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It's late in the evening. Wearing my shabby black funeral suit, I sit between Lilith Myth and Grant in a corner of the Club Flamingo, with my head on the table, watching the green bottles gather in front of me. A band is playing an unlikely selection of cover songs: the sound is like a collision between a Western swing band and a samba school, playing the New Wave songbook in Spanish—cheery, brash, and tuneful. There are about fourteen people on the stage, everybody singing or chanting or banging on something, all seemingly having a wonderful time as they brought an epic, unlikely version of "Once In A Lifetime" to a climax.
I am jet-lagged, drunk, and exhausted—more exhausted than drunk, but pretty goddam drunk for all that—having emptied many of those green bottles myself. "I can’t believe I fucking let you talk me into this. I must be crazy. I should be in bed," I moan.
Then the band starts another tune—jackhammer piano gave way to a twisty riff on the guitar and the horns. "Call it!" I cry to Grant.
He listens for a moment. "Sounds vaguely familiar… Lilith?"
"Roxy Music, isn't it? God, it makes me want to dance," she says.
"Mm-hmm. 'Prairie Rose,'" I nod.
"Texas," sing the singers in Spanish—tay-hhhhass.
Pertenezco alli, se parece…
Solitari'estrell', brille en pais grande…
"This is how you've trapped me, you unspeakable bastard," I say, pointing at Grant. "I need my sleep, but you bring me here knowing I will not be able to leave until this absurd band plays their last fucking ridiculous cover song of the night."
And the band sings Hey hey, le oigo el llamar de mi
Hey hey, Rosa Predera…
"Fuck it," I mutter, but before I can ask Lilith to dance I fall asleep face-down in my dessert. |
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