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American actors told to talk faster

 
 
Lullaboozler
11:35 / 15.11.02
This from the Media Guardian:

Actors in US sitcoms and drama series are speaking more words a minute than ever before in a bid to make their characters appear more intelligent and appeal to younger viewers.

Scriptwriters on some of America's biggest TV shows have upped the word count significantly because they believe the faster characters speak, the more intelligent viewers perceive them to be.

Hollywood producers also believe rapid-fire conversation - often while characters are on the move - is popular among the "MTV generation" of viewers.

They have even hired dialogue coaches to help actors keep pace with the increased word rate, according to the Wall Street Journal

Aaron Sorkin, the creator and executive producer of political drama The West Wing, described the speed at which characters speak as "turbo fast".

He told the Wall Street Journal: "My parents will call me every Wednesday night and say, 'Great show, tell them to talk slower.'"

Bill Lawrence, the creator and executive producer of hospital comedy Scrubs, which is broadcast on Sky One and Channel 4 in the UK, said quickfire dialogue and short, snappy scenes were a "humour insurance policy".

"If someone doesn't think one scene if funny, another one is coming right away," he said.

The phenomenon can be seen in other US dramas. In Gilmore Girls, so-called "fast talk" makes a small-town setting feel hip.

In American Dreams, the characters talk quickly over the family dinner table to appeal to teenage viewers.

Amy Sherman-Palladino, the creator and executive producer of Gilmore Girls, said the show avoided using close-up shots because the technique slowed down the dialogue.

She added the actors were encouraged to "walk and talk" to save time.

Moonlighting, the 80s romantic comedy starring Bruce Willis and Cybil Shepherd, is thought to be the first show to use "fast track" dialogue when it featured quick-fire exchanges between two stars.

The practice has its drawbacks, however. The number of takes required to complete each scene is said to have rocketed.


Funny, I had always thought the reverse to be true. More intelligent and powerful people talk at a slower pace, and in moderated tones as they know that those around them will listen to what they say, while only those people who feel the need to be recognised will speak quickly, thinking that no-one will listen to them otherwise.

Another example of pandering to a particular section of society - in this case the perceived "MTV, goldfish-memory" set - to the detriment of the form employed. Can and does this really work?

Personally I think not, as I have always tried to speak in a measured and considered manner, and nobody has called me stupid yet.
 
 
8===>Q: alyn
15:22 / 15.11.02
Mm. I dunno about sitcoms, but on the West Wing everyone talks very fast except the President & Chief of Staff characters. It makes them look more powerful. I'm sure it's a case by case thing, but producers will take it as gospel and work it to death.
 
 
Jack Fear
18:23 / 15.11.02
In other, entirely coincidental and unrelated news: cocaine makes a big comeback in Hollywood. Something about Republican administrations...
 
 
gridley
19:34 / 15.11.02
I've always loved fast-talking characters. And I do think it makes them seem wittier (if not actually smarter). My ideal in this is Jennifer Jason Leigh in Hudsucker Proxy. Her character epitomized all those "fast-talking dames" from 1950s films, like Ginger Rogers, Rosalind Russell, Barbara Stanwyck, and such. And I think it's relevant to note that those films were a big step in changing society's views about the intelligence of women. It was the beginning of Hollywood really thinking, "Ok, let's have a smart, confident female character in this movie." And one of the ways they conveyed that was though how fast they talked.
 
 
Matthew Fluxington
14:34 / 16.11.02
I think it's fine for some characters to speak fast, but I don't like it when nearly all of the characters speak a lot faster than normal. I love Gilmore Girls, but too many of the characters speak too fast - there's some characters who don't, and some who call attention to the fast-talking, but I think the show would be stronger if the only characters on the show who did the speed-talking were the eponymous Gilmore Girls and the character Paris.
 
 
Tryphena Absent
22:03 / 16.11.02
Ah, Dawson's Creek syndrome... because the whole universe just seems to bear down on me in this incredibly superficial way and I really believe that the intensity of our relationship, so unreal and so overwhelming, is just it.

Actually I think it makes the characters seem whiney and irritating and erm... superficial.
 
 
Turk
00:47 / 18.11.02
Why not just give them more intelligent lines?
 
 
The Falcon
00:55 / 18.11.02
I thought early Buffy had fast, smart teenspeak; maybe I adapted, maybe they slowed down. It's all so long ago...
 
 
Turk
01:42 / 18.11.02
while only those people who feel the need to be recognised will speak quickly, thinking that no-one will listen to them otherwise.

A proposition not entirely without proof.
Just check out the website of The World's Faster Talker - Steve "I Hold the current World Record for fast talking" Woodmore, who coincidentally is also the World's largest egotist (probably).
 
 
Ethan Hawke
11:39 / 18.11.02
Actors in US sitcoms and drama series are speaking more words a minute

I suppose this could have nothing to do with the fact that sitcom writers can't write dialogue for shit.

This is another manifestation of creeping Tarantinoism (for other disease vectors, see also Grand Theft Auto, the career of Guy Ritchie, etc.). The effect that "Pulp Fiction" had on mass culture, and especially on the generation of writer-types who are now finding work in movies and TV can't be discounted.

The jags and riffs that Tarantino has characters going off on in his films-usually about pop culture- ("If I had to fuck a guy it would be elvis" "Like a Virgin is about big dicks" "Royale with Cheese") unfortunately, somewhere along the line, acquired the patina of intellectualism after someone mistook their surface, bullshit analysis of everyday items for deep philosophizing. Tarantino certainly wasn't the originator of this type of dialogue, (in fact, now that I think about it, the bullshit artists of "Seinfeld" might be a more apposite example) but he had the genius of combining stoned, sophomoric commentary (that most film students could recognize from their own late-nite bull sessions) with the rapid-fire delivery of a cokehead. To give the man some credit, he was often quite funny. However, when, as Flux says, everyone in a given show or on a given network is talking like this, the effect is wasted.

If there's any one, small thing, I've learned in trying to write a script, it's that dialogue is the least important part of it, and tyros have a tendency to write far too much of it. I suspect that the blossoming of a thousand words in every character's mouth is a function of young screenwriters not knowing how to edit themselves, and cut the fat, as it were. But what do i know?
 
  
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