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Books by Women, 1800-present, Brit and/or US

 
 
alas
14:35 / 09.04.02
Okay, folks: this fall I'm teaching a 3rd-year uni course in the US on Women's Literature, the second half of a survey course, this one needs to cover the period 1800 to the present, but how I organize it, what selections I choose, even whether I want to include both US and Brit writers, or not, is all up to me. It's 15 weeks; the class should be completely literature majors, mostly women, but often one or two brave male students show up, looking sincere and sensitive.

It's an embarrassment of riches.

I'm especially interested in the movements for abolition of slavery and insisting on women's rights, the development of feminism and the civil rights movements of the 20th century, and the ways that literature reflects/interacts with these movements.

I think I'd like to teach both British and US works. Here are some books I'm thinking about:

Charlotte Bronte, Jane Eyre, with Wide Sargasso Sea, possibly. (I've taught that pair before)
Harriet Beecher Stowe, Uncle Tom's Cabin
Harriet Jacobs, Incidents in the Life of a Slave Girl
Woolf's Mrs. Dalloway and Passing by Nella Larsen
possibly Three Guineas or A Room of One's Own

Contemporary works give me a harder time, so I'd especially like some help thinking about them.

Also thinking about teaching poetry throughout the course, as a "breather" between long novels... beginning with Emily Dickinson, probably.

I'm an American lit specialist, so I might end up retreating back into simply focusing on American literature, but part of me doesn't want to do that.

help?
 
 
sleazenation
15:23 / 09.04.02
Personally I have a big thing for Christina Rosetti, and she could prove in interesting counterpoint to Emily Dickinson

Dorothy Parker - is also always fun and engaging to lighten up the reading lists for undergrads

I noticed a complete absence of Sylvia Plath in youur vague thoughts... leaving her out is not a bad thing by any means, but she is one of those figures who is routinely held up as an exemplar of womens writing...
 
 
Kit-Cat Club
15:33 / 09.04.02
A couple of poets off the top of my head - will come back for more tomorrow...

May Sarton
Charlotte Mew
H. D.
Edith Sitwell (not my bag)
Stevie Smith
Anne Sexton

Um, Charlotte Perkins Gilman? (Wrote 'the Yellow Room', I think, which is abt oppression etc)

I can give you some pointers on girls' fiction if you need them, but I suspect that that comes more under the 'cultural studies' heading.
 
 
Cherry Bomb
15:40 / 09.04.02
I highly recommend "Yonondio: From the Thirties" by Tillie Olsen. Wonderfully written, heartbreaking portrait of poverty in 20th century America. On this note I'd also add "The Bluest Eye" by Toni Morrison. Give me some time and I'll turn up the name of the female author who wrote a brilliant novel called "Plum Bun," about a "high-yellow" black woman who passes for white and abandons her family to do so.

Most especially I recommend Yonondio, however.
 
 
Cherry Bomb
16:08 / 09.04.02
Oh, "Plum Bun" is by Jessie Redmon Faucet. She might be an interesting author to cover; black woman writer, 1920s expat in paris, etc...
 
 
Tamayyurt
16:32 / 09.04.02
No suggestions really just wanted to say, thanks for this thread, Alas. My girlfriend (English and Lit major getting her masters) and I were talking about how she doesn't really like women writers. She doesn't not like them but hasn't found one that she loves. Jane Austin is the only one she just only likes. Which sucks. Hopefully this thread will help her find one.
 
 
Ierne
16:33 / 09.04.02
Hmmm, I was going to suggest HD as well...

I wonder if Djuna Barnes would be a good choice for this? I like what i've read of her work, but I don't know if enough of it is readily available, or if it's effective in an academic situation...I suppose Nightwood is the easiest novel of hers to find.

(Although Gertrude Stein always gets lip service, and she's not the most accessible of authors either...)

Other poets that came to mind were Nikki Giovanni and Audre Lorde.
 
 
grant
18:09 / 09.04.02
Toni Morrison rocks.

Amy Tan's "The Joy Luck Club" was a bestseller, but also has literary merit, as well as a wonderful way of encapsulating history & strategies of dealing with oppression.

