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Bought this yesterday. It's funny, the cover made me think "I didn't think they made singles like this anymore" - it looks so indie, although not necessarily in a bad way - and the single itself kind of lives up to that. I found it kinda not-all-there on a first listen, but it's growing on me. The highlight has to be the little "doo-doo!" bits which sound like yelps that have then been sampled and treated and are being played on a keyboard (but I could be wrong). It's definitely a song that gets better as it goes along as well as the more often you hear it... The euphoria contained therein is something you can miss the first time.
I dunno, as singles go it's nowhere near as impressive as 'I Want To Be The President' but then I don't really think of Electrelane as a band who *do* singles. Maybe it'll click 1005 for me when I hear the album. I'm a bit worried about this Albini bloke though, his thing seems to be to make it sound like the track was recorded in a shed. Oh wait, I mean garage, don't I, that's where the whole "garage rock" thing comes from, right? Only half-kidding and yes, I am a philistine.
As I pretty much expected, 'I'm On Fire' is the superior track - I don't know if it's the fact that I was blown away by them doing it live that turns Albini's production values into a strength - it's very raw but in the sense of seeming right up there in your face, in the room with you, rather than in a shit indie venue in Camden with a crap PA (okay, that's a bit harsh, but I needed to clarify). It's like this dark, roating river of Farfisa and bass and crashing cymbals with a girl being spirited away on top of it and shouting about how she's going to steal a girl from a guy (maybe). Okay, that's the poetic bit over with... |
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