BARBELITH underground
 

Subcultural engagement for the 21st Century...
Barbelith is a new kind of community (find out more)...
You can login or register.


Letters from Van.

 
 
grant
12:46 / 10.07.02
I have a friend. He's... not quite right.

He sent me three emails today (I haven't heard from him in months).

This is the first:

>>>>>>>>>>>
Unable and powerless to circumvent my miseries, daunted, discouraged and unable to face reality, I thought it prudent to seek the help of a professional. I felt nervous and guilty about going to such lengths and was much relieved when I saw that he wore a dark cape, the inner lining of which seemed cool, quiet and tasteful.

My therapist has a unique approach that gives me pause. We simply meet every Thursday and read a Poe story aloud. This week it is "The Cask of Amontillado", which we really didn't finish because he kept laughing: "Yes, for the love of God." He laughed a lot, breaking out in tears and sweat and just when you thought he had had enough fun, he would exclaim some new hilarity in it all. He was wracked with it, clutching things and scattering little beige files. I caught him looking at me from time to time throughout it all, fixing me with even steel eyes through his explosive merriment, quite clinically, so I guess it has some therapeudic value. I too, laughed a little, and as I left I began to feel a little better.

Today we started a new phase of therapy where he draws pictures and then tells me what they're about. First he drew this awful demon , red, red and gory, covered with blood and odure and flaming excrement. It is yellow and red and black and orange with bits of green and blue on the edges, indicating some sort of decay. It used up most of those crayons. It had claws for eyes and teeth for claws and was penetrated in several places by what looked like little baby's hands. "This is what's bothering you" he says. He then draws a naked woman with a rope around her neck falling off a cliff. On the end of the rope is a great stone. The water is full of spikes. "This is what is happening to you" he says and laughs. My weak smile perishes: not content with my immanent demise, he draws one of the spikes taller than all the rest so it penertrates me graphically in mid-plummet. Then, on another sheet of paper, he draws a kitty cat.

"Are you sleeping a lot during the day?" he asks. "Sometimes" I say, because it's hard to sleep at night. "Sometimes" he repeats, somehow disappointed.

He says that I should call him whenver I have a disturbing dream. Whenever I have a nightmare, I should ring him right up and tell him the whole thing in the present tense as though it is happening. He emphasizes that I must call him. I should keep a phone by my bed. He also suggests that I sleep in "something satin, but practical".

It not that he doesn't listen. He listens very well, I think, but as though he's heard it all before, countless times. I am telling him about how terrible I feel about my inability to get things done and yet I don't do them. "Bury them" he says, instantly. Bury what? The things? "No, bury them, bury them alive!" he says urgently and looks in my eyes. Then the intensity passes and he turns back to staring at the candle.

We have a field trip today, or rather, tonight. "I always direct my patients to vampire movies" he says "psychotherapy is a myth, but vampires are real" he says and with a flourish we are off. He seems delighted by the night air, the distant lights. I too, warm to it, for I haven't been out in ages. We see Vampyr, L'Age d'Or and The Loneliness of the Long Distance Vampire. He doesn't want any soda or popcorn. Instead he just sucks on his plastic teeth making a hissing sound. "Every seat in this theatre is a grave" he whispers, "warmly tenanted, staring up at the night sky. In the dark, we are all together." He nurses a broken lilly that he has brought into the theatre. Outside, he asks "When is David Bowie going to be in a movie again?"

"Stay up with me tonight" he says, and his voice is plaintive and distant like the discussion of a daguerrotype. At his home he takes off his shoes and puts his balled up socks in them so neatly that they look like little babies in their shiny coffins, their black tounges swollen out their black swollen cheeks. For all his elegeance and professionalism, he really is somewhat feral, he hardly ever bathes and his toenails are a fright. He sits in a chair. No sooner has he done this than he asks if I would like to hear a song to pass the time until day break. He gets an antiquely fashioned stringed instrument which he strums:

The Conquerer Worm!

Er-Has plenty to learn

And Money to Burn!

For at least uh, the first term"

He's making it up as he goes along; he seemed so excited and sure of himself, possessed really, as though he had been imagining thi moment over and over since seeing it all at once in hi head, but his performance deflates rapidly once the first few bars are out. He gives up and takes to sulking, moodly toying with a slide rule. Which converts what to what, I wonder.

Towards the dawn his eyes grow lively again. With some remaining spring in his step he motions me to come over to a long black case. He slides open the over of the enormous lozenge. A little head pops out. it is a lamb, a little lamb, which baas meekly and looks around. His this white hands move tenderly, spectrally around it head, touching and stroking. Its eyes are so big, so child-like and hopeful and innocent, as though everyone were its mother.

<<<<<<<<<<<
 
 
grant
12:50 / 10.07.02
This is the second:

>>>>>>>>>>>
Subject: The Enlightenment of Elvis Aaron Presley
Date: Tue, 09 Jul 2002 22:32:31 +0000

1. We have considered the death of Elvis Aaron Presley as a case, even an exemplary case of poisonous fame and fortune, a man overcome and killed by his appetites and excesses.

