Planet of Sound:
"In a crazy way, a good way of getting to grips with postmodernism/structuralism might be to dive into some examples in the Arts. Along with anything by David Lynch, I'd recommend 'Girlfriend in a Coma' by Douglas Copeland and the musical/literary career of Bill Drummond. I think. Er..."
I'm not sure I follow that - how are they postmodern? I'm not saying they're not, just, er, I don't get it.
There's a bit on the web here that might be useful to anyone like me who thinks postmodernism is just some guy with a dodgy goatee and a beret, sitting in a cafe with a hefty academic tome in one hand and an Incredible Hulk comic in the other:
The Postmodern Turn (Steven Best and Douglas Kellner)
It's very much pro-pomo (ha ha) and there's some contentious bollocks in it, but I reckon it covers the general stuff in a readable manner.
For those who can't be arsed to read the whole thing, I reckon these to be the crucial bits:
QUOTE:
"Modernist art sought innovation, novelty, and contemporary thematic relevance, rejecting tradition by negating old aesthetic forms and creating new ones. In this sense, modernism in the arts followed the basic processes of modernity, which involved
negation of the old and creation of the new, producing continual originality and "creative destruction" in all spheres of life (see Berman, 1982)."
(It goes on to say, in so many words "but it got really elitist".)
QUOTE:
"The postmodern turn in the arts maintains some links to earlier aesthetic traditions while also breaking sharply from bourgeois elitism, high modernism, and the avant-garde alike. With modernism and the avant-garde, postmodernists reject realism, mimesis, and linear forms of narrative. But while high modernists defended the autonomy of art and excoriated mass culture, postmodernists spurned elitism and combined "high" and "low"
cultural forms in an aesthetic pluralism and populism. Against the drive toward militant innovation and originality, postmodernists embraced tradition and techniques of quotation and pastiche. While the modernist artist aspired to create monumental works and a unique style and the avant-garde movements wanted to revolutionize art and society, postmodernists were more ironic and playful, eschewing concepts like "genius," "creativity," and even "author." While modernist art works were signification machines that produced a wealth of meanings and interpretations, postmodern art was more surface-oriented, renouncing depth and grand philosophical or moral visions (Jameson, 1991)."
[ 10-01-2002: Message edited by: Saveloy ] |