up.
 
 
No star here laces
10:07 / 30.05.03
As someone who is fairly intimately involved in this business, I think there is a very important distinction to be made:

Advertising =/= Consumerism. Don't critique one by referring to the other.

'Advertising' means companies paying to put a commercial message in a public media space e.g. on the side of a bus or between tv shows. 'Buy one get one free' deals, sponsoring classes in schools, cartoon characters on cereal packets etc. are not advertising - these are either marketing or a facet of the product itself.

There are clearly many negative aspects to a consumerist, materialistic world, some of which have been referred to in this thread. Advertising itself is frequently irritating and is certainly a very useful tool for big businesses.

But adverrtising does not create the values and characteristics of consumerist society.

These characteristics are due to the underlying structure and economics of our society. You could ban advertising tomorrow and your children would still grow up wanting nice cars and the right brand of shoes. Advertising is the visible face of the invisible structures that shape our world. To blame ads for what is wrong with the world is to stop looking far too early.

The role of advertising is to make a company and its products visible. The effect tends to be to make people want that company's products rather than those of another company. Some people theorize about a cumulative effect of an advertising rich environment, but I tend to think that the cumulative effect of a product and choice rich environment is far more significant.

Place in our lives? Unimportant really.
 
 
Scrambled Password Bogus Email
10:24 / 30.05.03
What he said.
 
 
Sax
12:14 / 30.05.03
I think I'd like a bit more digging into the "advertising am bad" argument rather than taking it as a given.

So we think advertising is bad. Why?

Are we not intelligent enough to understand what advertising is all about (and thank you to Laces for posting the above while I was thinking about this)?

If so, what's the problem? Ah... it's not us that's the problem, is it? It's that group of people who frequently get branded here on Barbelith with the term the masses

Are we saying that The Masses are less intelligent than us and less able to unpack the dynamics of advertising?

Do they (The Masses) rush out to buy Nike trainers and Gap hoodies and Kentucky Fried Chicken the minute they see it on the TV?

Would they buy these products anyway without advertising?

Would they care one way or another if there was no advertising? No breaks in Coronation Street, right?

When we say they do we really mean we

Or more importantly, do we really, really not?
 
 
Scrambled Password Bogus Email
14:15 / 30.05.03
I also make the large proportion of my living from adorning this terrible monstrosity called advertising with sonic artefacts. I love it.

Adland is the breeding ground for a great deal of cutting edge and envelope-pushing creativity...Many of the creative pool within the advertising industry will back me up in claiming that very few of them would consider that their career is in 'advertising'....Copywriters are writing plays/scripts/novels, composers are caning away at the Music Biz (tm), art directors are, well, art directing and working on movies, exhibitions, photographers are doing bigger, better things and so on and so forth.

From the inside out, its a fantastic way of being paid for having misspent your youth on drugs and silliness rather than MBA's and apprenticeships...These people pay for your time, result or no, unlike the vast majority of other creative led industries.

Where does the notion that advertising is bad a nd detrimental to life come from? OK, I hate the esure ads as well, but I hate everything celluloid Michael Winner has anything to do with. As in all things, there is good and bad.

Spielberg is quoted as saying that mainsteream film-makers are all so limited in concept, he now looks to ad directors and music promo vid directors for inspiration...Chris Cunningham, Michael Glazer, these are the Art Directors and visual style makers of the moment, and only recently have they even attempted feature film-making.

From my own standpoint, I really love the challenge of creating music to a 30-40 second, visually dictated brief...it's strangely liberating in a bounded and dictated kind of way...the visual rhythms force a different approach to the sonic rhythms of habit we (or is that just I?) tend to fall into.

No different to the stranglehold 3 min 20 sec radio edit boundaries dictated by commercially driven radio formats, in fact much more stimulating (why cant we have 2 minute songs anymore? most of the pap on the radio only has about 90 seconds worth of idea)

Bit pissed and sun struck, so thats all for now, but interested to consider the abstract from a production point of view as well as a consumer POV. For the sake of being devils advocate, I personally love great advertising. Beats the shit out of a typical George Lucas movie, or much of ITV's current content.

TTFN
 
 
ONLY NICE THINGS
17:59 / 30.05.03
That's a very good point. For example, take those Levis ads with the giant mice everyone liked so much. They were the result of a bunch of professionals getting together and creating a short film. As it happened, the money for that short film, and the money to display it, was provided by Levis, and the actors wore...Levis. Fay Weldon and the Bulgari case springs immediately to mind, but leave that aside for now.

Now, that advert was created by BBH for Starcom Motive - does that make it intrinsically evil? Does it also mean that I am being mind-controlled into buying Levis? It does not. It has probably improved my general perception of the brand, insofar as it has made me aware that they are financing some interesting ads. And because mice are cool. But I feel no more inclined to buy Levis than I have since I bought my last pair about 12 years ago. I know that Levis will, for a certain price, give me a certain quality of product, and that wearing them will send out certain (but imprecise) signals. That is a combination of the brand, the cost and the quality of materials and merchandise, all of which might affect the decision to purchase.

What you describe, >0<, with I mean, in taking a moment to look around the room that I am in, which is a shared work space between my partner and I in our home, I can count thirteen examples of more or less obvious advertisement (the mouse pad is an advert, every component of the computer has at least one logo, a few boxes that loudly declare the contents with image, logo, slogan, etc., a couple of flyers yet to be binned) seems to me to be branding as much as advertising. The logos on the computer products tell you who produced the component (for example, if my monitor ceases to function, I can tell immediately that I need to look at what might have gone wrong with an NEC Multisync LCD screen), and possibly something about the product (the "Pentium" symbol on my laptop tells me what sort of chips are being used in the processor, and has the supplementary information that I have a type of premium chip that will perform faster than a Duron equivalent, say, but will also cost more). The only way that might impel me to buy another Pentium product or another NEC flat-panel monitor is if it recommends itself by its performance. The mousemat is presumably part of a transaction - you got a free mousemat, the company gets to put its logo on your mousemat - in a sense, *you* are the one broadcasting the advert. I think we might need to think a bit more about what advertising actually *is* before we move on to its depredations.

Things to think about, maybe - you can have adverts in societies without Capitalism, and adverts for non-consumerist causes (say, Saatchi's recent NSPCC ads, which just got yellow-pencilled), so how do advertising, capitalism and consumerism interrelate?

On consumerism - the "lack" that >0< talks about seems to be a critique, as Laces noted, of consumerism rather than advertising per se - Schopenhauer said something similar about the Will in The World as Will and Representation. How much of this is about the conditions created either by consumerism or advertising, and how much by the human condition?
 
 
—| x |—
08:00 / 31.05.03
I think that, yes, it’s important to be aware of the distinction between advertising and consumerism. Moreover, I don’t really think that anyone has said that “advertising = consumerism.” However, if you feel differently, Shoelaces, it would be helpful if you quoted where this is said or implied. On the other hand, it seems rather short sighted to say that there is no intimate relationship between ads and the consumer milieu or that examining the place and role of ads with respect to the individual is unimportant.

It seems that without a consumer driven society ads would not be the same nor would they be as ubiquitous. Moreover, with contemporary ads and the modern notion of “public media space,” I think it seems naïve to feel that advertising plays no role in the production and maintenance of our consumerist attitudes. The very idea that there is a public media space in which sub-spaces can be purchased with the aim of baiting people to recognize a certain product or service shows the connection between ads and consumerism: public space is being consumed with the intent of provoking more consumption—the device is advertising.