Maxine Hong Kingston's "The Woman Warrior" is similar, to the point where I get it confused with Joy Luck in some points.
Joy Luck had the many daughters, including one who played chess instead of mah jongg (great sequence - she can "feel the direction of the wind" on the chessboard, so she knows which way to move to meet it). Woman Warrior had the Chinese grandmother who, as a young woman, ate a demon infesting her medical school. But I can't remember which one had the old lady referring to butter as "cow oil."

Octavia Butler is a black woman who writes science fiction stories very concerned with alien genders and reproductive strategies. Everything I've read by her is *interesting* at the very least.

There was a woman contemporary of JG Ballard who wrote some kick ass New Wave science fiction, but her name is slipping away from me.

Anais Nin might be worth a spin. I never got really far into her, but have read short pieces I liked. I can see the discussions making the earnest, sensitive boys blush.

Margaret Atwood's "The Handmaid's Tale" gets tossed around a lot. Maybe too well traveled.

Take advantage of the movie fans with some Iris Murdoch? I dunno, haven't read any... a cynical suggestion.

I'm still fond of Ursula K. LeGuin's "The Lathe of Heaven." It's a Taoist novella about dreaming reality.

On the poetry tip, it'd be a shame to skip Emily Dickinson. And I have an abiding fondness for Sara Teasdale. My fiancee digs Edna St. Vincent Millay, and quite enjoyed that recent biography (can't remember biographer's name, but it was pretty popular).

I'm trying to think of woman playwrights, but am blanking.
 
 
alas
18:34 / 09.04.02
Thanks for all these ideas...my "embarassment of riches" problem is going to be figuring out what to exclude, more than anything.

So could you also help me think through whether I should seek to work through a few central themes in the choices I make, or to try for a more "salad bar" approach (a little Afro-Carribean, a little Native American, a little Australian, a little Anglophone Indian . . . etc.) The mind boggles, you see. I've indicated some of my own interests in terms of themes, what other interests are out there in Barbeland? (Madness is there, certainly, in "The Yellow Wallpaper" and The Bell Jar. Dystopia in Handmaid's Tale and UTC...)

I work with Toni Morrison quite a bit; Fauset is a contemporary to Nella Larsen, by the way; if you like her work, try Larsen!

(One way of dealing with the explosion of women writers in the last thirty years or so would be, for the last book in the term, to have each student choose one book of poetry or a novel or autobiography from a list of contemporary women writers, and have each student then write a paper--perhaps even present a brief talk to the class--linking her book to readings done in the rest of the course . . . . )

keep the suggestions coming!
 
 
Cherry Bomb
19:34 / 09.04.02
My goodness, how could I've forgotten Arundhati Roy? "God of Small Things," "God of Small Things" "God of Small Things!"

Oh also I second the Dorothy Parker suggestion, but mainly because I love her short stories (most especially "Diary of a New York Lady")

And what about Collette?!??
 
 
Cherry Bomb
19:35 / 09.04.02
Oh woops got carried away and forgot that you need to stick with U.S. and Brit authors. Sorry!
 
 
grant
20:59 / 09.04.02
That oral report thing sounds excellent - although if it's a sizable class, you'll need two or three periods to get through it.

For the exclusion/honing process: decide what themes or critical approaches you'd like to cover, then plan out your first few lectures with books that lend themselves each to a certain approach.
Gilman is great with the Madness stuff (and Dickinson in certain ways *was* a madwoman in an attic, although she also met a hell of a lot of movers and shakers downstairs in her parlor), Butler and Atwood are good for Reproduction & Politics of Physiology, Stein and Woolf might be good for, what, New Discourse/New Language, Nin (French - sorry!)and Parker (and, for that matter, Jacqueline Susann) would be good for Eros & Sensuality, Morrison, Roy & Tan (or Kingston) would be quite good for Heritage & Ethnic Otherness, Sara Teasdale & Stowe for Political Activism....

I dunno, what themes float your boat?
 
 
grant
21:22 / 09.04.02
Edna St. Vincent Millay:

Sonnet: VII
From Fatal Interview:

Night is my sister, and how deep in love,
How drowned in love and weedily washed ashore,
There to be fretted by the drag and shove
At the tide's edge, I lie—these things and more:
Whose arm alone between me and the sand,
Whose voice alone, whose pitiful breath brought near,
Could thaw these nostrils and unlock this hand,
She could advise you, should you care to hear.
Small chance, however, in a storm so black,
A man will leave his friendly fire and snug
For a drowned woman's sake, and bring her back
To drip and scatter shells upon the rug.
No one but Night, with tears on her dark face,
Watches beside me in this windy place.


