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Remix

 
 
We're The Great Old Ones Now
16:05 / 31.08.01
Remix text for cobralingus experiment: sample body includes this sentence.

"Win Flights To Anywhere I The World" blaring [highpitched tone interjects, sine wave migraine burns in cathode green behind the eyes] advert. Constant tinny radio hits and waste paper. A pink wrapper for something I do not recognise. Skull and red eyes, can't recall the artist's name. On tiptoe, no better, and the strap falls from my legs onto the floor. Beware thieves, they tell you, and the saw and sander breaks through for a second to blurr everything and flash strobelike into the head.

Call that stream of consciousness? 'Cos I don't. Signal to noise and hooting in the background, clocktime seven oh three.

End sample.
 
 
We're The Great Old Ones Now
16:20 / 31.08.01
Rem for coral insurgent gus experiment ample body ludes thissen tence light where IT Wood ring highp itch edit one interjects.

in wave migraine burns cathode thee yes vert Constantinople tiny radiation waste pope rap ink force ohm thing 1.

Cognate Skull redeyescant real theatre is tsuname nip and tuck oberwetterbericht and Reichenbach Falls.

Foamy legs ontology before loBe ware hives yoghurt and the swans breakfast through a form of second oblate plate blur reiver England lashes robelike.

Sin to give head! Call hats treasure mofo conscience louse less cosmopolitan. Id won't stagnant ignite alto noise anonymous strength bundle stymie seven of three. Simple.
 
 
Jack Fear
16:40 / 31.08.01
He won fights everywhere with a word, staring eye pitched on into jacket--signed, waved. High-grained, burnt ink a gold-green behind eyes averted. Constantine eradicates--he was Pope or a Pantocrater or some thin guy, doughnuts organized. Skilled with radishes… Candied collards? Hardly the same. On to Poe: not bitter, and his traps, false-fronted igloos, took the flaw. We bear these things, telegrams.

See-saw stander: break your leg!--true the second time, bleary flesh strewn onto the bed. Called out, screamed into unconsciousness, called for dope. Single boys looting the racks, cold-cocked, suffering, free.
 
 
the Fool
04:43 / 01.09.01
Flights To interject, Anywhere I do not recognise. They tell you blaring advert migraine burns the World on constant highpitchedradio hits, Win and waste [Beware tiptoe tone's, sine wave in cathode green paper behind the eyes]. Pink sander thieves breaks tinny Skull and red eyes, wrapper for something into the head. I can't recall the flash strobelike for a second, no better artist's name to blurr, and the strap falls from the saw, my legs onto the floor.
 
 
We're The Great Old Ones Now
15:47 / 15.09.01
Rem sleep: Forbes lies atop a mountain of living calculating engine, eyes closed beneath his mask. His body is penetrated by data, coral insurgents driving through wetsuit, wetware, tapping into nerves and brain. Gu's experiment requires an ample body, so Forbes has been putting on weight. Like Frankenstein, Gu wants a larger subject for sheer engineering convenience. The pain is low level, but constant, so Forbes is blasted on ludes. He's a spaced out coral/human hybrid, and between rapid calculations he seems to be exploring the fractal set and saving images whose random configurations he finds, for some reason, erotic - at least, as near as anyone can tell. Some of Forbes' experience is private even now.

Sine waves mean migraine, flicker means pleasure: Forbes' emotions are displayed in cathode green, even though the screens are liquid crystal: tradition in science.
 
 
Jack Fear
22:00 / 15.09.01
Niiiiiiiiiiiiiiiiiice.

* * * * * * * * * * * * * * * * * * * * * *
The famous author limped in, meeting no one’s eye. Looking down, his staring eye pitched on the jacket hanging from some thin guy’s frame, and a book disappearing beneath it, and said nothing.

Doughnuts had been organized. Snatches of conversation iced the pastries.

“The reign of Constantine eradicates—”

“He was Pope, yeah? Or—what’s the word? Patriarch? Pantocrater?”

The author murmured, “Hardly the same.”

The scolded went reddish beneath his cardboard collar. The author signed (ink a burnt gold-green on high-grained endpapers) and waved, behind eyes averted. He was used to cowed silence: he was an author born, and won fights everywhere with a word.