So while obviously “…advertising does not create the values and characteristics of consumerist society,” it seems reasonable to assert that there is a feedback loop between the characteristics of a consumerist society and advertising. Thus, even though a consumer milieu creates ads, advertising itself appears to perpetuate and reinforce that milieu. Put differently, while I don’t think anyone here is so simplistic as to feel that getting rid of all the ads would remedy the ills of the “underlying structure and economics of our society,” I think it is readily apparent, if you are willing to look at it, that advertising aids and abets that structure.

I do think there is something important in the idea of “a product and choice rich environment” contributing to some of the problems that are associated with our consumerist society; however, clearly if advertising functions to make a company and its products or services visible, then advertising is necessarily related to that product and choice rich environment. In other words, the ills of consumerism seem apparent in, and glorified by, advertisement. The ailment becomes the cure and the symptoms are cleared up not by their actual remedy, but by our ignorant submission or our willful hypnosis to another glossy spin and a catchy jingle. This is to say (much less flowery), it seems to me that to feel that advertising plays no part in driving an increasingly product and choice rich environment to further excess is to look at advertising with a narrow and limited view of what it is.

Moreover, Shoelaces, you avoid the entire issue about ads and the role they play in creating psychological distress. You can’t tell me that a fourteen year old girl who has a weight problem and bad skin isn’t in anyway adversely affected by ad after ad of skinny, beautiful women in every teen and fashion magazine that she sees?

To reply to Haus’ question about “Does it also mean that I am being mind-controlled into buying Levis?” we can turn to a quote from the Negativland page:

But as long as your criterion for "influence" is that ads lure you into stores mouthing like some Frankenstein monster, "I-must-have-a-Ca-dil-lac-Ca-ter-a", then you have your eye on the wrong ball.

In other words, the influence of ads is not so much about direct mind control to buy product X; rather, it is about the influence of advertising in general. Again, to quote from the review at Negativland:

While we assume that ads can't make us buy a particular product, advertising is busily influencing us on broader, more subtle fronts. Asking us to believe that products in general really can bring us romance, success and happiness. Ads encourage us to feel anxiety about our looks, our bodies, our attitudes, our sense of self; preferring style over substance, babes over brains, promotion over probing, and wealth over wisdom.

Put differently, I think that on this deal the Haus is bust.

Also, while it seems that Mu has some very interesting things to say about the creative process that is involved in the making of advertisements and the benefits thereof, I don’t think this is really so much what I’m concerned with here. While I think that technique and method in advertising is a part of what we’re talking about, I’m looking more at uncovering the shadowy side of ads (apologies if I was a little unclear—the abstract is vague—the initial post pretty much frames the discussion though).

I’m not entirely adverse to ads. I agree that there are good ads and that they can be entertaining. I don’t really care so much about that, though. An entertaining ad seems a rarity among the plethora of waste and the entertainment value of an ad, I feel, is merely a small part of its overall function. Does the benefit of entertainment outweigh the bane of advertising? Doubtful.

the "lack" that >0< talks about seems to be a critique, as Laces noted, of consumerism rather than advertising per se

I think that I’ve addressed this above. The lack, while stemming from consumerism, is flaunted, perpetuated, and maintained by advertisement (but not ads alone, obviously!). In other words, when Haus urges us to think about “how…advertising, capitalism and consumerism interrelate,” I’d say that’s an aspect of the angle I’m coming from. Also, I think that issues about non-consumerist ads and ads in non-capitalist environments are interesting: ties into ideas regarding challenging, changing, or otherwise recontextualizing advertising.

The points that Haus makes towards a differentiation between branding and advertising are interesting. My feeling about this is that there was a time, in those good old days, when maybe branding actually stood for the pride that a manufacture had in the product, in its quality, reliability, etc. Certainly, I think that this idea of branding helps the consumer make purchasing decisions. However, I think that this sort of “pure” (so to speak) idea of branding is short of the mark. I mean, I don’t need to have little stickers and images on the components to know what kind of computer this is nor to tell me who to phone when it needs fixing (as well, this line of argument leads nowhere when it comes to shoes, shirts, track pants, jeans, etc.). Moreover, I don’t think that it is possible to maintain a very stable distinction between brand and ad. Both are connected with jingles, slogans, images, feelings, etc..

And yes, I am broadcasting the ad on the mousepad. The point was about the ubiquity of ads—look, there’s an ad. The fact that it was part of a transaction does not exclude it from being an ad.

Q & A time:

Are we not intelligent enough to understand what advertising is all about?

I don’t think it’s so much a function of intelligence, but more a function of awareness and habitual desensitization. I’m not sure who you are referring to by “we” here.

Ah... it's not us that's the problem, is it? It's that group of people who frequently get branded here on Barbelith with the term 'the masses'. Are we saying that The Masses are less intelligent than us and less able to unpack the dynamics of advertising?

No, quite frankly the problem is us and our laisez-faire or apathetic approach to actually trying to institute change in the consumer driven society that we find ourselves in. I don’t think anyone has mentioned these so-called “masses” other than yourself. However, I do tend to feel that the “average person” (so to speak, ya’ see?) pays little or no attention to advertising or its possible effects. I would say that many people don’t really give advertising much thought. This is to say that some individuals are largely unaware of it. If you read my initial post and perhaps take a look at the links, then this unawareness is part of what gives advertising its power.

Do they (The Masses) rush out to buy Nike trainers and Gap hoodies and Kentucky Fried Chicken the minute they see it on the TV?

I would bet that much more often than not, the answer is no. But this question entirely misses the point. I spoke to this in reply to Haus above.

Would they buy these products anyway without advertising?

I don’t know. Above I ask a variation of this question myself.

Would they care one way or another if there was no advertising?

I can certainly say that I’d like to see at least a reduction in the amount of advertising, but I’d also like to see a change in its methods and techniques.

When we say they do we really mean we?

Umm, it seems to me that you are the one who is talking about “them.”
 
 
ONLY NICE THINGS
08:33 / 31.05.03
It strikes me that proposing the reliable brand Negativland as a refutation of an argument is in itself rather falling prey to the very culture you are decrying, >0<. These are quotes, not refutations.

Let's look at:

While we assume that ads can't make us buy a particular product, advertising is busily influencing us on broader, more subtle fronts. Asking us to believe that products in general really can bring us romance, success and happiness. Ads encourage us to feel anxiety about our looks, our bodies, our attitudes, our sense of self; preferring style over substance, babes over brains, promotion over probing, and wealth over wisdom

Could anyone think of a culture where only the advertisements do this? As opposed to, say, the entire broadcaasting media, the products of most printing, every schoolyard in the Western world...to paraphrasse Laurie Lee, it was not "if you see Sid, tell him" that made us hate the m...

Put simply, it seems like >0< is doing something that we saw Creation do in this very forum a while ago - locating everything he dislikes about his culture in a single, tightly controlled and unwanted (by him) part of it - advertising - with the secondary suggestion that the bits of it he *did* like were more benign. This act of drawing the poison into the finger worked for Creation with reality TV in the bad side of the balance and Star Trek in the good, IIRC; here a model seems to have been constructed with a nebulous quantity identified as "advertising" instead.
 
 
—| x |—
09:54 / 31.05.03
It strikes me that proposing the reliable brand Negativland as a refutation of an argument is in itself rather falling prey to the very [c]ulture you are decrying

Did you look at the link? It’s on the Negativland site, but it’s a review of The Ad and the Ego by Leslie Savan (Village Voice) and Peter Diddle (ABS). And yes, there is a certain irony in citing a review, in some sense an advertising, of a documentary; however I hardly think that it means I am “…falling prey to the very [c]ulture [that I am] decrying.” Information has to be spread somehow.

Could anyone think of a culture where only the advertisements do this?

I don’t think that this is the point that is being made. The point is that some ads do those things in various degrees. Again, the display, perpetuation, and promotion of some of the ills of a consumer society is accomplished through advertising. No one is saying that there are no other factors.

