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Call for Submissions: HUMAN GENOME PROJECT

 
 
Boy in a Suitcase
04:48 / 03.07.02
I'm compiling two publications this summer that I thought this group of heads might like to help out with (I started another thread for the other publication, PLUCKY DUCK COMICS.) They are mostly being staffed and filled with my local cronies, but should have LOTS of space for non-local contributions, and I figured Barbelith would be the first place to start.

The second publication, codenamed HUMAN GENOME PROJECT, will be a longer-term project. I would like to finish it by the end of summer but there is no set deadline at this point. There will likely be an accompanying website.

There was a killer magazine in the late eighties and early nineties called MONDO 2000 which many of you may remember–it was the first "cyberspace" magazine but was staffed completely by utopians, anarchists and DMT-smokers, unlike WIRED which came into being shortly thereafter, pushed MONDO out of business by being more respectable, heralding the coming dot-com revolution of Yuppie Hell-Beasts. WIRED was way lame. MONDO was cool, and there hasn't been anything like it since.

I want to bring back that vibe–I want HUMAN GENOME PROJECT to be a guide to "being cool" in the 00s. Articles should focus not on lame-o ideological whinefests like ADBUSTERS or just product placement like GIANT ROBOT or every other magazine on the market; HGP should focus on content–actual features on "lifestyle choices," how to mutate and evolve and get off the planet, DIY-oriented, how to foment revolution within the boundaries of your own skin. Like the now out-of-print HAPPY MUTANT HANDBOOK, which came out around '95 and featured articles on building your own spaceship, making your personal brand to stick on things (hello Corporate Swine!), how to sneak into and explore big, sprawling buildings and underground tunnels ("building hacking"), weird pets, weird body mod, etc.

HGP could encompass nearly anything and everything, as long as it's the kind of thing that most people have never heard of. When I recently interviewed the musician Momus, he had this to say: "Conformity, and the threat of a global monoculture eradicating all difference, are the world's biggest cultural problems. We need to encourage true diversity of thought and texture. This will involve tolerating things that seem unpleasant or wrong-headed or even fascist. But it's the things that seem self-evident and 'right' which will always pose the bigger threat, ie the threat of conformity."

This is what I want to do. No Marxists, stuck-in-the-past-lefties, or rigid-identity politicians: I want this to be a magazine for MUTANTS and FREAKS by MUTANTS and FREAKS, for lo, verily, one day we shall outnumber them.

This is probably (no, it is) a bit jumbled. I'm still concreting my thoughts on this one, but I need help, so if you want in, let me know, and we can start planning this thing. I want to make a magazine so strange and weird and fucked that they'll think it's too out-there even in the Bay Area.

Tell me if this strikes I chord. I can only hope.

If you're interested, respond here or email me at jlouv@cats.ucsc.edu
This might be a good space to arrange inter-Barbelith collaborations.
Thanks in advance and looking forward to working with anybody who wants to work with me!
 
 
RiffRaff
05:13 / 04.07.02
I sure do miss Mondo 2000...
 
 
rizla mission
12:04 / 04.07.02
Sounds like a cool idea. Though I can't immediately think of anything to write about..
 
 
gravitybitch
14:57 / 04.07.02
??

What are the current best methods of reality hacking?

What are the hot new drugs (smart or otherwise) and their uses, as directed or off-label?

What's the artistic potential of the upcoming micro- and nano-technologies? The artistic potential of biotech? (Programable tattoos, anyone?)

I can think of dozens of topics I'd love to see covered, and a handful that I will probably outline at the very least even if I don't turn them into full-fledged essays.
 
 
Boy in a Suitcase
19:39 / 04.07.02
god I want programmable tattoos
 
 
_pin
10:11 / 05.07.02
The link I sent you should now be working, boy (sorry if it still isn't- PM me and I'll mail you properrealtrue versions of my shit tonite).

Anyone care to give me info on MONDO?
 
 
Tamayyurt
20:53 / 21.07.02
I just wanted to bump this back up. It's too cool to let drown in our archive.
 
 
gravitybitch
03:49 / 22.07.02
Thanks for the bump.

I really miss M2K, too. I've been picking through #s 3-8, and it's a mind-twisting experience - lots of complaints about threats to civil liberties and the awful things that Bush is doing in the White house, but the ads are so wrong...
Part of my missing the mag is nostalgia - that really was a simpler time. Things have changed a lot since then, and it's not just 9/11. They started publishing at the start of the hottest decade on record, before the protests in Genoa and Seattle... I think we all have some sense now that we're living in a lifeboat that's starting to fail, and that the sexiest new tech/nutritional supplements just aren't going to save us. (Especially when some of our world leaders are so insistent on poking holes in the lifeboat!)

I grew up on science fiction, and am rather fond of the idea that the mutants might save the world one more time, even though as a plot line, it gets tired really fast. Somehow, I don't think that Nike, British Petroleum, Microsoft, or McDonalds is up to the challenge. Problem is, I don't know if the mutants and freaks are up to it either. Can "we" save the world?

Sorry I'm so grumpy tonight - I actually had somewhere more uplifting and in line with the topic to take this but I lost that train of thought completely.
 
 
Boy in a Suitcase
04:11 / 22.07.02
Thanks to everyone for your interest in my project. I'm suprised it's gotten such an overwhelming response, and I think this must only be a good sign–so I'm going full speed ahead with this.

