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Sonia Delaunay

 
 
Tryphena Absent
17:02 / 07.11.02
Can anyone suggest any good books on her. My dissertation introduction needs more information on the wonderful Sonia. I'm writing about the clothes rather than the art (although the clothes were art in their own right). Thanks!
 
 
Goodness Gracious Meme
14:16 / 11.11.02
She is *fab*, isn't she.

I don't know what you've already got, so apologies if these are obvious:

Sonia Delaunay, Diana Vreeland, Art into Fashion. Wonderful, and vital. But i'm sure you're reading this already.

Cohen, Arthur, ed. The New Art of Color: The Writings of Robert and Sonia Delaunay. Trans. David Shapiro and Cohen. (especially a short essay called something like 'the influence of art on fashion design - but has some good stuff on artists and fashion)

Stanley Baron & Jacques Damase, Sonia Delaunay: The Life of an Artist Haven't read this in a while, but remember it being an excelllent and very comprehensive biog, definitely the one to read if you're going to
pick one, IMO.

Axel Madsen's - Sonia Delaunay, Artist of the Lost Generation, is also well worth a look (think it's quite obscure but probably not for a decent uni library.)

Found an online version of an excellent article (ah memories): High Decoration: Sonia Delaunay, Blaise Cendrars, and the Poem as Fashion Design - Carrie Noland. (check out the bibliography as well.)

Useful for commenting on her artistic relationship with Tristran Tzara - which is worth noting if you're going to talk about the design/construction/compositional element and interesting on 'le robe simultanée', and the historical specificity and significance of the development of her particular vision of 'simultané':

"Encouraged (or compelled) by her domestic situation during the war, Delaunay began to transfer the modernist iconography associated with her husband's canvasses onto a variety of decorative objects: curtains, upholstery, lamp-shades, book bindings, scarves, and dresses. In this way, "simultanéité" evolved from a theory of color contrast into a practice of cultural production. The goal of her visual experiments was no longer to discover how one tone affected the perception of another [...]

The implication of her specific version of "simultané" was that a visual identity between objects situated in different institutional contexts could potentially erase the traditional cultural distinctions between them. "


etc.

The Costumer's Manifesto Site, might be useful as well, for links to fashion theory and early 20th C stuff.

hope this helps...
 
 
Tryphena Absent
15:07 / 11.11.02
Sounds perfect thanks! I'm going to ring up the London College of Fashion and ask them if I could use their library though I'm not sure they'd let me! Otherwise it's the British Library for me. I've already tried to get hold of the Vreeland book in Cardiff and they don't have it.
 
 
Goodness Gracious Meme
16:03 / 11.11.02
Bugger. Can you do a search over loads of academic/art college libraries and nab it through an inter-library loan?. I'd look at uni's with established art history and fine/visual art departments... leeds, manchester, goldsmiths... ucl, edinburgh ?
 
 
Goodness Gracious Meme
21:38 / 11.11.02
I should mention that I'm massively out of touch, and there might well be more recent stuff that's good... The Baron/Damase was hot off the presses when I read it.

Good anthologies of feminist art criticism should cover her
 
 
Tryphena Absent
21:49 / 12.11.02
I'll find something but I hate inter-library loans so I'll probably just go to the British and look through my lists at everything I can't get here!
 
  
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