2. This is not true, Elvis died on the throne. Elvis died Enlightened.

3. Like Buddha, Elvis is a king and possesses all wordly things, fame and fortune beyond compare. Like Buddha, he gives it all away, including his wife and child.

4. We know factually of Elvis' spiritual awakening from his hairdresser who gave him some books.

5. Afterwards, it is said, Elvis gave little talks to his body guards, talks that were repetitive and shallow: "He would say the same thing over and over." They are repetitive, because they are Enlightened.

6. Likewise, Elvis shows a salutary lack of interest in performing; once a great live performer, Elvis now forgets the words to Elvis's own songs, forgets whole songs and even the names of who he is performing with. To forget what one knows already is a sign of Enlightenment.

7. Elvis sometimes sings lying down on stage. Sometimes rather than sing, he simply rambles to his audience. This patter is pretty much incoherent, meaningless and without content. It is Enlightened.

8. Popular opinion blames the drugs, of course.

9. The drugs allow Elvis to show contempt for his body; Elvis, once a great sex symbol, becomes bloated "as though submerged for several days", stops bathing, loses interest in sex.

10. Elvis knows that Colonel Tom Parker is ripping him off; the endless string of non-stop performances is killing him. Yet Elvis remains obiedient, and remains on this path, simply to honor his commitment.

11. Having lost Priscilla, Elvis sends away his oldest and dearest bodyguards -but only after they have heard his spirtual dialogues. Empty or full they are sent out into the world.

12. They write a book: "Elvis: What Happened?" The book gives an unfavorable picture of Elvis's drug use and decline.

13. When playing raquetball, Elvis does not move. One must hit the ball to Elvis. Elvis does not chase after the ball. His only other form of exercise is a stationary bike.

14. On the day of his death, Elvis allows his cousin to shampoo his hair; he airs various grievances and misgivings. He cleanses himself and is prepared for death like Socrates.

15. Elvis never puts anything spiritual in his music, besides trite and debased familiar messages. The Beatles, by contrast, trot out all the superficial trappings of flowers, gurus, meditation, Krishna, Indian ragas, pacifism, vegetarianism and political involvement. Elvis, by contrast, is Enlightened.


<<<<<<<<<<<
 
 
grant
13:10 / 10.07.02
This is the third:

>>>>>>>>>>

Ask Dr. Woof

Dear Dr. Woof, my dog seems moody and restless and I cannot tell what's wrong with him. He acts like he doesn't see me at all, or avoids me. He's in a sulky, crabby mood all the time and seems to have lost interest in a lot of things. He'll start doing something, but just as soon give up and go lie down. He sleeps a lot and even when he's not sleeping he'll just lie down in the hall, hiding from the sun, with a long suffering statement creased in his face. He's up all night, pacing to and fro, whimpering aloud sometimes, looking at this, now that. He doesn't want to go out, and if dragged out, will run into the house at the first opportunity and go hide in the basement. He wants to bay like a wolf, I can tell, he's thinking about it all the time, going over the notes in his head; his whole behavior is like one long silent baying, some canine piece of bereavement that he can't seem to get over or let go of. His fur is all matted and fussy. Sometimes, late at night, I find him looking at me with surprising tenderness and longing for affection, but he looks away and trots out of the room when he sees I'm awake. The next day he won't even be in the same room with me. He won't even chew or sniff things. He just looks at them, balefully. He has no appetite. I feel that my dog is clearly unhapy, perhaps even going through some sort of terrible crisis. Please help.

-Morbid in Florida

Dear Morbid,

All things are subject to change and decay and are perishable, whether nations, states, beliefs or feelings, they change as the seasons and no importance can be attached to

them. Your dog's suffering is caused by the insecurity and fear that attaches to your vain love of your physical and social body and your illusory sense of self. If you take your dog to the vet and anticipate the close of each day as the moment of your death as you fall asleep and become no one and no thing, then your dog should experience no conflict and no blame can be attached to you.

Dear Dr. Woof,

My cat really has it in for this pillow! I've tried washing it and punishing her, but she keeps urinating on it, no matter what. She's fixed, so I don't really know what this is about. Could it be something in the pillow? Is she upset at me? Do I have a bad cat?

-Pissed On in Missippi


Dear Pissed On,

Three monks see a flag. The first says, "the flag is moving". The second says, "the wind is moving, the flag is waving". Third says, " No wing, no flag. Mind is moving." You say "Cat is urinating" or "Cat is urinating on the pillow". Linguists say "The cat is on the mat" when there is no cat and no mat. No cat. No blame. Use and mention. Why blame yourself for the cat's actions? Why blame the cat? Can you blame the pillow? Love your cat, love all living things, throw the pillow away and try sleeping head to foot.