Put simply, it seems like >0< is doing something that we saw Creation do in this very forum a while ago - with the secondary suggestion that the bits of it he *did* like were more benign…here a model seems to have been constructed with a nebulous quantity identified as "advertising" instead.

Excuse me? I can merely say you don’t seem to be getting anywhere in advocating much of anything with this, Haus. This thread is “investigating advertising” with respect to some of its harmful effects on people. I’d hardly say that I’m “…locating everything [I] dislike about…culture in a single, tightly controlled and unwanted…part of it.” I’m not sure what model you take this as constructing—seems to me that this is a sort of deconstruction. As for “nebulous quantity,” I’m pretty sure that ‘advertising’ is more of a transparent reference than an opaque one.

C'mon, Haus.
 
 
ONLY NICE THINGS
10:56 / 31.05.03
>0<, you seem again to be trying to build up a degree of personal antagonism here; this may simply be the way you express yourself generally, but it's not wildly productive. I would suggest mildly that a lesser involvement with the vocative might be a start.

On Mod Hat duty, the relevant part of the abstract of this thread is A discussion about advertising in its role, effect, and place in our lives. This appears to be what is happening. As I said in my PM, another thread in which people are invited purely to examine the shadowy effects of individual advertisements might be very interesting, but an attempt to limit the discussion on this one seems to be a lost cause at this stage.

There seems to be a general confusion about what is and is not advertising, which is relevant to:

Again, the display, perpetuation, and promotion of some of the ills of a consumer society [are] accomplished through advertising.

This as a statement is no doubt correct but at the same time almost entirely useless. If we look, for example, at the quote from "Advertising and the Ego":

You have to understand that there are currently only about 4 or 5 million cars in China. Now, to a capitalist, to a business man, that's an opportunity, it's a chance to create the world's biggest car market, it's a chance to cash in on the big one. There's not going to be a larger car market in the world, and that mentality is blind to the fact that it also means the death of the planet.

This appears to me to be a complaint about unregulated capitalism. It doesn't even mention advertising. The assumption is, presumably, that advertising will be used to sell these cars. This is absolutely true, and maybe we should be critical of the advertising industry for continuing to accept commissions from the motor industry, as we might be for accepting commissions from the arms industry or cigarette companies. This all sounds absolutely fine, but it is again a complaint about capitalism, not advertising. In what way is the advertiser more complicit than the government that allows cigarette advertising to be displayed or the film company that allows BMW to contribute a dozen cars in exchange for not having to pay for them when they get blown up, or the Formula One team that accepts money to plaster the logo of a cigarette company on the fo'castle of their car, thus being doubly bad?

Now, the nebulous (which, for future reference, is from the Latin word nebula meaning mist or cloud, and is here being used to describe formlessness rather than opacity) description of advertising would have all of these things down as advertising, which is to an extent both well and good and true. However, at a certain level of accuracy they become atomic, and can be represented as product placement, PR, sponsorship and other terminologies. The original thrust of this thread, and it seems of the documentary, is television, radio, sign and print advertising, what we would term “adverts” in this country without metaphorical association. That’s something that needs to be looked at, rather than merely gainsaid.

Meanwhile, back to advertising and branding:

I don’t need to have little stickers and images on the components to know what kind of computer this is nor to tell me who to phone when it needs fixing (as well, this line of argument leads nowhere when it comes to shoes, shirts, track pants, jeans, etc.).

So – what do these stickers do? Good question. Essentially, I would suggest that they do the same thing that the label on shoes, shirts, jeans, track pants and so on do – tell you who made the device. As it happens, this is not *all* they do, because that maker might itself carry a semiotic punch, which may be in part created by advertising. Advertising tells me that Pentium processors are faster than their Duron equivalent, say. Other sources fill out this picture; they tell me what the advert, the function of which is to get my attention and tell me something key about this product, does not – say, that the processors are faster, but also more expensive, and a very good Duron processor will cost as much as a mediocre Pentium processor and may work slightly faster. I talk to my friends, maybe do some research, talk to the man in the shop, think about whether I *need* a premium processor, and so on.

Likewise, Levi’s adverts do not actually tell me much about the product, except that they are habitually worn by giant mice. I then take that largely useless information, and whatever feeling it has engendered in me about the brand, find out more about it, compare a pair of George jeans that cost £6 with a pair of Levi’s jeans that cost £50. Part of the premium will be the concepts engendered by the advertising, and I have to take that into account – in terms of pure quality of material and time spent stitching, the Levi’s are probably not worth 8 times as much as the George jeans. So, let’s say I buy the Levi’s. They do not immediately make me popular and desirable, but I do feel that they communicate something about me that results partly from the advertising spend on the product, and thus was reflected in the extra price of the garment.

However, three months later they have disintegrated (let’s say). Looking ruefully at the “Levi’s” tab attached to the shredded remains of the jeans, I resolve to save my money next time and get George jeans, a decision that I communicate to my friends. They understand the concepts involved because they understand the two different brands involved. This is not the same as advertising.

Now, it’s possible that I didn’t need a new pair of jeans anyway. My sturdy moleskin legwarmers were still in great shape, and by buying either of these pairs of jeans, or that new computer when my old one is only a couple of years old, I am participating in a structure of capital exchange and consumption that is in and of itself a bad thing, but that’s not really the fault of the advertising, which springs up perhaps as a symptom of different companies making similar products and selling them competitively – the free market, in that sense, is to blame, as it will be if every person in China buys a BMW.

The other question, of course, is whether *specific* adverts carry messages that we feel are nasty and not to be encouraged. A problem with that is going to be that different countries have different adverts, and also that adverts, like any cultural object, are open to multiple interpretation. But, for example, there were a series of advertisements for Lemsip Max Strength Flu Remedy in the UK based around the idea of somebody having flu, and this endangering their attendance or performance in business, and then surprising everyone by turning up and doing well, with the slogan “separates the men from the boys”. This struck me as an appalling message, suggesting as it did that as soon as you took a day off sick the circling sharks would descend on you and tear you apart for your weakness, and the only option was to turn up, dosed to the nines, and infect everyone around you. Bad ad. However, it is not responsible for the evil corporate culture it describes, although trying to sell something on the grounds that it will make you more like the person your boss wants you to be is generally a bad move.

Meanwhile, another recent advertisement sees a young fellow evading work by feigning a sore throat and then, when his boss calls and he responds with cheer and in full voice, cunningly escaping a rollicking by pretending to be his own answering machine. A far healthier message – deceive your boss once in a while to get some “you” time. However, he is not ducking out of work per se, but rather out of a “weekend team-building exercise”, which is a bit manky – the advertisers have chickened out of suggesting that he is work-shy, but rather that he has been pushed to the limit by the demand that he surrender a weekend. It’s a somewhat different message….
 
 
—| x |—
12:41 / 31.05.03
"...you seem again to be trying to build up a degree of personal antagonism here. I would suggest mildly that a lesser involvement with the vocative might be a start.

I would look at your final paragraph and then ask yourself whose trying to “build up a degree of personal antagonism,” Haus. I’m not interested, OK? Also, I do not see how I can be any less vocative and still make reference to the points that certain people have made. Simply because I mention a person’s name in a sentence here and there doesn’t mean that every other sentence is a diatribe against that individual. It seems to me there is clearly point and counter-point debate here.

…another thread in which people are invited purely to examine the shadowy effects of individual advertisements might be very interesting…

I don’t think that we necessarily have to do any case by case analysis here, but, on the other hand, I don’t see why that can’t be done as well.

There seems to be a general confusion about what is and is not advertising…

By all means, clear it up—rid us of the confusion that you see. Unfortunately, I don’t see how stating that “the display, perpetuation, and promotion of some of the ills of a consumer society [are] accomplished through advertising,” is useless. Its kinda’ part of what I’d like to be looking at that some people seem unable to recognize; thus, this aspect of the investigation needs to be made apparent.

