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Currently in print in papers:
'Zippy the Pinhead' remains immensely cool at all times.
'Get Fuzzy' is usually cute and witty and when it isn't both, it's still one or the other.
'Pearls Before Swine' is witty and sharp and often has a happy, merry fuck you tinge to it.
Out of print from newspapers:
'Little Nemo' encapsulated a splendor of dreams nearly every way imarginable (for a PG-esque audience) through excellent artistic skill and sensibility.
'Krazy Kat' might actually be a map of the universe.
'Andy Capp', how do I love thee? Let me count the ways... quick, somebody give me some ways, otherwise I'll have to reveal to the world that I have no clue why I like the strip as much as I do.
'Calvin and Hobbes' was just tops in all ways. Never a bad strip and it was killed before it could die.
Currently running online strips:
'Megatokyo' keeps plugging along, from its gag routes to its current soap-stylings. Even when I start to get tired of it, I find myself drifting back for a peek after a couple weeks and getting all happy with it again.
'Strange Candy' has that genre-hopping conceit that I quite like, it's got a porno pet (one of the greatest misheard lyrics, surely), and a general half-assed atmo that's endearing.
No longer running online strips:
'Exploitation Now' remained consistently of bad taste but never failed to at least make me grin. Even when it went from one kind of exploitation, with T&A to another, with emotional trauma and exploding buildings.
'Boy Meets Boy' was the adventures of two cute almost-idiots and their evil, malicious, and fun landlady.
'Kiss the Girls' was about a two cute almost-idiots and their families and lives. It involved feather fetishes and a girl dragging herself in geek-kit to go buy anime and manga. Then it died, came back as a serious strip for about three episodes and then died again.
Comic strips I probably should like, but instead don't get:
'Peanuts' has Snoopy and the birds, which are immensely fucking cool. It also had a bunch of kids taking up panel-space and story-time from birds and beagle. What's up with that?
'Liberty Meadows' was well-drawn, even if Frank Cho does with bodies what Steve Dillon does with faces. Sometimes funny. But, people love this thing to pieces, so...?
'Pogo', then...? Why?
No, wait. 'Pogo' is the greatest comic strip of all time. I just want(ed) to spur people into posting about it more. If nothing else, for everything it inspired, from its gorgeous wordplay to effecting, of all things, 'X-Men' and 'Swamp-Thing'. |
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