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Hmmm, I guess any coverage is good coverage, and far be it from me to snipe the article, much as I want to, as any coverage is good coverage, and I just said that, and I'm meandering.
I'm no big fan of online comics. The only one I like is The Journal Comic because it is short, I guess. The longer stuff just doesn't work for me, all the scrolling and stuff, I think I'm a luddite when it comes to this stuff. If you could get it on a cdrom I think I'd be more interested, if the layout fit the screen and you navigated through it like a web page. pdf just doesn't do it for me, I guess.
I have to say I've never read a book online, either. Hmmm. Must be just me.
I've waffled an awful lot about nothing in particular about Scott McCloud. I liked...um, I liked the colouring on New Adventures of Abraham Lincoln, the story was okay but is one for my son rather than me. Understanding Comics gets a lot of flak, but it is for better men than me to take it to task, like Eddie Campbell, although only non-specifically in that essay. I remember James Kochalka asking Scott McCloud if his shoes were comics over on the Comics Journal message board because they were a sequence.
I guess Scott McCloud is great because he knows what he is talking about, even if he is wrong. The whole idea that The Bayeaux Tapestry is a comic...um, it's a tapestry. It isn't a comic. It may be a form of sequential art, aslthough there isn't really critical consensus on what sequential art is yet, so who knows. I do know if tapestry is a category of sequential art, then so is comics, but that doesn't make comics tapestries anymore than it makes Tracey Emin an impressionist.
In fact, this whole thing is circular. I mean, the best thing to do is just recommend good comics to people, rather than try and categorise stuff. It's a shame McCloud didn't point people to the good stuff.
I much prefer the Top SHelf approach to the Scott McCloud approach. I have to confess I've never read Reinventing Comics. As far as I'm concerned, whilst people put out works like It's A Good Life If You Don't Weaken, From Hell, Hicksville and so on, there's nothing broken.
Comics is almost like politics, you know with all those analysts scratching their heads trying to work out why people don't vote anymore. But then I guess that means comics don't matter to a lot of people now. The Guardian award helped, but the telly coverage didn't. I wonder if a decent comics award that was televised, kind of like the Mercury Music Prize or the Booker...I'm going way off the abstract for this thread. Sorry.
Scott McCloud, I guess it's one thumb up. |
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