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oKAY. For me, Autechre are the tits. They constantly innovate and evolve in a way unlike most other bands. There music seems to change with each release whilst remaining , well, Autechre-y. I usually find myself really understanding an Autechre album about a year after its release; what appeared to be a formless sequence of notes slowly becomes an incredible melody with time. They have so muck sonic depth it's untrue. God, I'm just realising how I hate written descriptions of music, words are inadequate and one just ends up sounding like a ponce.
Anyway,
seen them live a few times. They never seem to play music off the albums, preferring to create something unique. This is a real feat for computer based musicians, most choose to hit play on their sequencer and tweaking a few plug-ins; so long as it's coming out of a laptop with someone hunched over it, that'll do. This is not the case with Autechre. The music I have heared them produce live in recent years has been the most mind bending shit for me. At the Warp Lighthouse party in the London docklands I had to leave the building for part of the set just to calm down. The only way to dance to it was spasmodic. All the lights were off (as is customary), leaving only the thickest and fastest of soundscapes as the listener's environment. Extatically confusing.
*Favourite album at the moment: LP5
*Best for dancing: 'Second Bad Vibl' from the Anvil Vapre EP.
*Best thing they've done: The Grantz Graf DVD. The most amazing piece of abstract art I have ever seen. Can't reccomend it enough.
Autechre: Gold Boyce. |
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