<<<<<<<<<<<
 
 
Whisky Priestess
13:53 / 08.05.04
Give him my address.
 
 
Char Aina
15:15 / 09.05.04
ditto.
 
 
Olulabelle
22:34 / 09.05.04
What's the word for triple ditto?
 
 
Whisky Priestess
18:34 / 10.05.04
Tritto!

(also the name of the Basque village in which, on attaining the honourable estate of manhood in the year of Our Lord 1844, I and my loyal (yet unreliable) sentient marrow vanquished the hitherto unconquerable Brotherhood of the Taupe Merkin ... etc. etc)
 
 
grant
19:45 / 11.05.04
What made this pop up now, two years later?

I recently persuaded Van to enter a McSweeney's "weird fiction" contest, which he did with something called "The Valley of the Screaming Cheese." It was everything I'd have wanted Lovecraft or Bierce to write after a heavy, rich meal. I wonder how that piece did.
 
 
illmatic
07:49 / 12.05.04
I'm glad this one has come back up - I love this thread.

Quadritto.
 
 
grant
13:06 / 12.05.04
Synchronistically (or perhaps as a direct result of this, who can tell), Van sent a new one today.

If you're serious about the addresses, send 'em to me at grantimatter @yahoo.com and I'll send them along to him.

The latest:

-----------------------

13 Theses on Salvador Dali on the Occasion of his 100 Birthday

written in the St. Petersburg Dali Museum during its 24 hour "Dalipalooza"

For Paul Eluard

1. For the Early Surrealists the question is "what is the unconscious?" and the answer is "the unconscious is a place and it looks like this." The space in Dali’s paintings is the space of narrative time, for dreams, classically, are narratives.

2. It is the literal answer to the literally physical-metaphysical question: what are the ultimate components of reality? Dreams, the Unconscious.

3. Therefore it is not surprising that Dali goes on to paint DNA and subatomic particles, or God.

4. Dali is a literalist. No man who paints a picture of God can be a hermeticist.

5. There are no real hermeneutics to Dali; he does not paint allegories as much as rebuses, incomplete phantasies and puzzles. Puzzles to which there are always more than enough pieces.

6. Dali’s work lends itself to sculpture, movies, and World’s Fair rides, because it can be totally literalized; it consists of not so much motifs, as props.

7. Dali is weak and gets his strength from exhibiting it; his "mania", his impotence.

8. As a literalist, even his psychological over comings are literal; his soft skull sodimizes the piano.

9. Dali is uxorious, a monotheist in matters of love, so it is not surprising he believed in redemption in the end, just as he believed in Gala, with so little evidence.

10. Dali’s perfume line is really disappointing and unexceptional; it smells like your mom, but not in any psychological sense. Is it simply his commercialism or his incredibly bourgeois conception of femininity.

11. Dali needs to be adored.

12. Dali is talented. But so what.

13. "Dali’s work is the work of tomorrow, if tomorrow consists of a lot of freaky melting shit"
 
 
grant
15:18 / 12.05.04
I replied to this, telling him about this very thread and asking how the McSweeney's thing went. He didn't win the competition, and the next thing he submitted to them got rejected. But the third submission they said they'd be posting.

He wrote the editor a thank you note, which I reproduce here in all its radiant glory:

"Dear John Warner,

Thank you; your response is extremely gratifying, for I hold your taste and acuity in the highest and most sincere esteem. Please believe me.

Awkward as it may be, I must also here quite thoroughly apologize for the deplorable solecism of a prior e-mail that you may have received. Please understand that the sentiments expressed in that e-mail were written before you had so kindly written me back and at a moment where I was feeling poorly, consumed by the doubts and anxieties of self-worth that you yourself, as a creative writer of no small distinction, must have felt at one point during your career. Indeed, I am sure that we have all felt, at one time or another, that we possessed great talent or gifts that we would but share gladly with the world if not for slavish herd-instincts of mediocrity that some critics and small-minded bureaucrats of culture seem to mistake for distinction. It is this intellectual and artistic failure that I feel strongly should be "marked for extermination" and not the critics and "small-minded clerks of culture" themselves, and I wish I had expressed it so, drawing perhaps less heavily on Exodus and the phrase "masturbated piles of puked shit" or "shitted puke piles of masturbation" and all its related variants.

Of course, none of this language can apply to your person, or really was meant to, though it would be difficult to demonstrate the latter texually. Let me simply and unequivocally affirm that these are not sentiments or beliefs that I can or would affirm in the sober light of day. Likewise, let me be equally clear in that I do not, in fact, know where you live at all. Nor would I ever come there, unless invited. I know absolutely nothing about your family, except that they must be proud and I am not going to visit them either. It goes without saying that I am not coming to where you are now and none of the actions described as commencing "when I get there" have any reality, except as examples of "visions of excess", perhaps fueled by the Surrealist tradition and certain trends in contemporary letters and exacerbated by an atypical moment of intemperance. Equally "literary" and imaginary is my familiarity and affiliation with any "Fillipino machete gang", whose appetites I know not, but which I doubt extend to any particular sensitive part of your body. Nor, would I really watch or enjoy watching any more than I would expect your wife to, my comments pertaining to whom I hope you will take in a complimentary light. No such picture exists, of course, nor has any such picture been maltreated and certainly not every night.

