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Next Big Thing

 
 
tSuibhne
16:22 / 11.04.02
So, the industry's been scrambling now for awhile, trying to find the next big thing to fill the vacum left when pop imploded.

What are people's predictions on what it'll be? What is the future of music? (at least for the next couple of years)
 
 
Matthew Fluxington
17:03 / 11.04.02
Seriously, I think it's going to be all about Glum N' Bass and Post-Queer Electroclash...
 
 
Jack Fear
17:05 / 11.04.02
Whaling songs.

God, will anybody catch that reference?
 
 
pointless and uncalled for
17:35 / 11.04.02
Probably not.

A reckon there's space for a proper Latin explosion. That doesn't include Meneudo, Ricki Martin or Witless Iglaseas.
 
 
Cop Killer
21:40 / 11.04.02
Garagey rock'n'rollish type stuff is the next big thing for sure. Which is weird, cuz that's what I listen to, and shit I listen to never gets big ('cept in 8th grade when I listened to ska for a year). Bands like the White Stripes and the Hives are already being played on the radio, which gives me hope that the Makers will finally become the rock star gods that they deserve to be.
 
 
Gek
22:16 / 11.04.02
On the rock scene: More DJ oriented rap metal bands such as Linkin Park

House: Believe it or not, 50's and 60's samples as opposed to disco, plus more "real" musicians playing house

Hip Hop- JayZ's unplugged album sets the pace, live musicians bringing an end to sample mania

2step and Break still comin up, with more trance noises creating ambi-break
 
 
Matthew Fluxington
22:46 / 11.04.02
Hip Hop- JayZ's unplugged album sets the pace, live musicians bringing an end to sample mania

Ha! Un-fucking-likely!

It's not live musicians who are making folks go off samples, it's the electro stuff.
 
 
shirtless, beepers and suntans
02:00 / 12.04.02
remember when techno/electronica/whatever-amelodic-disco-is-called-these-days was supposed to have been the "next big thing" in '97 or so?

i'll i can say is, thank god for britney.
 
 
Matthew Fluxington
03:01 / 12.04.02
Christ. I can't help reading posts like the previous one by "The Shirtless Moron", or even threads with topics like this one, without detecting a sort of hostility against music in general. It seems as though this is the sort of topic/concept which is only of serious interest to those for whom music is little more than a consumer activity or a component of a larger entertainment economy in which they are invested.
 
 
Cop Killer
06:03 / 12.04.02
DJ orientated rap metal is at it's crest, if not just past it. In a couple years bands like Linkin Park will be about as commercially viable as Enuff Z'nuff or Hanoi Rocks.
 
 
Fengs for the Memory
08:18 / 12.04.02
Folk/metal - the first release will be, All about Eve ripping through a version of Pixies wear boots By Black Sabbath with Tony Iommi on accordian.
 
 
No star here laces
08:48 / 12.04.02
Does anyone else think file-sharing is going to lead to a return of live music as the primary revenue stream for musicians? I hope so. Buy up music venues, investors!
 
 
The Return Of Rothkoid
09:40 / 12.04.02
Or in Sydney's case, stop closing them down, you fucks!
 
 
rizla mission
11:08 / 12.04.02
DJ orientated rap metal is at it's crest, if not just past it. In a couple years bands like Linkin Park will be about as commercially viable as Enuff Z'nuff or Hanoi Rocks.

..Trail of Dead on rap-metal:
"It's a blight on civilization that will be eradicated, somewhat like Funk Rock in the 70s."

Going back to the start of the topic, since when did pop 'implode'? I must have missed that one..
 
 
The Natural Way
11:14 / 12.04.02
Clearly electroclash. Has loads of instant appeal, all the mags rave about it...we'll all hate it by the end of the summer (tho' the sheer volume and diversity of the stuff suggests that some artists may enjoy a lickle bit more longevity than a Big Brother contestant).
 
