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I've somehow managed to get this far in life w/o ever hearing Coldplay, but today I did hear "Clocks." And, yes, the U2 thing is there, from the piano riff (8th notes in a 3-3-2 pattern—a classic Edge compositional device) to the four-chord structure to the steady, almost simplistic bass. But it was the vocals that pegged it for me—every growl, every murmur, every falsetto swoop, seemed swiped from the Bono playbook circa Joshua Tree.
It was pleasant enough, but I have no burning desire tohear it ever again. |
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