In closing, let me simply and sincerely affirm my glad and sincere appreciation for the kind reception you have given my humble, brief work. In the choice between the two letters, I wish you to know that this is the true and authentic one, the other a counterfeit of self-hate, misunderstanding and a container of novelty schnapps that had a great deal of sugar. I hope that the veritable glossary of epithets and slurs that ended my previous e-mail, in a sense, cancel each other out, referring, though inappropriately, to every possible race, religion, political affiliation and sexual orientation. Whatever combination of these traits it is your blessing to share with us all, please know that many of my great friends share your background and we have always celebrated it together.

Sincerely,


 
 
illmatic
10:57 / 13.05.04
That is quite, quite wonderful.

Can you get him topost the competion entry?
 
 
grant
13:50 / 23.12.04
He sent me one of his holiday plays again this year.

This is the excerpt I stuck up on my blog.

> EBEN
> Well, here I am, sound asleep at my thrifty
> multi-purpose cooperative farm
> and empowerment center in my fair trade organic
> hemp sleeping cap I bought
> at Bonaroo.
>
> A.J. AYER
> Ebeneezer, Ebeneezer...
>
> EBEN
> Who’s there?
>
> A.J. AYER
> It is I, the ghost of Alfred Jules Ayer. As a
> logical positivist, I denied
> the existence of an afterlife. Now, after my
> death, am condemned to walk the
> earth.
>
> EBEN
> If you’re walking the earth, in what sense are
> you dead?
>
> A.J. AYER
> I am a ghost
>
> EBEN
> There’s no such thing as ghosts. The original
> Scooby-Doo made this clear.
> Either I am hallucinating, having a dream or
> you are just a person who has
> broken into my house and “talksss likeee
> thisssss”


>
> A.J. AYER
> Well, that’s an excellent point. Well taken. I
> commend your clear rational
> critique of misleading and confused
> superstition. Let’s say I am the specter
> of Humanlight past.
>
> EBEN
> Specter, ghost -listen, is Frege there with
> you?
>
> A.J. AYER
> No, no, a specter in the the sense of “there is
> a specter haunting Europe.
> The specter of communism”, a historical specter
> in the sense of the
> collective effects of the unintended
> consequences of human action over time.
>
> EBEN
> So you’re supposed to be some sort of
> trans-historical phenomenon that is
> some how also historically bound and materially
> constituted...
>
> A.J. AYER
> You’re having a dream, a crazy, crazy dream
>
> EBEN
> Alright, alright, what is it you want to show
> me?
>
> A.J. AYER
> Well, what makes you think I’m here to show you
> anything? This is a crazy
> dream. Anything could happen. We could just
> start kissing and stuff.
>
> EBEN
> I don’t think so
>
> A.J. AYER
> I mean, it could be what you really want, I
> mean, it’s your dream, right?
>
> EBEN
> Yes, and that’s not going to happen.
>
> A.J. AYER
> It could be a really sexy dream
>
> EBEN
> Would you roll the clip, or whatever.
>
> A.J. AYER
> [Spooky voice] Sexxxyy hottt dreeaam [Eben
> gives Cratchit a look]...Ahem
> ...we’re going back, back, back to the early
> days of humanism, where brave
> thinkers struggled to let shine the human light
> of reason against the
> darkness of religious dogma, superstition and
> prejudice to the very first
> Humanlight....
>
> GALILEO
> Merry Humanlight, Rene Descartes!
>
> RENÉ DESCARTES
> Merry Humanlight, Galileo Gallilei!
>
> GALILEO
> What’s this?
>
> RENÉ DESCARTES
> It is a little something I made for you. It is
> a little sweater and on it it
> says that the possibility exists that events of
> the natural world might be
> the product of natural causal laws and not
> created moment to moment by
> divine intervention.
>
> GALILEO
> It’s so beautiful and rational. And bold!
>
> RENÉ DESCARTES
> Yes, you can wear it inside out. On the
> outside, it says that this is only a
> hypothesis and that in reality a benevolent God
> who is Catholic, male and
> white is the immediate cause of all things.
>
> GALILEO
> Why Descartes, you sly old dog! I could kiss
> you!
>
> RENÉ DESCARTES
> No, don’t, the Inquisition will burn us.
 
 
HCE
15:28 / 23.12.04
That letter to John Warner is so good that I cannot think of a way to express how good it is. I have tried five times to write this post and am going to admit defeat.
 
 
grant
16:46 / 04.03.05
He's getting together with a mutual friend who works in the film business, and they're going to make a short film.

