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Blur- The New Album- Are they going to bomb, are they still the bomb?

 
 
Our Lady of The Two Towers
12:47 / 04.12.02
Alright, so I know it's just a white label and they're also a band it's not cool to admit to liking, but they've said they're probably going to disband after the next album and not tour it anyway.

So, is it likely to be any good?
GOOD; They've worked with William Orbit, who helped make '13', IMHO their best album.
BAD; They've worked with Fatboy Slim, who seemed to run out of steam about 10 seconds in to his own last album.
BAD; Graham Coxon isn't in it, or hardly at all. His creative friction with Damon has meant that whilst the stuff they produce on their own is normally arse, when they get together they put out good stuff.
BAD; Damon Albarn has an ego the size of Jupiter, and feels 'happy' now that he's got over losing Justine and getting a daughter.
GOOD; Ummm...

So, is this going out with a bang, or a damp squib? Or is everyone too in to The Strokes to care?
 
 
Matthew Fluxington
14:04 / 04.12.02
Fatboy Slim's production will not be on the record. It's only going to be familiar old William Orbit and Stephen Street. So says the Blur press release.

It'll be a great record, cos even when he's without Coxon, Albarn is still a remarkable songwriter and always comes through. I think losing Coxon is a bad thing - Coxon always makes Albarn's songs better, and is a very talented guitar player. But it'll be fine. "Don't Bomb When You're The Bomb" is kinda lightweight, but it's not going to be on the album, so it's not much to worry about.

I think Blur is a very cool band, and I think that Damon Albarn is one of the most talented songwriters of his generation. He's got a great singing voice, too.
 
 
rizla mission
14:33 / 04.12.02
My favourite bits of Blur were always Coxen's bits, so, um, I reckon they might well be rubbish without his indie kid meets mental patient fuzz guitar stylings..

..basically, if it sounds like 'Tender', i'll go 'yawn', if it sounds like 'Bugman', I'll go 'WOO!'..
 
 
Matthew Fluxington
19:00 / 04.12.02
But that lacks logic, Rizla. Coxon co-wrote "Tender", but Albarn wrote "Bugman".
 
 
_pin
19:33 / 04.12.02
Aah... but what do they sound like, I believe, is the key quesiton here.

And they are touring it. In America. With Massive Attack.
 
 
Matthew Fluxington
20:10 / 04.12.02
Well, thank god they're coming over here. It was only luck that allowed me to see them play one of the two US shows they played in support of 13. Too bad I'll have to see Massive Attack, though. I don't even like their best material, honestly...
 
 
Seth
21:26 / 04.12.02
Can't imagine a show that'd make me more pissed off to sit through than Blur and Massive Attack (although I'm always kinda hopeful that the latter will redeem themselves). My one constructive comment is to request that Riz changes his fiction suit to Rizla Lacks Logic.
 
 
rizla mission
14:44 / 05.12.02
But that lacks logic, Rizla. Coxon co-wrote "Tender", but Albarn wrote "Bugman".

Oops. I didn't know that. Bugger. So much for my theory of trying to match up bits of a band's sound to the member's personalities..
 
 
Matthew Fluxington
14:56 / 05.12.02
Yeah, especially since Albarn wrote every last Blur song by himself except for "Tender", "Coffee And TV", and "You're So Great".
 
 
Matthew Fluxington
13:56 / 06.12.02
If you want to get an mp3 of "Don't Bomb When You're The Bomb", you can download it here, for a limited time.
 
 
The Natural Way
14:47 / 06.12.02
Massive Attack?

I'll never forgive them for that "Big wheel keeps on turning..." business.
 
 
Our Lady of The Two Towers
20:59 / 06.12.02
Really?
'Unfinished Sympathy'
Truly?
'Protection'
Are you sure?
'Karmacoma'
Are you taking the piss?
'Teardrop'
You are aren't you?
'Group Four'
 
 
Matthew Fluxington
21:24 / 06.12.02
The only Massive Attack song I think is any good is the instrumental track in the middle of Mezzanine.
 