I don’t think that one quote supports whatever it is you might be saying that you think has been overlooked, which, to me, is still unclear. Anyway, I think that your question, “In what way is the advertiser more complicit than the government that allows cigarette advertising to be displayed or the film company that allows BMW to contribute a dozen cars in exchange for not having to pay for them when they get blown up, or the Formula One team that accepts money to plaster the logo of a cigarette company on the fo'castle of their car, thus being doubly bad?” is a good one. To me, your examples again serve to point towards the ubiquity of advertising in our lives, and also brings up issues about the advertisement of harmful products. I’m not saying that the government isn’t responsible, I don’t think that in what I’ve said I’ve made much, if any, gesture towards discussing culpability.

However, at a certain level of accuracy they become atomic, and can be represented as product placement, PR, sponsorship and other terminologies. The original thrust of this thread, and it seems of the documentary, is television, radio, sign and print advertising, what we would term “adverts” in this country without metaphorical association. That’s something that needs to be looked at, rather than merely gainsaid.

This might be true, Haus, I might be overextending the boundaries that are addressed in the film. However, isn’t product placement, PR, and sponsorship with the obligation to affix a logo or such tied in to advertising? Product placement in TV or movies seem to be placed with respect to the image that the placement will convey, thus, feeding into the image that the product carries via advertising. PR, while serving functions other than merely advertisement, and perhaps even yielding some short term benefit to some lucky consumers, seems clearly associated with product or company image which in turn again feeds into consumer response to advertising—I’ll buy Molson bear because they sponsor Snow Jam and commercial punk rock and snow boarding are my thing and if I save up enough box tops / buy the lucky box, then I’ll get into Snow Jam for free. Or maybe I simply drink Molson beer anyway. In the former there is a definite connection to advertising, and in the latter, perhaps little, perhaps it is to be found through something else. Whatever. The point being that PR is there for a reason, and part of the reason is connected to advertising. As for sponsorship, again, seems pretty clear it relates at least partly to image and logo placement, thus, is in part advertising.

…I would suggest that [these stickers on your computer] do the same thing that the label on shoes, shirts, jeans, track pants and so on do – tell you who made the device. As it happens, this is not *all* they do, because that maker might itself carry a semiotic punch, which may be in part created by advertising.

Exactly. As for the rest about the processors, it seems to me that you could easily become aware of the benefit of Pentium over Duron processors by the other channels you mention. There doesn’t seem to be much need to run Pentium ads or slap “Pentium” or “Designed for MicroSoft” or whatever labels on the components of the computer. It seems redundant.

Levi’s adverts do not actually tell me much about the product, except that they are habitually worn by giant mice.

But isn’t this exactly part of the point? I mean, it’s so obviously about the image. Like you say above, “everyone seemed to like [it] so much.” The subtle idea being conveyed in the ad, which, no doubt, was researched, focus grouped, etc., is the connection between Levi’s jeans and something people really like. Like you say, it’s not saying anything about the product, so what is it saying? You take the image of the ad as “largely useless information” and again, this is exactly the point. When we look at ads as largely useless information, and yet are surrounded by them for much of our lives, what sorts of subtle messages are having an impact on us without our awareness?

However, three months later they have disintegrated (let’s say). Looking ruefully at the “Levi’s” tab attached to the shredded remains of the jeans, I resolve to save my money next time and get George jeans, a decision that I communicate to my friends. They understand the concepts involved because they understand the two different *brands* involved. This is not the same as advertising.

Obviously not. I don’t think what I’ve said about brands and ads implies that it would be. I’ve merely said that the distinction between brand and ad is not as stable as you were originally putting forward.

It’s late, like 7:30 am, and since I got up at 4:00 pm yesterday, it’s about time for me to sleep. I’ll look at your closing two paragraphs in greater depth tomorrow, Haus.
 
 
Scrambled Password Bogus Email
19:27 / 31.05.03
Could you, >O<, clarify exactly what it is about advertising that you find sinister or detrimental to life in general? (if, indeed, that is what you are trying to say in what I am personally finding an increasingly murky and, yea, nebulous thread...)

If I'm off track I apologise in advance, but I get the impression from your posts that you feel advertising to be something of a menace and that it somehow impinges on quality of life...correct? If this is indeed the case, it may help keep the discussion focused (if that is what we all want here) by explaining exactly why you feel this way, and go a bit deeper than 'because it is ubiquitous' and 'because it tries to convince us we need stuff that we really don`t'...

In the Caribbean (as an example that happens to be in mind right now) a typical sign outside a rest-inn might be "Vena's Rest House - Nice Place To Eat And Sleep!"...This is an advert in a public space, and the most basic and simple of advertising principles - a description of a product or service. I think most of us would agree that there is nothing even remotely sinister about this (unless the joint happens to be run by Norman Bates and catered by Hannibal Lecter, but let's assume it isn't). It may or may not be 'true', it is simply an attempt to encourage potential patrons to become actual patrons, and purchase the goods or service.

So what if the media savviness of more industrialised societies means that this simplicity and directness has been fudged and fazed beyond all recognition, to the point where abstract nonsense is used to convey an empty message? Which also may or may not be true? I fail to see the problem.
 
 
—| x |—
11:24 / 01.06.03
Mu, I am sorry that you feel that the use of ‘advertising’ is nebulous. I have already spoke to the unfortunate vagueness of my abstract: perhaps it would have been better to put my initial post in the abstract, and put what I said briefly in the abstract as my initial post? Anyway, like I expressed to Haus via PM, perhaps it was a bad assumption on my part to feel that the information and resources in the initial post would lead the reader to be able to develop criteria for distinguishing harmful, abusive, abrasive, degrading, etc. advertisement on his or her own. Clearly, it seems to me, the example you give regarding “Vena’s Rest House” does not fall under the category of ads that would, in some way, have a negative impact on a given individual.

The idea being that there are ads that seem to ask “…us to believe that [certain] products…really can bring us romance, success and happiness,” and that some “ads [can] encourage us to feel anxiety about our looks, our bodies, our attitudes, our sense of self,” and that some ads can lead us to prefer “…style over substance, babes over brains, promotion over probing, and wealth over wisdom.” Or something like that. I’m certainly not saying each and every ad. Again, perhaps I took for granted an intended interpretation that wasn’t as clear as I figured it was. That’s cool, we can talk about it, right? This is the idea of discussion after all!

So, the ubiquity ads and the generation of an appearance of lack or inadequacy (a function I feel that most ads subtly play) are only a part of their possible negative traits. I am willing to go deeper, and indeed, I think that an investigation into the resources given in the initial post would allow deeper exploration for anyone interested. But perhaps I am placing too much faith in the resources as well? So, we can go deeper into it by thinking about or recognizing that some ads do function to manifest some of the negative qualities cited in the above paragraph.

"So what if the media savviness of more industrialized societies means that this simplicity and directness has been fudged and fazed beyond all recognition, to the point where abstract nonsense is used to convey an empty message? Which also may or may not be true? I fail to see the problem."