This is one of the scenes, part of a script that arrived in my inbox earlier this week. It's a philosophical Western.

Jesus Franco is a former Trappist monk who is seeking truth by forcing people to act in porn movies. He has taken the town of Justine captive, and has just finished ordering Make-Up to skin an actor alive, because his skin was all wrong for the scene.

This is all watched by the film's hero, Destroyer, a Nietzschean cowboy who has just arrived in town and is listening to the innkeeper describe what has been going on.



INNKEEPER
All the animals are already dead. There is no escape. Get out while you still can, cowboy, there is nothing here but death and empty blood-soaked pizza boxes.

(Cut to set) AD
(holding bloody fluffer) Nothing is working! He has no skin!

JESUS FRANCO
Go out side and get a little stick or twig -a sharp pencil -do I have to think of everything?


(The doors of the saloon swing open to reveal THE ATHENIAN LEAGUE. They are clearly good guys, wearing white outfits with Greek letters, possibly with capes. Possibly they look like a marching band)

SOLON (of the LEAGUE)
Franco, your evil reign of torture, rape and pornography is over. We will not wait upon others to act, but act now, at a time of our own choosing, to protect life.


FRANCO’s HEAVIES fire; the members of the ATHENIAN LEAGUE are quite competent and return fire, easily nailing all of FRANCO’s HEAVIES, with no losses of their own.

JESUS FRANCO
I’m not a fighter. I won’t fight you. Can we settle this outside?

1. Main Street: Showdown with the Athenian League

SOLON
The town of Justine is liberated today. And they will not have us to thank for their freedom, but a just and loving god that gives freedom and dignity to all men.

JESUS FRANCO
I understand. Of course, all life is a process of breaking down, but the blows that do the dramatic side of the work -the big sudden blows that come, or seem to come, from outside -the ones you remember and blame things on and, in moments of weakness, tell your friends about, don’t show their effect all at once.
There is another sort of blow that comes from within-that you don’t feel until it’s too late to do anything about it, until you realize with finality that in some regard you will never be a good man again.
The first sort of breakage seems to happen quick -the second kind happens almost without your knowing it but is realized suddenly indeed.
I believe that life began in the oceans. The fossil record shows this. In the oceans, everything is connected, indiscriminate. There can be no identity. Only combinations. Our blood is the sea. Our blood connects us. Of course, on land, we are connected by air, but it is invisible. For my words to reach you, they much caress you. No, I cannot fight you. I have no tools to fight you. I have only my friendship.

(A silver robot emerges, guns at its sides. THE ATHENIAN LEAGUE takes up positions)

This is my friend, Mr. Dance-Dance Roboto. He will fight you and he will win, because he is perfect and cannot be beaten.

SOLON
Drop them!

(THE ATHENIAN LEAGUE opens fire, FRANCO is shielded by MR. DANCE-DANCE ROBOTO, who walks him to cover, the bullets bouncing off his robot friend. MR.DANCE-DANCE ROBOTO then goes on the offensive. Breakdance music comes from his speakers. He begins breakdancing. MR. DANCE-DANCE ROBOTO breakdances very well. THE ATHENIAN LEAGUE is baffled and cannot seem to hit him.)

SOLON
Take him down!

LEAGUE MEMBER RHO
How can I hit him? -It’s like he’s walking forwards but he’s moving backwards!

(MR. DANCE-DANCE ROBOTO is indeed moonwalking)

( LEAGUE MEMBER ALPHA charges MR. DANCE-DANCE ROBOTO with a shotgun, emptying shell after shell into him. MR. DANCE-DANCE ROBOTO appears to breakdown, his music slows, his limbs hanging limply.)

[It is, of course, just part of MR. DANCE-DANCE ROBOTO’s breakdance routine. The music picks up, he perks up and kills LEAGUE MEMBER ALPHA in a few dance moves.

SOLON
ALPHA!

[ALPHA was, of course, SOLON’s right hand and good friend (The Athenian League, Vol 1.)

[A total rout ensues, THE ATHENIAN LEAGUE tries to flank MR. DANCE-DANCE ROBOTO, but he is simply too good a breakdancer: his always lethal shots are seamlessly incorporated into his dance routine, even shooting people behind him.
THE ATHENIAN LEAGUE tries to fall back, but its members are cut down].

SOLON
Aim for his speakers!

(It’s no use. One by one, MR. DANCE-DANCE ROBOTO takes down each one, including SOLON. The song ends.)

(DESTROYER enters the wasted street, strewn with dead LEAGUE members)

DESTROYER
I understand you have some openings in your staff.

JESUS FRANCO
Yeah. Let’s not talk here. I know a little place.

 
 
matsya
03:48 / 11.03.05
my god.

don't know if it helped or not, being hungover and reading that in the last hours of a working day friday...

i want a mr. dance-dance roboto of my own...

m.
 
 
grant
17:46 / 11.03.05
In a later scene, Mr. Dance-Dance Roboto has a soliloquy. It's pretty wonderful.
 