 
No star here laces
12:27 / 12.04.02
Clueless marketing fucks agree with you there runce...
 
 
tSuibhne
13:17 / 12.04.02
Cop killer brings up a good point, Garage looks like it might be a contender. But, I wonder if the buzz is going to kill it instead of helping it. Kinda like when you're friends keep telling you you'll love something, untill it becomes impossible for you to do anything but hate it.

Lyra: The large majority of musicians currently make the bulk of thier income from touring. Only record companies make money off records.

Rizla: Not sure about England, but pop's dead/dieing here in the states. And now we're getting flooded with 30 bands that all sound exactly the same.
 
 
No star here laces
13:28 / 12.04.02
I didn't realise that, tS. Clearly gives the lie to all that bullshit about how file-sharing threatens musicians' livelihoods.

I think there should definitely be a movement to download all your recorded music and spend the money saved on going to gigs, in that case...
 
 
Matthew Fluxington
14:16 / 12.04.02
Only record companies make money off records.

This statement is far too broad - while it is true that the overwhelming majority of recording artists get their income from sources other than royalties from record sales, it wouldn't be fair to diminish that as a source of revenue, even for those artists who aren't selling on a platinum/gold level.

A lot of this depends on what yr contract and label is like, but I know that a good number of musicians are living off of money coming from sales royalties, songwriting/publishing royalties, and record advances from their labels. It's not feasible for every artist/band to constantly be touring, and it's also important to note that most labels give their artists tour support money.

Touring costs a lot of money upfront for different kinds of artists, so while it might be relatively easy for a three-piece guitar band to hop in their van and travel around the US, it's not as easy for bands who are larger ensembles or have more exotic and complicated gear. Matters get worse if you happen to be black and a hip hop/r+b artist - venues consider you a security liability and will give you a hard time every step of the way. A label can help you out with all of these things - but only if yr making money, cos otherwise they won't invest in you and/or drop you. Sales revenue is very important, and the record industry does have a lot to fear if it continues to dry up.

The money generated from touring flows more directly into the pockets of musicians; sure, but again, you can't tour all of the time. There will be periods when you are not touring, there will be periods when you'd rather be working in the studio. Remember, not everyone is all about live performance - a lot of wonderful musicians would much rather always be in the studio, and playing live is just a matter of promotion.
 
 
A
05:43 / 13.04.02
Hmmm, there seem to be some musical trends which are only really big for a year or two, (eg. the swing revival, ska, emo {probably}), and some that the record industry can get a good decade out of with progressively blander and more commercial bands- the boring likes of Creed are with us as a result of Nirvana hitting it big, and somehow punk getting popular again has lead to the likes of Good Charlotte, Wheatus, and Sum 41.

I think that garage and electroclash only really have the potential to be flavour-of-the-month type trends, not those supposed "industry shakeup" things that come along from time to time. However, I really have no idea what the "next grunge" will be, and i'm kinda glad that i don't.
 
 
The Natural Way
12:52 / 13.04.02
I think everyone agrees that electroclash has a fairly limited shelf-life.
 
 
Our Lady of The Two Towers
19:16 / 13.04.02
NME have heard of electroclash, that scene is sooooo over then...
 
 
Solitaire Rose as Tom Servo
00:38 / 15.04.02
I don't think there will ever be a New Big Thing, simply because the record buying public is so splinted at this point...and radio is a graveyard of dinosaur 70's music and pop crap.

Music's going to start being like cable TV, hundreds of different styles, some getting big for a short time, but none ever dominating the scene.
 
 
Matthew Fluxington
02:20 / 15.04.02
"pop crap".

God, I hate when people put down pop out of hand. Some of the weirdest music going right now is "pop crap".
 
 
The Natural Way
07:41 / 15.04.02
So true.

For a little while now, actually.

I remember listening to the backing music for a Jodeci (arrgh!) track a couple of years ago and realising that, w/out the vocal, it may as well have been a Warp release.

But Jodeci still suck.
 
  
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