Here are some updates as to my situation. I've been spending the last several days attempting to raise money for Plucky Duck Comics. All of the content is pretty much in (thanks to all who helped out!!), but so far I've only been able to drum up $75 out of the ~US$1000 needed to print. I have about a week and a half left to finish raising the money. I may do a benefit concert which might raise another $100 or so, but if ANYBODY knows of any companies that would like to buy some ad space to have their product shown off at the San Diego Con, please send them my way! If the money doesn't come through, I'll have to do this one as a Kinko's job instead of professional printing–which would SUCK.

As far as HGP goes, I'm going to start in earnest in September. This means that I can leech some startup funds from the University of California (the nice people who helped bring you the Manhattan Project, unchecked corporate-funded biochemical research, and the original Human Genome Project. (You can see my reporting on that Lauded Event here! http://www.king-mob.com/art/hg.html)

I need to cook up & refine an official manifesto for the project since it's a bit indistinct at this point. Your continuing input and idea-bouncing is most appreciated!
 
 
Boy in a Suitcase
04:20 / 22.07.02
One thing I have thought of, though is this:
Page three or so of every issue gets designated Scapegoat Page and dedicated to the worst possible shit you can say about the situation we find ourselves in. Bad stuff. Terrible, fucked, hopeless stuff. Like
"IN ANCIENT JERUSALEM THEY USED TO BURN CHILDREN IN GIANT CLAY OVENS. THEY CALLED THESE OVENS MOLOCHS AND THEY CALLED THE GOD THEY BURNED THEIR CHILDREN TO MOLOCH. EVEN A PASSING GLANCE AT THE PRESENT WORLD WILL SHOW THAT THIS PRACTICE NEVER STOPPED."
Or, failing to impress with simple ontological shock tactics, raw statistics should do the trick.

The rest of the magazine gets dedicated to raw hope. No more "Psst! The government is bad! Psst! The icecaps are melting! Psst! Sweatshops!" I want reading HUMAN GENOME PROJECT to be like Tim Robbins getting the rock hammer in "Shawshank Redemption."
 
 
gravitybitch
14:56 / 22.07.02
I think we all need lots of raw hope (and, yes, I'm in a better mood this morning), but one of the critiques leveled at M2K was that it was so unabashedly pro-technology, pro-smartdrug, pro-bigger/faster/better/FORWARD!! No costs, other than out-of-pocket, no consequences....

To quote Pat Cadigan, "All appropriate technology hurt somebody." A lot of the issues I want to talk about (like biotech - moving beyond frankenfoods and miracle drugs to the art projects - GFP bunny, tissue culture worry dolls, etc) are morally or ethically ambiguous. There are questions that need to be addressed, and some of the answers aren't going to be hopeful. Can these points be reconciled?
 
 
gravitybitch
14:58 / 22.07.02
ppffft. the last line should read:

Can we reconcile the need for hope with the necessity of raising uncomfortable questions?

...need more coffee....
 
 
captain piss
09:32 / 23.07.02
I kind of think M2000 did manage to strike a note of caution amidst the headrush of excitement and hope. Well, there was certainly lots of conspiracy theory and paranoia stuff. It was the first place I encountered concepts like hyper-reality and so on, but they were presented in an exciting manner, which maybe added to the whole ‘the-world’s-gonna-end-soon-but-in-a-darkly-glamorous-Terminator-kind-of-way’ head trip that I was on at the time (1993)
One thing I remember about reading M2000 was spluttering in disbelief at the headfuck interview/interviewee combos they put together, like ‘David Byrne speaks with Timothy Leary’, or Cronenberg interviews Burroughs.
It was beautifully put together, with imagery that kind of hinted at other dimensions or a feeling of the infinite- struggling to put into words what it was that affected me so much. I used to try to sneak a read of it in a shop in Glasgow (was too expensive) and would walk around for a few hours afterwards, in a total headrush of ideas.
The hope thing was maybe just the context of the time- blah blah it was the early 90s and the Internet was just about to kick off, psychedelic drugs were all the rage, the milieu of new ideas – spurred in part by new technology – coming from cyberpunk writers and certain commentators were just starting to break the surface of public awareness.
Apologies if this is kind of thinking out loud and everyone kind of knows all this already

It is interesting reading this thread to consider whether or not there’s still room for that kind of thing. Something more visceral than Wired (for fuck’s sake) and informed by that more kind of arty, exploratory sensibility.
 
 
gravitybitch
15:01 / 23.07.02
GFP bunny ( www.ekac.org/gfpbunny.html ) is definitely exploratory...

And there was another project whose name I can't remember - somebody took the book of Genesis and used an algorithm to translate it into DNA base pairs, then took that sequence and inserted it into bacteria. The bacteria were put up in a display in a museum, along with a publicly accessible control that would subject them to short bursts of UV light (strong mutagen). After some period of time, the DNA was extracted and retranslated back into text. People were, quite literally, changing the Word of God...

The art is out there and happening, but it's not getting the kind of attention it needs...
 
 
captain piss
10:52 / 25.07.02
Really interesting these artistic projects that use loads of scientific concepts and tech. But bloody hell- genetically rewiring animals to make them into artistic exhibits-fodder for many a Pat Cadigan story, I would think.
I wonder how nuts that kind will get, as man's control of the genetic realm progresses. There was another cyberpunk-ish story from the early 90s, Wildlife by James Patrick Kelly- I think- where the main character's mum has herself changed into a living replica of the Statue of Liberty.
 
  
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