 
Whisky Priestess
22:19 / 11.03.05
That's right, tease us, you little temptress ...
 
 
agvvv
18:39 / 14.03.05
Fritto!
 
 
grant
20:43 / 14.03.05
[MR. DANCE-DANCE ROBOTO enters. DESTROYER goes for his gun]

MARA
No, no, it’s alright, Mr. Dance-Dance Roboto is a friend. He only kills because Franco makes him kill.

MR. DANCE-DANCE ROBOTO
I brought you. Popcorn.
[He offers them popcorn]
MARA
Thank you, Mr. Dance-Dance Roboto.

[to DESTROYER] Popcorn is the one food Jesus taught him to make

1. Tarmac: Flashback: FRANCO teaches MR. DANCE-DANCE ROBOTO how to make popcorn
[Cut to a shot of FRANCO pouring popcorn inside of MR.DANCE-DANCE ROBOT. FRANCO then leads MR. DANCE-DANCE ROBOTO in front of a jet engine (alternately, he could just throw gasoline on him, or blowtorch him)]


1. Hotel, Meeting Mr. Dance-Dance Roboto, continued

MARA
It causes him great pain to make it. Please have some.

DESTROYER
Why does a robot feel pain?

MR. DANCE-DANCE ROBOTO
Why do you feel pain? To prevent damage. To allow understanding. And ecstasy.


1. Flashback: Mr. Dance-Dance Roboto’s Story

[MR. DANCE-DANCE ROBOTO has a very soft and tender, innocent voice]

MR. DANCE-DANCE ROBOTO
I do not wish to kill. I wish to dance only. Before I was just a robot. Then I learned to dance.

[Cut to MR. DANCE-DANCE ROBOTO in a girl’s ballet class [alternately MR. DANCE-DANCE ROBOTO shows a helpful filmstrip].

In dancing I learned to express myself. I became something more. I thought I could be happy dancing. I thought I would find enlightenment.

DESTROYER
You seek enlightenment?


MR. DANCE-DANCE ROBOTO
All things seek, or move toward enlightenment, whether they know it or not.

My quest brought me to Jesus. Jesus showed me my quest was full of pride and vanity. He showed me that there is nothing more: before I was a just robot;

[MR. DANCE-DANCE ROBOTO is charging, hooked to jumper cables.
JESUS FRANCO shows MR. DANCE-DANCE ROBOTO a fluffy bunny rabbit and offers it to him.
MR. DANCE-DANCE ROBOTO is happy]

Now a happy robot

[MR. DANCE-DANCE ROBOTO’s embrace inadvertently electrocutes the fluffy bunny.
JESUS FRANCO laughs. MR. DANCE-DANCE ROBOTO is sad.]

Now a sad robot
but a robot all the same. I did not truly have choices. No one does.

[FRANCO opens MR. DANCE-DANCE ROBOTO’s insides. He shows MR. DANCE-DANCE ROBOTO his empty interior with a mirror.]

The only freedom is to realize this.

I was not alive. I was not dead. Life and death were the same. Killing and dancing were the same. I became Enlightened, thanks to Jesus and now I cannot make a mistake because I have become pure, perfect technique. I am not a machine. I am not a word. I am a deed and the deed is done.
 
 
agvvv
21:32 / 14.03.05
Could you mail me the entire thing?
 
 
grant
03:34 / 17.03.05
I tried but yer email is full.
 
 
agvvv
09:05 / 17.03.05
Empty now. Try again? thanks
 
 
misterpc
08:12 / 29.03.05
I would also heart the full version. This stuff rocks, and I wish I'd written it.

On the other hand, maybe I did.
 
 
grant
20:05 / 29.03.05
This is the latest letter, after I forwarded him nightclub dwight's request to reprint one of his letters on hir blog.

The "A,B,C" riff refers to a series of requests regarding crediting. The rest is self-explanatory:


My Dear Mr. Balfour,


I am always deeply gratified by your gracious efforts to promote my humble work. For you, I devote the tenderest of sacrifices, the youngest and most innocent creatures that I have truly loved, upon the blackest altar of the oldest and most unnamable god whose temple is the basement of Mr. Sips Bar and Grill, featuring Human League Salsa Party: All-night 80's party and Make Your Own Taco in the Radission out by the highway.

I have no objection to someone re-posting my work; but let anyone does so be forewarned that these words carry with them the intolerable burden of wishes fulfilled, daytime sleep and unexplained phone calls from local prisons and second mortgages. I have never written a story that did not in some significant, though horrifically ironic flesh-eating, “monkey’s paw” sense come true for me personally ...monstrous, venereal things ...fictional characters shout after me in the street, accuse me of shoplifting, ask for letters of recommendation... I must go to a country where I do not know the language ...woe be to anyone who should ever take my work as his own, these words are a prayer, a spell, a cryptogram of a terrible name, a key to experiences whose causes lie hidden in the future ...water, yes. It’s absurd, but I swear that biplane has been circling for hours ...I would be curious, of course to know which letter was being posted, perhaps a link...no, nothing else exists on the web, only your underground has sheltered me... why a biplane, there are no farms for miles... A, B, C ..yes ...B ... my name...