But this is a point of my concern. I don’t know if all ads that appear to be abstract non-sense are actually conveying an empty message or if some of these ads that appear to be abstract non-sense are actually subtly conveying messages that we are largely unaware of and that we appropriate into our own thoughts and images regarding our lives and our relations, etc.. Again, it seems to me that it is when we think that there is no problem at all, and that there is no need to investigate or challenge any ad, method, or form of advertisement, that the negative aspects of ads are at their most powerful and persuasive. It’s rather like thinking the government (whichever) is absolutely top-drawer and doesn’t in any way need to be supervised, checked, or held accountable for any of its actions or decisions. Moreover, it seems the moment that we see no reason to question such and such, or investigate such and such, is the moment that we give whatever it is we are no longer questioning or investigating our dogmatic subservience, IMHO.
 
 
doctorbeck
10:51 / 02.06.03
Mu said:

'Adland is the breeding ground for a great deal of cutting edge and envelope-pushing creativity...Many of the creative pool within the advertising industry will back me up in claiming that very few of them would consider that their career is in 'advertising'....

adland is evidently full of people who seem as good at deluding themselves as they are the rest of us then.

i cannot see how advertising can be seen as a creative industry (unless expense accounts are included in that discription) as at its best it basically recyles sounds,images, aesthetics from less mainstream sources, smooths the rough edges and makes it palalatable for, as people have said better than me, encouraging discontent, poor self esteem and a longing that can only apparently be fulfilled through product.

i find it's shameless ubiquity tiring and irritating. althoughi i am obviously still suckered into it's world at least i am not suckered into the self-deluding world of it's manufacturers.

andrew
 
 
—| x |—
11:14 / 02.06.03
EEEK!

As much as I think that I'm sympathetic to some of what you are feeling and as much as I think you likely agree with some of the points I am making, your post, andrew, is a slight bit “over-the-top,” if you know what I mean.

While I think that it is likely that there are sleepy people (so to speak) in “adland”—as there are people everywhere and in all walks of life who are “good at deluding themselves”—you seem to imply that Mu is one of these (or maybe that’s merely how I’ve read it). I don’t know Mu at all myself: simply because s/he is trying to figure out what might be wrong with advertising by participating in this thread, has taken an “I don’t see the problem” (yet), and also thinks that there can be creativity in advertising, is no reason to imply that s/he is “good at deluding [hir]self.” However, if you did not mean to imply this, then please ignore what I’ve said.

It seems to me that, while it might be the case that there is some (or much?—I’m not in a position to say) of this “recycling” of “…sounds, images, [and] aesthetics from less mainstream sources” in advertising, I don’t think that this means it can’t be creative. I mean, look at the band Negativland (to actually use Negativland in an argument)—much of their work depends on recycling sound and images culled from mainstream sources, which would include these ads that (allegedly) steal from “less mainstream sources,” and they are, IMHO, a very creative bunch. I think Mu is perfectly reasonable in saying that there can be creativity in the creation and production of ads—there can be creativity in making hard-core porn—the line of this discussion isn’t about the creativity involved, it is partly about how ads, like you recognize, “make it palatable for…encouraging discontent, poor self esteem and a longing that can only apparently be fulfilled through product.”

And yes, I find the “shameless ubiquity” of ads “tiring and irritating” as well.
 
 
doctorbeck
11:52 / 02.06.03
that's a good point about what is creativity >0<, i agree
negativeland and a whole load of comtemporary artists are creative through the (re)appropriation of imagery & aethetics (adbusters for one)

i wonder about the idea that if your creativity is bought & paid for by the powerful it makes it less artistic
patronage has often been an important part of art (from the church and the renaisance to saatchi and britart) but this must distort it's message but does not necessarily make it less creative

of course my objections to advertising and it's workers doesn't mean i never see and advert and enjoy it for what it is

i suppose my objection to people in advertising calling themselves creatives coems from a general antagonism towards advertising in general but also from the sense that it is seldom novel, challenging or groundbreaking creativity, it is more a utilitarian creativity with a bottom line in shifting product,

as for my reply being over the top, just a response to the unrelfective claims to creativity i often hear from people in that industry

andrew

(and, er how do i pronounce >o< in my head....)
 
 
Scrambled Password Bogus Email
15:08 / 02.06.03


Creative - as in product of the imagination
Industry - as in commerce, business

What's the blockage doctor?
 
 
ONLY NICE THINGS
16:05 / 02.06.03
Might I suggest a possible paraphrase, drbeck? Something along the lines of "although advertising, if by 'advertising' we mean the application fo the skill sets that lead to billboard posters, TV adverts, radio adverts and so forth, can be called 'creative' insofar as they involve processes that end with a product having been created, and 'industrial' in the sense that that product is designed for a specific purpose, the specificity of the aim of that product and the close relationship between the producer and the client means that it cannot be said to be art." Is that another way of expressing what you are saying, without running into Mu's objections?

That seems a fair point - art is not usually designed specifically to sell a product, or in quite such a close relationship to the purveyor of the product. But then, is advertising *meant* to be art? And can we then say that, say, Rembrandt or Gainsborough are not really artists, because their paintings are basically selling something? Is it only the non-availability through the passage of time that makes these people artists rather than PR staff?

And then I guess we have to look at the relation to advertising and "art". It's already been suggested that popular film is now so linear that true creativity is only expressed in adverts. I'm not sure that's true, but, as I touched upon, both mainstream film and the Cornetto adverts in front of them often have a similar relation to commercial products - Wolverine is drinkiing Dr. Pepper for a reason, and it isn't the same reason that the girl in à bout de souffle is selling the Herald Tribune...

Adn then there's creativity and "art", of course, like giant bronzes of children's anatomical models or films of the Empire State Building, but maybe that's outwith the field of inquiry...
 
 
Scrambled Password Bogus Email
20:23 / 02.06.03
OK, I forgot the title of the book, but the relationship between renaissance art and advertising is well documented. The rich and well heeled would pay artists to paint their portraits in their own homes surrounded by the objects of note and expense that they had managed to afford. This then hangs on a wall as a demonstration of just how stinking wealthy they really were, and is passed down generations, maybe sold and bought even, thus conveying to future generations just how well the subject did for themselves.

The book takes some classic examples and places them alongside ads that have stolen poses and mise en scene wholesale from these paintings, and a handful of these continue to be 'classic' visual tropes within advertising. Good book. Title gone for now though.

adland is evidently full of people who seem as good at deluding themselves as they are the rest of us then

ad hominem ahoy. The point I was trying to make was that the creative teams that actually make the adverts (regardless of your views of the ideas men and copywriters), as in the production team, director, post production trickery and composers, are all (since they get paid so fucking much for very little...30-40seconds of film) able to enjoy the luxury of telling the 'creative industry' that you seem to be referring to (art) to shove their opinions up their arse, cos they can afford to. They can indulge their peronal projects without compromise and without bailiffs knocking at the door.

See, as a composer, and producer of records, at some point you hit that 'fitting in with whats happening or not paying the bills' moment, whereas if you get some adwork, you can stuff the a&r man and record what the fuck you like and put it out yourself - see? Cutting edge and envelope pushing are not words that translate quickly to the balance sheet of major record labels or film studios.

So, the industry pays and breeds and nurtures the future crops of luminaries in the more 'respectable' and 'arty' 'creative industries'...Your Ridley Scott's and your David Puttnam's and your Alan Parker's all spring cigar chompingly to mind.

Anyway, without really rotting the thread, art and quality are just what you like, after all.

Back to >O<, I hear better where you are coming from after that post - still not really convinced that advertising is the culprit though...A society where identity is defined through possessions and where more and more you are (to some) what you own, leads to the type and ubiquity of advertising that we see and hear around us, and, as you point out, there is a self perpetuating feedback loop as this in turn suckles the beast.

The purpose of advertising, I guess, has changed or at least developed from "Nice Place To Eat And Sleep" to "Feng Shui Consulted Phillipe Starcke Arena with Retractable Orthopaedic Bed and Organic, GM Gluten and Lactose Free Dolphin Friendly Salad Bar"...From servicing need to creating desire, which is an important difference.

So I guess human desire and the ease with which it is manipulated and stimulated (nakedness and sexuality seems to do the trick every time, for some strange reason - we covet that which we want to fuck I guess) are to blame...hmm, suckered in the genes.