 
Spatula Clarke
21:42 / 06.12.02
I'm not really fussed about this at all. Parklife gets attacked simply because of what happened around it at the time rather than its contents, which is a shame, but apart from that one I've never found them to be a convincing albums group. Singles, yeah, fantastic, but the quality control varies wildly when they've got an hour to fill.

I thought Coffee and TV was the best thing they'd done in a long time, which doesn't bode all that well for the new stuff...
 
 
Matthew Fluxington
03:38 / 03.03.03
If you act fast, you can download all of the new album here.

More later.
 
 
littlebopete
13:53 / 03.03.03
The 'trilogy' - 'Modern Life,' 'Parklife' and 'The Great Escape' - was Blur at their best. Since then there's been great moments but the basic problem has been total lack of confidence in their own voice. The last few albums (and what I've heard of the new stuff) are a band trying to be what they think they should be, and not just being what they are. It's like Radiohead - they're thinking too hard.

I have no hope that the new Blur album will be anything except nonsense.

And the new Massive Attack album is useless, but I won't hear a word against the first three! (unless that word is 'paedophile')
 
 
Graeme McMillan
16:10 / 03.03.03
Shit! I'm at work and can't download the album for another 7 hours!

Flux, or anyone else who's downloaded it - if it's gone by the time I get home (possible, but hopefully not), any chance one of you could send me shitloads of emails with it enclosed?
 
 
Guy Parsons
21:01 / 03.03.03
The lead single, Out Of Time, is pants. But i'm glad there's some other fans of the 13-era stuff, I liked that as much as their earlier material unlike (it seemed to me) most fans.
 
 
Guy Parsons
21:03 / 03.03.03
Wait, there aren't any 13 fans here. I think sleep-deprivation is working it's havoc...
 
 
Graeme McMillan
21:34 / 03.03.03
Flux loves 13.

I like it, but prefer Blur (the album, as opposed to some cryptic comment about prefering the band to one of their albums).
 
 
Graeme McMillan
01:37 / 04.03.03
Downloaded. Enjoyed.

It feels more open than 13, more relaxed - reminds me of Pulp's "We Love Life" in a way that I can't explain. Sounds like "13" a bit, but in a nice way.

I'm in love with "Out of Time".
 
 
CameronStewart
03:14 / 04.03.03
I've listened to the new album a couple of times now.

As is seemingly always the case with new albums by bands I love, it doesn't quite sound like I expected it to, so I don't know what to make of it yet. I think i like it, but I'm not sure. Needs to grow on me a bit....

I do like "We've Got A file On You." Reminds me of "B.L.U.R.E.M.I."
 
 
Our Lady of The Two Towers
20:15 / 04.03.03
13 is my favourite album. This aint going to unseat it. I dunno, I'm going to need a bit more time to listen to it. But on first hearing, the first half of the album is not that different to the Gorillaz album, either that the others were his backing band on that project too, or he's kicked them out and got whoever did the instrumentation in to replace them. The second half is more Blursy, but more like the duller songs on 13, 'Swamp Song', 'Trailer Park'.

My opinion might change, but I don't think Blur will be finishing their career on their highest note.
 
 
Matthew Fluxington
20:50 / 04.03.03
"We've Got A File On You" is part of a Damon Albarn tradition going all the way back to Modern Life Is Rubbish - the obligatory punky tune!

See for yourself:

Modern Life Is Rubbish - "Coping", "Advert"

Parklife - "Bank Holiday"

The Great Escape - "Globe Alone"

Blur - "Chinese Bombs", "Song 2"

13 - "B.L.U.R.E.M.I.", "Bugman"

Gorillaz - "Punk"

Think Tank - "We've Got A File On You", "Crazy Beat"

I've been listening to the album a bit, and it's slowly growing on me. This is how I'd rate the songs -

"Ambulance" gets things off to an awkward start. It starts out interestingly, has some interesting changes, but the song never quite gels. I'm not counting this one out, because I've got the feeling it might make sense to me at a later date, but as it is right now, it's just the song I have to wait through til the album really gets started.

"Out Of Time" is a pretty one, I quite like it. The odd sounds in the background throughout the song add some atmosphere that I like, but I get the feeling that it was tacked on so that the song wouldn't sound so pretty and old fashioned. There's some very pretty keyboard and percussion parts on this song, and the solo is very nicely done.

