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Photek

 
 
paw
17:23 / 01.12.02
inspired by expressionless, where do i start?
 
 
Seth
22:42 / 01.12.02
First of all, this isn't music for everyone. The earlier material is arguably better, drum'n'bass, only with a good deal of the obvious tropes edited out. That's how Rupert Parkes used to work, via editing, taking out anything he feels is superfluous in order that the drums can breathe.

Now on paper I can imagine that sounding terrible to anyone who isn't in love with tones and percussives. It's actually a lot more listenable than it sounds, and it can be fucking devastating in effect. Parkes' sparse beats are some of the finest examples of drum programming you'll ever hear: these are breakbeats to stand in awe of. The most readily available (and possibly best) showcases are Modus Operandi, Form and Function and the Ni Ten Ichi Ryu EP. The depth of the drums is staggering, coherent and danceable while seemingly never repeating the same phrase in its entirety, some notes soaked with reverb, others totally dry.

The tunes are effortlessly moody, sometimes tense and even menacing. Check out UFO, in which marines represented by their sampled dialogue are literally stalked through a forest, Predator-style. Or KJZ, coiled and ready to strike, a spy movie conjured from just a double bass, cymbals and snare (breakbeat hardly seems the right word). Ni Ten Ichi Ryu is his masterpiece, perfectly balanced and flowing, disciplined, the drums seemingly like a series of swift, perfectly aimed sword strokes (helped by the sparing use of samples from martial arts flicks). Everything is understated, everything is stripped down.

Solaris is much more diverse, but arguably lacking in the strength of personality of the previous records. The minimalism is ever-present, but on this set he leaves behind the virtuoso programming to deliver much more basic beats, with touches of house and techno. It's only on Terminus that he realy returns to his more established style, and even here he's restrained his excesses, delivering pretty straight - albeit edgy - drum'n'bass.

That's not nearly exhaustive. This discography covers some of the work he's done for other labels under different names. I recommend starting with the first three I mentioned and working from there.
 
 
rizla mission
10:45 / 02.12.02
Sounds really cool actually.. I'll look out the the name in future..
 
 
No star here laces
09:05 / 03.12.02
I really like that single he did with Robert Owens, but if you want the sort of 'beat science' stuff, that record is not for you, it's much more straight-up mournful chicago house...
 
 
Seth
05:28 / 04.12.02
I think I remember Owens being on more than one track on that album. Let me know if you want a copy.
 
 
No star here laces
07:40 / 04.12.02
Go on then - bring it along on saturday. Can I copy anything for you? (assuming minidisc is okay, it's my only recordable format...)
 
 
Seth
21:17 / 04.12.02
Minidisc works best for me. Do you have a long-play recorder? Cos I can probably fit most of his music on one disc. As for returning the favour, I reckon I'd enjoy pretty much anything you'd recommend.
 
 
midge
14:04 / 09.12.02
Photek kicks ass. He is without a doubt one of the best drum n' bass artists to date. If you like heavier drum n' bass try some Alec Empire although he's not everyones cup o tea!!!
 
 
Goodness Gracious Meme
14:20 / 09.12.02
What expressionless said, really. It's the way he programs percussive sounds that I think is his real strong point. (and yeah, know that sounds about as exciting as ludo, but trust me) Immensely complex *and* danceable beats weave in and out of each other....

I'd probably recommend Form and Function Vol 1 as probably the most accessible of his more sparse/deconstructed stuff... and the 'Natural Born Killa' Ep if you want full-on Drum and Bass antics...
 
 
Pepsi Max
21:08 / 09.12.02
Hidden Camera is also a cracker. Photek's music is very much at the minimalist, "drum and bass" end of the hardcore continuum.

I remember reading an interview with him in the mid-90s where he said he'd given up drugs (even coffee) and was getting into Zen and martial arts (which was a fascination for many d&b artists by way of US hiphop acts like Wu Tang). You can kinda track the increasing austerity of his music thru his career.

His music is the soundtrack to a monochrome manga remake of Blade Runner set in Tokyo where Rupert Parkes wakes up and finds he's a replicant on the run from a Vogy-Kampf-wielding DJ Krust.
 
 
w1rebaby
14:54 / 10.12.02
I can appreciate Photek at times but it's certainly not welcoming, comfortable music. I'm sometimes surprised that he's so well-known; I guess, even if the style is not populist, the quality comes through.

Used to be pretty into this sort of d&b but I think the reasons I listen to music have changed now.
 
 
Scrambled Password Bogus Email
09:19 / 24.11.04
Looky here to see what the boy from Stevenage done next.

All power to you, fella!

(Cunt! Jealous Rage!)
 
 
Mister Snee
16:25 / 24.11.04
I love his remix of Total Job. ^^

Suddenly I feel inspired to sample the works of Photek more deeply!

I've never [i]used[/i] this forum before!
 
 
Mister Snee
16:26 / 24.11.04
The music forum I mean. Not the whole forum. Uh. I also meant italics. Sorry.
 
 
De Selby
13:36 / 25.11.04
If you like Photek, check out Klute's new album for possibly the deepest most gorgeous sounds ever produced in drum and bass. Its called "No-one's listening anymore" and it came out today on LP.

Intricate drum patterns, lush multi-layered textures.....mmmm
 
  
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