Still comes back to the media structures in place and free market economics though. Advertising is surely just the veneer tacked to this?
 
 
Kit-Cat Club
21:23 / 02.06.03
Believe you mean Ways of Seeing by John Berger. I agree it's an excellent book, but I am not convinced that you can see the patronage activities of Renaissance nobles as directly equivalent to advertising - even if the subject does appear to be the wealth of the patron. Can the patron be said to be a 'product'? I doubt they would have seen themselves as such (though the parallel is illuminating in some ways - i.e. what questions do we, in our age, ask about the artistic practices of the past, and why is that?). It is partly about the display of wealth, but also the taste and power of the owner, and his noble virtue. Who was the intended audience? Their dependents and visiting nobles, not servants etc. It's more jockeying for position than advertising to new audiences, if you ask me.

Berger basically a wee bit Marxist for my historical taste, but YMMV.
 
 
sTe
21:34 / 02.06.03
Advertising - a tool of business whereby money is invested in order to make more money, by whatever means moral or otherwise (of course not wanting to be seen to be immoral and so defeat the sole objective).

Inform the populace? pah! they want our money.

The effect? Well, if successful, to (t)make money from the consumer (and we all are) for the business, individual, corporation etc... As for the effect on the individual other than the obvious, less money, I'd agree that there is a level of conditioning in both conscious and subconscious that generates desire for a product or service.

The question for me is, what can we do about it, and do with think we should?
I think that all comes down to personal beliefs about the way the material world operates and whether we are accepting or want to change it. – I am not trying to insinuate that anyone likes everything about everything and is completely satisfied, just, IMO, another thing to add to the long long list.
 
 
Scrambled Password Bogus Email
22:02 / 02.06.03
Ways Of Seeing, that's the puppy.

Thanks KitCat, that was doing my head in.
 
 
doctorbeck
07:40 / 03.06.03
haus made a point so clear i am going to put it on for a rewind

although advertising, if by 'advertising' we mean the application fo the skill sets that lead to billboard posters, TV adverts, radio adverts and so forth, can be called 'creative' insofar as they involve processes that end with a product having been created, and 'industrial' in the sense that that product is designed for a specific purpose, the specificity of the aim of that product and the close relationship between the producer and the client means that it cannot be said to be art

and am going to cut that out as a reminder.

now mu's point that

Cutting edge and envelope pushing are not words that translate quickly to the balance sheet of major record labels or film studios.

is a good one though, at the end of the day we all have to earn a living to finance our creative projects, and maybe learning skills in advertising and getting paid shed loads for it does free people for more creative thinking and frees them from the equally awful and compromised world of trying to make it in the gallery-land art industry, it is just that my experience of adland creatives is people hoovering up underground, unfinanced, fringe, street cultures and appropriating those ideas on behalf of mammon, and for me that is the antithesis of anything i consider to be creative

i wonder if there is a website out there with examples of underground films, art etc and how they have been ripped off for ads? have heard of several examples, none of which spring to mind this morning unfortunaly as i am tired.

a
 
 
No star here laces
08:39 / 03.06.03
Okay, can we call time on the concept that it is somehow a bad thing to publicise the 'underground'? If said underground culture which is being co-opted by the corporate meanies is good art, and its cooption means the creators get paid, or get famous, this is surely a good thing, no? And if they don't get paid, they should sue, and if they don't sue, that is their problem, no?

Now to advertising again. Mu said:

A society where identity is defined through possessions and where more and more you are (to some) what you own

Why does this society exist? Well, presumably because firstly we removed religion from its dominant position in our lives sometime in the last few hundred years and secondly because there is now so much money floating around in our society that it has become realistic for people to desire more and more material possessions.

Arguably this societal form dates back to the late 19th century and the first flowering of global capitalism, if this is the case then it pre-dates the mass media and cannot therefore be said to have been caused by advertising.

Why does advertising exist - a question that has been posed a couple of times in the thread. Someone said "because it makes money for people" which I think is half of the answer.

Companies make money by selling products. Any product exists in a market which will naturally settle around the lowest price point and highest quality product that can be profitably manufactured. Manufacturers will seek to innovate in order to produce their product more cheaply than the competition and thusly gather a larger share of the market and make more money. This is textbook economics.

Advertising is a third force in the modern marketplace - companies who advertise can persuade the consumer that their product is better than it 'actually' is - i.e. persuade consumers to pay more for that product than they otherwise would. If the advertising is good enough, this works out as more profitable for the manufacturer than creating improvements in their process.

Now there exist companies which do not advertise, and which create good quality products at lower prices than their advertised equivalents. By and large these companies do not sell as much product as the ones which advertise. People have the choice to buy these products, but they don't. There are two ways to explain this. Either the stupid masses have been conned by the advertisers because they believe everything they see on tv, OR the advertising is actually giving them something they are willing to pay for.

I personally believe that in the horrifically crowded urban environment we find ourselves in, people NEED ways to make their environment more stimulating. Advertising attaches little packets of meaning to everything around us. All of it says something. When I put on my Nike, I put on armour and myth and fantasy. If this clothing was just acceptable quality sportswear with a tick on it, I wouldn't wear it. Because they are wearing clothing that has attached meaning that I and everyone else understands, I can infer things about the thousands of people I see in the street every day. Advertising creates a shared language of value for us and this is necessary for the operation of society.

People choose not to buy advertised goods, and even to stridently reject advertising. But unfortunately, in the world we live in this is yet another consumer choice and another piece of branding. This position is untenable without the advertised goods to reject and the mainstream to rail against. It is advertised through 'underground' media, and publicised by 'alternative' celebrities. It is an absolute mirror of the culture it purports to reject.

Of course the consumer culture appears shallow, and in many ways it is. But there is always the potential for creating new ways of operating in the world. However many of the alternatives appear far worse. Given that we need a shared language of values and and a purpose for living, if we are going to take away consumerism, what do we replace it with? Religion? No thanks...
 
 
doctorbeck
09:00 / 03.06.03
ECS said:

'If said underground culture which is being co-opted by the corporate meanies is good art, and its cooption means the creators get paid, or get famous, this is surely a good thing, no? '

but they often don't get paid / credited, and may not have the resources to sue a large company
and anyway often the plagarisation is more subtle than a direct steal of intellectual property,
cultural or sub-cultural property is a far more nebulous thing, my problem is that so called creatives consider all cultures, images, scenes to be fair game for appropriation to sell products and fund their evisu jean wearing nathan barley lifestyles and to serve mammon in shifting product

i will however stop shiting on about his now as i appreacite that there are a lot more interesting things to be said about advertising cultures

a
 
 
—| x |—
03:57 / 05.06.03
I don’t know if this will provide much help in the discussion or not, but it might be of interest to some of the readers and/or participants in this thread: Adbusters. Check it out at your own risk!

Well, I’m taking a brief hiatus from this thread in order to work on a couple other threads, but sooner rather than later, like the T, “I’ll be back”—‘cause you know, the T is out there!

&
 
 
—| x |—
09:39 / 07.06.03
still not really convinced that advertising is the culprit though...

Again, I don’t think I am looking to do a finger pointing, witch burning with respect to advertising. I mean, I don’t think I am saying that advertising is directly responsible for “[a] society where identity is defined through possessions and where more and more you are (to some) what you own.” I feel that I’m trying to say that some advertising clearly is an aid and enabler of this sort of thinking. I do think that some advertising can be responsible for certain harm that is beyond merely perpetuating and assisting the attitudes and practices of a consumer society: I think it can be, in some instances, responsible for direct trauma on the individual (see the example above about the teen girl).