Change the subject—not bitter, he—on to Poe and his traps, his false-fronted instances, took the flow of words and remembered.

He’d been a see-saw stander: “You’ll break your leg!” his mother cried, and it was true the second time: a slip, a crash onto hard macadam, then puzzled memories of bleary flesh strewn onto the bed, calling out, screaming into unconsciousness, calling for dope.

We bear these things, telegrams.


How many books stolen from bookshops each year? Taken not for their monetary value, but for companionship. Single boys looting the racks, cold-cocked, suffering, free.
 
 
the Fool
04:37 / 17.09.01
Doughnuts and a book disappearing beneath it had been organized to eradicate snatches of conversation. The pastries iced, said nothing. Looking down from some thin famous author’s one eye.

They limped in, his staring eye scolded, "How many books stolen from bookshops each year went reddish under the reign of Constantine?" Won fights everywhere with a word. He was the Pope.

“Yeah? Or—what’s the word? pitched on the jacket Patriarch? Pantocrater, Jerusalem or Rome?”

The author murmured, “Beneath is Hardly the same.” His cardboard collar puzzled and waved. He was an author born, he was used to green eyes averted. Bitter, false-fronted.

The subject—not. The author burnt behind cowed silence. Signed, flow of words and traps. A slip, crash onto hard ink gold-on. Change the flesh at the high-end. You’ll break, everyone does. On to the Pope and his mother cried. His instances, ingrained and remembered. Took the papers, screaming.

He’d been true, calling out. A bleary see-saw for the second time. Then memories, screaming, strewn onto the bed.

His leg, and it was for monetary value, taken cold. looting macadam, of suffering boys, not free. Calling into unconsciousness,for companionship, for dope.

We bear their things, these rack telegrams, these single crooked lies...
 
 
agapanthus
06:56 / 17.09.01
Green-eyed thieves burn LATIN into the Bearing suffering boys like author's pre-dawn stomach, pink-wrapper legs -like rancid shallots. Sucks on tinny mofo conscience- "Its sin to give so much flash and strobelight; Sine wave flicker migraine head."

Domin - us ... yeh . . . Domin - me, more like it.

The ballad of the thin man,books of iced pastry, scolded and reddish doughnuts . . . repeats on him like Poe's coral/human hybrid -
"Pantocrater? . ....Patriarch? . . .Pater? . . .Author? . . .Moretha"

Where to land?
 
 
Whisky Priestess
10:03 / 17.09.01
Naive question: which of the above are supposed to make sense?
 
 
Jack Fear
12:00 / 17.09.01
Naive answer:

None, yet: we're just transmuting the raw materials of language into something new, but something which is still a raw material.

Think of it as spinning straw into gold. The straw is changed, but the work's not done: the gold simply lies in messy, glittering heaps.

Later, we'll do something with that gold--make a ring, or a knife, or a cup, or a chain, or an idol, or...

But for now: Lookie! Shiny pretty toy toys!

[ 17-09-2001: Message edited by: Jack Fear ]
 
 
Analogues On
22:16 / 18.09.01
From his midnight electrobank Forbes’ rem-flight illuminates the runways of the hivemind and slowly intersects with the glowing GMT board in front of him: Low and anonymous, he connects.

ID 7:00pm. Skull-flicker in science/ ontology. Images ingrained and remembered.

He can see that she is standing at the junction. The streetlights are flickering on. The electric coral of the evening has been activated by her smile, a sine wave returning to its crest amid the doughnut shops and newsstands. She drops something, a pink wrapper for something I do not recognise; a code for “crash onto hard macadam” activates. Then puzzled memories of her tranquillity wetware.

ID 7:01pm: The rushing fractal set glimmers and his backbone grows liquid crystal fins. <Opens the wrapper>

And as the switchboard lights up, the signal disperses. Something in the head he can't recall. The flash returns for a second,
There must be more. Concentrate. Re-edit. So then it begins again, breaking through for a second to blur everything. First the girl. Now the light. Follow the chain. Suddenly another light comes on somewhere between the streetlights and the pavement There is a highpitched cathode ray burning from behind her eyes, a pink theatre of skulls.