"Crazy Beat" - Eh. It's okay, I guess. It seems a little too formulaic, a little too much like a "Song 2"/"Bugman" rewrite. It's fun and catchy, but nothing very special. I would think that a song like this comes very easily to Albarn.

"Good Song" was one of the first to really grow on me. It's appropriately titled - it's not "Great Song", it's not "Amazing Song", it's just "Good Song". It's just a pretty little tune that drifts along and floats away, sorta reminiscent of "Blue Jean", my favorite song from Modern Life Is Rubbish. The part towards the end with Damon singing some scatty falsetto reminds me quite a bit of "If God Will Send His Angels" from U2's POP album.

"On The Way To The Club" was the first song that really grabbed me, mostly because the vocal melody sounds a lot like "19-2000" and I already love that song. The music is a suprisingly respectable approximation of afrobeat, and I think some of the keyboard parts in this song are to die for. This is probably going to remain my favorite song from this album.

Someone on ILM said that "Brothers And Sisters" sounded like Blur trying to be Primal Scream, and I'd agree with that. This song does sound a bit like the XTRMNTR album, particularly when Damon's doing the sing-song part over the fuzzy bassline. There's more really great keyboard tones on this song, and the darker vibe of the song really works for me. I think this is one of the most successful songs on the record.

"Caravan" is a really bore, I think. It just sorta meanders along, and reminds me of the equally sluggish "Caramel" from 13. There's some nice guitars, keyboard parts, and a nice effect on the vocal, but this song isn't much more than the sum of its parts.

"We've Got A File On You" - Well, it's only a minute long. It just sorta comes and goes, and at least serves to wake us up a bit after "Caravan". Otherwise, it's nothing special.

"Moroccan Peoples Revolutionary Bowls Club" - This one really snuck up on me. The first few times I heard it, I wrote it off as being meandering and dull, but then it clicked with me in a big way. This is very intense number, and I imagine that it would be really impressive live even if it'd be a bit of a floor-clearer. It's a bit like "Battle" from 13 that way. If you never got to see them play that one live, that's a real shame.

"Sweet Song" - Yeah, it's pretty much exactly what it says it is. This is probably the most delicate and lovey-dovey ballad that Damon's ever penned. I love the distant-sounding effect on the piano, and Damon's voice is very pretty too, especially when he sings "people get so lonely". It's a bit lightweight, but it works for me.

"Jets" - Nice guitar parts, good bassline, interesting production, but it hasn't really come together for me yet. It might help if it were a few minutes shorter.

The song listed as "Gene By Gene" but is actually "My White Noise" - Eh. This one hasn't done much for me, and I can't see why it's on the record. I don't understand the point of hidden tracks. If it's not good enough to be on the album, why put it on the cd?

The song listed as "Battery In Your Leg" but is actually "Gene By Gene" - Ah, this is a great one. Nice melody, nice sound all around. I take it back, this is probably my favorite on the album.

The song listed as "My White Noise" but is actually "Battery In Your Leg" - Eh. It's alright. I might grow into this one a bit, but probably not all that much. It's just kinda boring.
 
 
Matthew Fluxington
15:12 / 08.03.03
Jesus. The song titles on the mp3s I got were even more mixed up than I thought. To clarify the above post:

The song I thought was "On The Way To The Club" is in fact "Moroccan Revolutionary Bowls Club". The song I thought was "Moroccan..." is actually "My White Noise". The song I thought was "My White Noise" is "On The Way To The Club".
 
 
Our Lady of The Two Towers
16:54 / 08.03.03
Well, I liked it more on a second hearing but, correct song titles or not, don't think it's their best. It just sounds too restrained after 13.
 
 
beatorbebeat
21:29 / 18.03.03
I heard the new album this week end and it's quite good. Sounds different from their earlier stuff, and it's hard to place the direction they're heading to. Like every album that changes in sound (Insert Radiohead comparison), people are going to either love or hate it. I think they're going to lose some fans, but gain a gaggle of new ones too. I dig it, but I can see how it could be taken as too far from the old stuff.
 
  
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