So I guess human desire and the ease with which it is manipulated and stimulated (nakedness and sexuality seems to do the trick every time…) are to blame.

I think that this is a little quick to shift the blame from advertising to some so-called “automatic response” provided in our genes! I mean, I think you’ve a point that it is often easy to manipulate people’s desires—it’s sometimes simple to push the right buttons based on common human traits: especially with (near) nakedness and sexuality. However, there seems to be a double concession to temptation here; that is, many humans can be tempted by manipulating specific desires and sometimes advertisers are tempted to use this against the audience—so they do (and then we do). I feel that this further illustrates how certain methods and techniques of advertising can exploit and abuse the general public.

Well, presumably because firstly we removed religion from its dominant position in our lives sometime in the last few hundred years and secondly because there is now so much money floating around in our society that it has become realistic for people to desire more and more material possessions.

I think that your second point is very interesting, but I wonder if it is true for most people or only a few people? I’m not so sure if I agree with your first point or not. There has been some argument (by I can’t remember who) towards the idea that the Capitalist mindset stems from the book keeping of sins and penitence in a certain form of Christianity (I can’t recall which one at the mo’).

Companies make money by selling products. Any product exists in a market which will naturally settle around the lowest price point and highest quality product that can be profitably manufactured. Manufacturers will seek to innovate in order to produce their product more cheaply than the competition and thusly gather a larger share of the market and make more money. This is textbook economics.

Yes, but precisely since it is, as you say, “text book economics” we can bet that this gets distorted and is not the case in the real world—Communism looks great in a text book, after all.

…companies who advertise can persuade the consumer that their product is better than it 'actually' is

Exactly! Doesn’t this seem sort of offensive? I mean, if I had persuaded you that this X I had was better than it actually was and you believed me, but later, after more time to spend with X, you realized I had lied to you, then haven’t I caused you unnecessary, or at least unprovoked, grief and anguish?

Either the stupid masses have been conned by the advertisers because they believe everything they see on tv, OR the advertising is actually giving them something they are willing to pay for.

I see your point clearly here and agree—I do think that advertising is obviously somewhat effective in getting people to buy certain products. And certainly, the product, because it gets purchased, must be doing something for the consumers who continue to buy it. However, again, I am more questioning some of the tactics used in advertising (see above) and also the unnecessary amount of advertising. There is a great little essay in Negativland’s dispepsi album on how both Coke and Pepsi could run half as many ads—thus saving half as much money & subjecting us to half the amount of advertising we might be exposed to on a regular basis—and they would likely not see any noticeable loss in sales.

I personally believe that in the horrifically crowded urban environment we find ourselves in, people NEED ways to make their environment more stimulating.

I agree with this, but with some reservations. First, this brings in a problem about overpopulation in urban environments—something that is somewhat outside the domain of this discussion. Second, some stimulation is good to break up the monotony; however, repeated stimulation along specific lines and over-stimulation lead to numbness and desensitization.

Yes, advertising clearly has the ability to attach packets of meaning to things—this is part of what I find to be a potentially—and in some cases actually—a negative trait of advertising. Exactly what images are getting attached to what products or services, and do these images serve to debase, delude, or dim the intelligence and emotions of some individuals? Why can’t people be more free to create their own meanings and attach their own images to their clothing or whatever?

When you say, “I can infer things about the thousands of people I see in the street every day,” I really don’t think you can infer all that much about a person from the fact that he or she is wearing a Nike hoodie or something. I don’t think it is a very effective form of communicating something about ourselves and I don’t feel that people will understand me if I have Nike shoes. So while I agree that “…a shared language of value…is necessary for the operation of society,” I don’t particularly see how advertising creates anything more than superficial value and shallow meanings.

Moreover, to follow up on the example of Nike, we can see further abuse of people. First, it’s clear that a company like Nike is going to use the global economy to find the cheapest way to manufacture its product. This might include exploitation of “third world” economies or maybe not, but it will still be manufacturing its products at a substantially lower cost than the consumer will end up paying for the product. Now, while this has very little if anything to do with advertising in and of itself, we can ask ourselves where does some of this money go after it’s been picked from our pockets. Well in Nike’s case, some of this money—like a wheelbarrow full of it—will go to some superstar whose already got several wheelbarrows heaped with cash. While this might make it realistic for a select few “…people to desire more and more material possessions,” I don’t see how this assists me, you, or the wageslaves who are being exploited in some shitty factory job—you know, the majority of people who likely will only see wheelbarrows full of cash in their fantasies as they desperately clutch their ticket for this Friday’s lotto.

People choose not to buy advertised goods, and even to stridently reject advertising. This position is untenable without the advertised goods to reject and the mainstream to rail against. It is advertised through 'underground' media, and publicised by 'alternative' celebrities. It is an absolute mirror of the culture it purports to reject.

I entirely agree with you here. I figured out awhile ago that the so-called “counter-culture” has no existence without the culture to run counter to! Yes, the “underground” has its own heroes, and yes, it is a mirror of the culture it desires to reject. It seems to me that the ideas we are discussing are not necessarily about supporting counter-culture, nor to being completely opposed advertising. It’s more about recognizing harmful effects that certain methods and techniques of some advertising can have, looking at possible ways to minimize or negate this, and seeing to what extent it would be possible to alter the advertising milieu—perhaps so as to not be so ubiquitous.

To close, I don’t think we need to entirely replace consumerism, nor do we need to usurp its prevalence in our lives with religion. However, I do feel that we need to be more aware of the environment we live in and what effect it can have on us if we are unaware of potential influence. And yes, I’d like to think that “…there is always the potential for creating new ways of operating in the world,” and I have hope that perhaps we can find an alternative that is better and not worse!
 
 
ONLY NICE THINGS
10:59 / 07.06.03
I don’t see how this assists me, you, or the wageslaves who are being exploited in some shitty factory job—you know, the majority of people who likely will only see wheelbarrows full of cash in their fantasies as they desperately clutch their ticket for this Friday’s lotto.

Well, somebody who can spend a dollar on a lottery ticket is better off than somebody who earns that dollar over two days of working in a truly shitty Singaporean factory making shoes, who in turn is better off than somebody with no means of making money at all.

In a sense, most of us cannot conceptualise how far down the spiral goes. If you want to identify victims of capitalism as those on a sliding scale, then people with lottery tickets are actually pretty high up it - they are only comparatively victimised. They could, if they saved for a while, buy a pair of Nikes, for example. As you can tell form their designer labels, they are most definitely not poor.

Now, that Onion article is interesting. from the POV of the twenty-something, university-educated, probably middle or upper-middle class writership and readership of the Onion, this behaviour seems totally irrational, in a way that buying, say, a book that could be got out of a library doesn't. Personally, as a classicist rather than an arts student, I am astonished that people fork over £100 for those big, shiny-covered books with lots of pictures inside, and I imagine that they would be equally surprised that I have had to be physically restrained from buying a giant-sized Liddell and Scott. And I know that for the prices "Manny" is paying, you could dig several wells in Africa. Or buy a reasonably decent suit,

However, "Manny Lucas" and the Manny Lucases like him don't need suits - they have been told not by advertising but by their schools, their families, their peer group, that they are unlikely to be in a situation where they need more than one suit. And advertising, supporting a number of competing brands needing to justify the premium they place on their product - has told them that they can communicate certain messages by the clothes that they wear. Manny Lucas *is* saying that he isn't poor - he's "keeping up appearances", in effect - the kind of behaviour that our parents might have looked with approval upon when somebody in their peer group was made redundant but still got up at 7:30 and was out of the house, well-dressed and looking well cared-for, by 8.30. Since Manny, on the other hand, has no real investment or any real future in his job or his status as a (low-paid, low-status) worker, he has to express self-worth in other ways.

