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Very, very roughly:
The Situationists saw the Spectacle as a specific effect of contemporary capitalism. Postmodernists (some of them, at least) see it - or something like it, if they don't use the term - as an effect of the structure of language, desire, or some other unchanging, unhistorical aspect of life. So, the Situationists believed in a revolution - 'the revolution of everyday life' - which would put an end to the Spectacle and alienation, and return us to a full connection with the world. Postmodernists (at least this reductive version - identified with people like Baudrillard) see such a revolution as impossible and, in some ways, a reactionary ideal of 'unity' or 'full presence', etc. |
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