Sara Teasdale:
The Answer

WHEN I go back to earth
And all my joyous body
Puts off the red and white
That once had been so proud,
If men should pass above
With false and feeble pity,
My dust will find a voice
To answer them aloud:

"Be still, I am content,
Take back your poor compassion,
Joy was a flame in me
Too steady to destroy;
Lithe as a bending reed
Loving the storm that sways her--
I found more joy in sorrow
Than you could find in joy."

"I Have Loved Hours at Sea"

I have loved hours at sea, gray cities,
The fragile secret of a flower,
Music, the making of a poem
That gave me heaven for an hour;

First stars above a snowy hill,
Voices of people kindly and wise,
And the great look of love, long hidden,
Found at last in meeting eyes.

I have loved much and been loved deeply --
Oh when my spirit's fire burns low,
Leave me the darkness and the stillness,
I shall be tired and glad to go.


Amy Lowell
(too long to reprint here)


This could be a useful site.

Also, I'm not a fan of Nadine Gordimer, but she's worth investigating (not a poet). I like Doris Lessing better.
 
 
Baz Auckland
21:24 / 09.04.02
ANGELA CARTER!! (UK, wrote from 1970s(?)-1990)

(sorry to shout, but I hadn't seen her mentioned so far)

Nights at the Circus is amazing. As is The Infernal Desire Machines of Dr.Hoffman
 
 
Persephone
22:18 / 09.04.02
If you are doing Octavia Butler and Toni Morrison, you may like to look at Pauline Hopkins. She wrote in the late 19th or early 20th c (?) and wrote serial novels for an African-American magazine. The novels have been reissued by Harvard, I think, H. L. Gates did the editing & wrote the foreward. Hopkins' novels are very juicy and discussable.

Did someone say in another thread about Octavia Butler always featuring interracial relationships? I don't love Butler, but I do think she's interesting. Anyway, funny story, two friends of mine & I were trashing O.B. for fetishizing white men in Kindred and it didn't come to mind for, like, twenty minutes, that we were three women of color married to white men. Anyway, the Hopkins & the Butler inform each other nicely on this aspect.
 
 
Mystery Gypt
23:25 / 09.04.02
i would strongly second the recomendation for Tillie Olsen. she was an uneducated -- or self-educated -- poor woman who took incredible chances in lingsuistic and typographical invention and writes heartbreaking poetic and very politically charged stories. her themes often involve old age, which is an aspect of feminist literature that needs to be studied more; reading jacqueline susan and dorothy parker and other bright young things is well and good, but olsen speaks a lot more about the complicated role of real women in the world who are mothers, grandmothers, supporters of the family, etc.

the jane eyre / wide sargasso sea pairing is great, but be careful not to give the first short shrift because of the second; bronte was remarkable in her radically forward thinking feminism and this can sometimes be lost on students who see the book only through a post-colonial critique.

oh, also, you mentioned A Room of One's Own -- i think this is indispensible for a course on this subject, being a fantastically written and politically explosive critique of the real world difference between men and women's writing.

also bell hooks writes slim little volumes with devestating clarity, try to wrap her into it as well!
 
 
sleazenation
23:32 / 09.04.02
OH yes to angela Carter... and i'd put a mention in for her novel the passion of new eve...
 
 
Tamayyurt
17:43 / 10.04.02
I was walking around the book store last night and looked for octavia butler...she has a bunch of books and I didn't really know where to start. Which one is a good one? The best and the best to start with?
 
 
Mystery Gypt
18:27 / 10.04.02
i LOVED a book called Clay's Ark, and incredibly gripping novel about a virus from outer space that creates a new form of life in the humans it infects. you can't put the fucker down, and it has a helluva strange concept about genetics vs self identity and free will. i think it's part of a trilogy but stands compltely alone.

also kindred is interesting, that's her book that gets to be non-sci-fi; about a black woman married to a white man sent back into antebellum south where she has to endure life as a slave. obviously very interesting premise, a gripping read as well.
 
  
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