Blame advertising for associating ways to express self-worth with consumption, absolutely, but also blame capitalism, and free markets, and the fact that Manny is largely allowed, as he would not be in a more authoritarian state that, for example, paid the first $200 of his salary in stamps for generic government food supplies.

Likewise, if the chiefs of Coke and Pepsi were to say "hey, why don't we spend $xmillion a year less on advertising and channel it towards better environmental performance in our factories", or third-word debt relief or community initiatives, or even taking a cent off the price of their drinks, then excellent. But (a) they wouldn't and (b) if they did, then they would want to draw attention to it (targetting the ethical market or the parsimonious fizzy pop lover) which would, by the loose definition being applied here, just be more advertising - the effort would be going into PR rather than billboard space, maybe, but this is all being grouped as "advertising".

Now, one interesting thing at the moment is that the ad industries actually *are* being squeezed - spend is down and metrics for results are being demanded with greater clamor. One result of that may well be that lots of ad agencies go to the wall and others learn a different set of techniques, perhaps of the "A nice place to eat and sleep" variety - it's quick to imagineer and it communciates a brand proposition. It may still be decitful, of course, and:

Clearly, it seems to me, the example you give regarding “Vena’s Rest House” does not fall under the category of ads that would, in some way, have a negative impact on a given individual.

depends on how one defines a negative impact. It has a negative impact on the person who has neither a place to eat nor a place to sleep, but does not have the money for a night at Vena's, for example, surely? It implies that they are not going to be let into the world of nice eats and nice sleeping, because they do not have the means. They are lacking.

Likewise, on the shadowy characteristics - I'm not sure that I understand this concept - are we talking about "subliminal" messages? In which case the Vena's sign might be painted on a warm, welcoming red backdrop...

Or are we talking, specifically, about advertisements that suggest contain messages that we do not like, and that we feel are encouraging bad habits. I mentioned two of those above. Ads that suggest that not possessing something makes you a bad person are obviously another good example. There's a fantastic one at the moment where a man loses his credit card over the side of a boat (shit alone knows why he had it out), and his companion asks in pure overdub "But it was a Capital One card, right?", to which the victim moans in the manner of one who has just discovered his wife is the Pope, "nooooooooo".

The message being that if you do not have a Capital One card, you are one of life's victims (a message explained further as we see the mermaids taking advantage of the absence of his card's fraud protection to go on a spending spree). This is, quite simply, a shit advert. Its message - if you have a Capital One card, you will not be cuplable for frauds committed using the card - is communicated negatively, and also very badly. It's a common feature of less sophisticated advertising nations (by which, incidentally, I mean Germany).

Compare that with an ad for...um...VW Golfs? In which, from a passenger's seat view, a city slicker explains how money, success...these things are what matter. The suits you wear, the women you're seen with, the cars you drive... all important signs of who you are. At the end of the ad he gets out, returns the keys to the salesman, says snottily that it's not his style, and is last seen hailing a taxi while calling on his mobile (these were the good old days when owning a mobile phone marked you out as a cock, rather than when not owning the latest mobile phone marked you out as a cock).

The message in these two adverts - "don't be a dick, buy our product" - was basically the same, but does in very different ways... but I'm still not sure what you're looking for here, >0<. Is it an analysis of what makes a good or a bad advert, or a way to make advertising less negative overall? And is that just in terms of the messages it sends out, or also in how to reduce advertising without also destroying all the industries and creators like Mu who depend on advertising?

I'm also interested in the term "ubiquitous" that has cropped up from two people so far. It appears to be an undefined quality expressing that there is too much advertising about, but how does one gauge that as an index of culture? I would say that there was too much capitalist profiteering, too much inter-company competition, too much focus on sales, too much capital that needs to continue to be shunted around to avoid a massive recession - all of these things are both terrible and ubiquitous, and advertising is as a symbiote and, realistically, a parasite upon these things, a consequent rather than instigatory evil.

Has anyone read No Whatsitsname, by Whatserface Klein? I bet it's terribly good on this sort of thing...
 
 
No star here laces
06:40 / 09.06.03

Haus, I do believe you're talking about the really rather good Audi ad from a few years back. Made by the same lovely people as your earlier Levi's example...

Yes, advertising clearly has the ability to attach packets of meaning to things—this is part of what I find to be a potentially—and in some cases actually—a negative trait of advertising. Exactly what images are getting attached to what products or services, and do these images serve to debase, delude, or dim the intelligence and emotions of some individuals? Why can’t people be more free to create their own meanings and attach their own images to their clothing or whatever?

Some very interesting questions here, and some very interesting assumptions.

What images are getting attached? Classically, people like Berger would say that it is images of luxury, beauty and sex that are used. I question this in the modern milieu. These images are still used but there is also a very common trope of the 'creative' or 'spiritual' individual in ads. I don't think this is accidental.

In fact, I'd say that this is a sympton of something very interesting that is going on with advertising just now - diminishing returns. Your classic 'mass-market' heavily advertised brands are losing a lot of their currency to be replaced by exactly the sort of 'designer' brands that Manny from the Onion is wearing. These goods aren't designer in any real sense of the word because they are just as mass-produced as the Levis type brands they are replacing, but they are more effective brands. And largely, they are more effective brands precisely because they don't advertise.

As we become more fixated on style and wealth, by definition we're not interested in things that any old schmuck can see on the telly. Advertising actually cheapens as much as it inflates to the sophisticated consumer. Not to say that, for example, cigarette advertising in the third world, isn't still effective and pernicious, but I postulate that much of the industry's woes at present are not due to the recession but instead to a shift in people's relationship to advertising. I'd be curious to know if anyone agrees with me here...

As for being 'debased and deluded' I don't buy this. If advertising debases and deludes, then logically rock music has led to a decline in morals and the break-up of the family. It's probably also directly responsible for rising rates of drug addiction and teenage pregnancy. People are not empty vessels waiting to be filled up with the ideas and values of the media men, or anyone else for that matter.

Why can't people be free to create?

You tell me who is more creative in their dress - your grandad who wears generic, unbranded M&S, or your logo-heavy youth on the street? It is a myth that creativity is inhibited by other people's ideas. Is Thomas Pynchon not a true artist because his writing was influenced by that of others? So I don't agree that people aren't free to create...

Secondly I argue whether most people really want to create all the time. Do we really have the energy and time to want to do everything from scratch?

Just some thoughts, not too coherent...
 
 
Scrambled Password Bogus Email
21:42 / 09.06.03
As we become more fixated on style and wealth, by definition we're not interested in things that any old schmuck can see on the telly. Advertising actually cheapens as much as it inflates to the sophisticated consumer.

Absolutely spot on...Where and when did you last notice an advert for Ferrari or Porsche? Why doesn't The Ivy have local leafletting a la Hippo Pizza?
 
 
Rev. Orr
00:01 / 11.06.03
Where and when did you last notice an advert for Ferrari ...?

Last weekend in the coverage of the Grand Prix. I realise that this may be conflating 'advertisement' and 'promotion' but that is hardly the least of this threads sins.

I'm still a little confused as to how advertising is shadowy, sinister, deviant, threatening and so on. Irritating, intrusive and distracting possibly but actively evil (excluding Karl Howman and Flash liquid, of course)? If the objection is to spreading avarice, disatisfaction, aspiration and heedless consumerism then people are shooting the messenger. Advertising may be driven by these concepts or use them to boost sales of their clients, but it operates within the existing framework of the consumerist society rather than creating it. Anyone is free to try to make the claim that availing oneself of Western Capitalism or failing to challenge it actively is helping to shore it up and siding with the status quo. It'll sound a little shouty and may require the wearing of a balaclava, but you could.
 
  

Page: (1)2

 
  
Add Your Reply