Tell me, tell them -we hope to go into production in June or so -with the movie ...if you live or can travel to LA -we need a breakdancing robot -really ...we had hoped to use.. But’s impossible, it will not cooperate and the smell is intolerable, the hair singes, it can hardly be called dancing... interested parties may e-mail me..
It’s not a biplane, it’s only bees. Millions and millions of bees, blackening the sky -if they have come home, why are they so angry?

 
 
HCE
20:38 / 29.03.05
He is my idol. I will credit him fully and properly.
 
 
grant
02:14 / 17.04.05
Does anyone in the LA area know any competent breakdancers?

Believe it or not, this is a serious question.
 
 
grant
19:37 / 27.04.05
Monday brought with it a new update. Van is, apparently, on the road. The last stop is the best, I think.

-------------

Subject: My Trip to Disney World
Date: Mon, 25 Apr 2005 22:46:30 -0400


I am writing you from the Ritz-Carlton Pooh Corner in the Walt Disney World Resorts, where it is claimed, their Tiggers are the bounciest, their Pooh Bears the most deferential and their Eeyores the saddest. In fact, there goes one now, dragging a some Ralph Lauren luggage and insuperable burden of unanswerable woe, looking like a lugubrious blue burro. It’s really best not to get an Eeyore as your bellhop as they invariably drag your pieces and if your cart or luggage loses a wheel, they’ll never notice: the halls are full of blue slouching Eeyores in misbuttoned bellhop uniforms looking like piles of depressed sloppy laundry from a bipolar marching band, while steamer trunks and valises fall off their wounded carts to thump down the red carpeted toboggan of the grand central staircase. It does no good to complain -they already know they are the worst and need no prompting to discuss it. And you still have to tip. Otherwise, believe me, you’ll feel even worse, waking in the dead of night to the slow crypt-like sounds of your unremunerated Eeyore scraping a pile of scuffed Samsonite down the lonely hall past your room. This sound will haunt your dreams and destroy your soul.
The rooms themselves are entertaining, the furniture and moveables loosely patterned after the Hundred Acre Wood, though I swear that the badger that hold the seltzer has me a little on edge: every time a fix a drink I cannot tell if the hissing is just the bottle or not. Same with the owl night light. One thing I’m sure is not just me is the cute but difficult decorative leitmotif of having everything stored in little containers labeled “huny”, some of which actually contain honey and all of which are sticky. I lost a good pair of socks this way, and besides, as you know, I have no real patience with things that are cute and difficult.

Poe’s Annabel Lee Water Park
Our first stop is Disney’s Annabel Lee Water Park, based loosely on the writings of Edgar Allan Poe:
And the stars never rise, but I feel the bright eyes
Of the beautiful Annabel Lee
And so, all the night tide, I lie down by the side
Of my darling -my darling-my life and my bride,
In the sepulcher there by the sea,
In her tomb by the sounding sea

The park is famous for being the coldest, darkest water park ever built outside of W_______ in Poland (a former salt mine) and Ragnarok Water Park in Norway (currently closed). The park is based around a magnificent 19th century crystal palace bath house (based on the Cliff House in San Francisco), now ruined, its panes split, streaked and occluded, a violated pleasure dome, half-eaten, weedily slipping into the sea, where the sky is strangely perpetually overcast for Orlando and the air is filled with a pestilent and mystic vapor, dull sluggish, faintly discernable, and leaden -hued -probably the chlorine.
Most of the park consists of a lot of shallow chilly grottos full of skinny childlike girls, their damp hair slicked to their heads, who splash about as listless sirens or bob about face down. Visitors looking for a more vigorous adventure may try the various water slides, though, be forewarned, the Narrative of A. Gordon Pym, though thrilling, is unique among water slides in that it has no clear ending and is chillier than most. The centerpiece of the park is The Descent into the Maelstrom (which is really based on “MS. Found in a Bottle”, a water slide described less as a pulse-pounding exhilarating thrill ride than as “an unbearable final confrontation with absolute mortal terror and terror from which you will never return.” The ride is an enormous, crashing whirlpool the size of a football stadium. Once your ship breaks up among the insane violence of the cataract, visitors are advised to make for the ancient wreck crewed by silent weary titans that seems to have somehow survived on the edge of the abyss by eternally tacking against annihilation since some age for which the even the oldest gods have no words. Falling this, the visitor can simply fall into the gaping nothingness of the abyss itself to some unimaginable unknown fate where the abyss breathes out. Rumor has it that this is Disneyland Paris, but as no traveler has ever gone there, this remains speculation.
I myself am simply stopping at this park to enjoy Poe’s Roe Bar which has excellent caviar service, cold vodka and it is okay to swap clothes with people.

