Question, regarding:
grant> Arabs speak Arabic. Turks, Afganis, Pakistanis, Iranians, Malays are not arabs. Egyptians, Saudis, Syrians, etc would descibe themselves are "Arab".
Where do Iraqis fit in this?
Here's why I bring it up again - I'm doing a bit of research on St. Olga of Kiev, who had some dealings with the Abbasid Empire... which I've found described as an Arabic Empire, ruled from Baghdad. It later crumbles into all sorts of loosely allied caliphates, starts turning Persian, culturally*, then winds up getting taken over by Seljuk Turks.
Which sets the stage for the First Crusade.
* The Abbasid Dynasty (750-945) established its capital at Baghdad,
near the old Sassanian capital. For a century, the empire
experienced a time of unprecedented cultural, artistic and
economic development, particularly during the reigns of Harun al-
Rashid (786-809) and al-Mamun (813-833). Persian scholars and
artists played an important role in this intellectual activity;
from the very beginning of the Abbasid Caliphate, they had been
placed in charge of the highest court functions, and a large
number of Iranian customs and traditions were rapidly adopted in
Baghdad.
Here's one thing: there was obviously a certain amount of cultural plasticity.
Here's another: the Abbasid Empire stretched from Rajasthan, just about, to Spain. Which lays over a bit of music history -- this would be about the time period when the Spanish take the Arabic oud, a six-stringed lute, and turn it into the instrument still most identified with Spain, the guitar. That's an important cultural marker.
What I'm wondering is to what degree other cultural traits might have been transmitted, and if the "hot-blooded Spaniard" is either a/propaganda going back to the Islamic occupation, or b/a wan (guilty) European reaction to the passionate (shameful) semi-Arabic culture.
I'm also wondering about something else... what Ishmael Reed referred to as the boogie, or "Jes Grew":
"... people were doing 'stupid sensual things,' were in a state
of 'uncontrollable frenzy,' were wriggling like fish,... We knew
that something was Jes Grewing just like the 1890s flare-up...
There are no isolated cases in this thing. It knows no class no
race no consciousness. It is self-propagating and you can never
tell when it will hit... A mighty influence, Jes Grew infects all
that it touches... Actually Jes Grew was an anti-plague. Some
plagues caused the body to waste away; Jes Grew enlivened the
host."
It's a plague of looseness that dark folks give uptight white folks - a bioweapon in the culture wars. And it's linked to the same cultural transmission that took the oud (and black folks) out of Arabic North Africa into Spain, and eventually into the American South, where the guitar and African song patterns blended with European folk music to become the blues, which then got picked up by white folks as rock & roll.
So I suppose my question is if rock & roll, the antithesis of European high culture in a lot of ways (Roll over, Beethoven), is a "shame" activity.
Or if this line of transmission between West and Near East is divorced from the ideas of guilt-shame mechanisms, or fracture-patterns when rationality breaks down. |