Mission to Mars
Our next stop is to dry out somewhere and this turns out to be EPCOT, the Experimental Prototype Community of the Tomorrow, where I have dual citizenship as a Man of the Future. There is no better way to sober up that joining the Space Program (trust me) and so were off to “Mission to Mars” presented by Hewlett-Packard. The rocket launch itself is quite thrilling, the sensation of g-forces created by actual rockets driving you to escape velocity. As you penetrate the ionosphere it is customary to yell: “So long, suckers!” at first stage separation.
As thrilling as this moment of initial impulse is, there are even more exciting thing to do on Mars when you arrive there six months later. The polar ice cap where the Mars colonies are based features a world class ski resort with Swiss hotel staff. The colonies are currently divided into four zones: Mars Paris, Mars Venice, Mars Berlin, and Mars Dollywood (Mars Vegas opening Summer 2009). Mars Paris is really something of a disappointment; the bistro food is fine, but unexceptional. The Martian Arc de Triomphe is a bit of a bore, depicting the magnificent victorious Martian overlords in their tripods sweeping aside a soon to be exterminated humanity in screaming bas-relief : the human faces, twisted in terror and pain, lack any real individuality and the beams of the death rays, though lovingly rendered, aren’t anything you haven’t seen else where. Mars Venice, however, is a strong delight: the beautiful blue-green waters of the Martian canals splash and slip over one another in the enchanting hypnotic slow motion of``` low gravity. It is a thoroughly dreamlike sensation to be buoyed in a Martian gondola, just watching the somnambulant wake of the boats, where one could drift off into wholly unearth-bound dreams to the songs of the Martian gondolier, if the latter were not a ear shattering caterwaul that sounds like a cat and an elephant fighting with an outboard motor and a jackhammer.
Note: Martian Pizza is what we call a stromboli. Be sure to order yours without pumice. The less said about Mars Berlin and Dollywood, the better. Along with Mars Paris, these seem like poor tributes to those destroyed and radioactive cities, comparing unfavorably with their exhibits in The Museum of Vanquished Humanity. On to Walt Disney World.

Hall of the Evil Presidents
A slip of the tongue at the Hall of the Presidents... No, you want the Hall of the Evil Presidents ...connected by a tunnel to the Haunted Mansion ...and to Tomorrowland ...like the Haunted Mansion, you are ushered into a room with presidential portraits, which slowly change as they are worked over by revisionist historians... then, you are in boat like Pirates of the Carribean ...a ghoulish George Washington intones in a spectral echo: I cannot tell a lie by chopped down cherry tree, then lighting flashes and he pulls out his wooden teeth which laugh maniacally.. the boat plummets... The ride has the layout of a Masonic Temple ...Taft gorges himself in his evil wet grotto of his White House bathtub, the Jabba the Hut of the ride, Teddy Bears arrive on a Navy Battleship with shovels in Latin America... the spicy Latin beat will come back later, as unmarked planes pull into Ronald Reagan International Airport, dripping dusty white powder... but the ruler of the ride is, of course, RMN... the sound of his reels are everywhere, if only the hiss of the tapes... the mood changes a little as we slide into the Jefferson/JFK/Clinton Memorial Tunnel of Love... ominously it ends with a sign saying, “Love Field Ahead”...then we are in a motorcade in assassination alley, shots ring out, the vehicle speeds up... “But wait,” asks a little child’s prerecorded voice, “why is Lincoln here?”; “He suspended habeas corpus”; “and FDR?”; “He created Japanese-American Internment Camps”; “Aren’t all presidents a little bit evil?”... this is the message of the ride ... the ride exits into a presidential playland... you can sit in the Oval office, activate secret tapes and traps, get drunk or choke on a pretzel and, of course, press the button...
Well, it seems the line is moving. I’ll write again when I get the chance.


your man in Disneyland,


Van
 
 
HCE
16:28 / 29.04.05
Is there still a need for breakdancers? A person whose acquaintance I recently made may be able to do something in this regard.

Also, I did not post a link back here, because I thought it might do some harm and wouldn't do any good, given the audience in question.
 
 
grant
18:36 / 29.04.05
1. Breakdancer. Quite possibly, yes. Email me (address under profile)

2. harm/good. Harm? I'll take your word for it. As far as I know he was making up the part about the Filipino machete gang....
 
 
Illihit
03:23 / 30.04.05
Oh, great god, I love this man. I absolutely must meet him.
 
 
grant
18:08 / 12.07.05
He has a blog.

God help us all, he now has a blog.

It's supposedly chronicling the production of El Minotaur Blanco, but who really knows what's going on in there.
 
  
Add Your Reply