ID: 7:02pm. She fingers her golden chain. <Places the sweet>.

Forbes’ overmind scrambles for his logic gate; the exit route that he had worked out using the sequences of the traffic lights. Simple logic to counter a data swell. He watches; Green. Then amber. <Wait>. Then <wait>. The lights turn green again! No red! Fuck.

ID: 7:03pm: The chain breaks open…….. <On your tongue>

The lights swirl and run like black ink. A magic wheel spins in Forbes' cognate skull. The gold chain falls. Exhaust fumes shift from black to white. The succession of popes comes full circle. Then comes the moment. Signal > n01se. Her presence - walking on tip-toe, total naked momentum, bleary flesh strewn onto the bed. Her ample body against the persistent sky… Her smile flickers in his head now like a migraine. It is a sin to give so much flesh and light. To eradicate all responses from the flow of words and traps. This thin ballad was a trap made of signs, a change of flesh at the high-end. Words made of her body. Eyes rolling in their sockets. No light. His green eyes averted. Bitter, false-fronted.
Information flowing like lava through him, sears a new memory into Forbes’ already feverish mind. She is there, the girl, among the lights. The true author, static in time with the gold chain falling from her neck, a single crooked lie. … His perception smoulders, shimmering with constant alto-noise, about to ignite, and she – the girl – escapes. A flight anywhere in the world, nowhere that I recognised. She never looks back. No forwarding address, no shipping forecasts. His emotions are a bleary see-saw for the second time.

And in his dream, a single telegram, still in the wrong sequence that reads:

Beneath the streetlights.
Follow the chain
No place to land
 
 
the Fool
00:30 / 19.09.01
Forbes leaned against the wall, lights flashing - interject. Infoswarms like a sinewave migraine crashing in from the high-end.

He put his hand to his head. Tried and bleary, he attempted another uplink. Static and constant highpitchedradio hits erode the communication channels. Signal to noise.

He was thinking about the flight to Constantinople. Memories of that hotel room, flickering like a broken neon sign behind his
cathode green eyes.
 
 
Lost Nauth
05:00 / 20.09.01
In fright does everyone die. The word barely rises. The stolen jet, seen sailing high, mean turn, then explodes. Dreams and lives pass by, now dirt. Men standing near old skyscrapers blink rapidly. A Horror comes in. Sky, din, other cold spies. Full banded ties sent because terrorist's fame. One to go: ninety-seater. Damn! The strong fail, forming slag. Two floors gone, the scare creeps. Pray til you can't. Then fall when sanity strays. Euphoria succumbs too early. Wings bend. Crash. Storylike until the end. Cauldron steam only left. Cause: unknown. Primal tension, cameras shooting the black ground. Clues find several thousands dead. Ample?

[ 20-09-2001: Message edited by: LokiTheBoyGenius ]
 
 
We're The Great Old Ones Now
07:35 / 20.09.01
[From Loki and Jack: resample] quote:Horror comes in. One to go: 'tis Eater. Pray til the scalded reddish skin beneath his cardboard collar bubbles. The sunken burnt gold-green. Saved behind eyes averted. He was used for coward silence. Eater not biter, he — in his traps, his false-fronted instances, took the flow young men of words and remembered.

And now a new horror comes in: an Eater, broad-backed and fat. He's been too close to the Sun, this one; scalded, reddish skin beneath his collar, bubbled and sore. In the lamplight, he is vast, but timid; a strange, diffident monster. A human jackal, an eater, but not a biter; a trapper, not a hunter.

[Continues...]

This is not Count Orlock, nor was meant to be. This thing is a busboy, a sous-chef of the human banquet. His teeth are broad and sheer for the crunching of bones, yellow with stale fat. And yet he is also pathetic; this was once a predator, this sumo rubbish truck. At some time, he was swift and lean, before the war. And now he is gorged and faintly embarrassed, a fat, bashful old lion, preempting the prey's contempt.
 
 
We're The Great Old Ones Now
08:46 / 15.02.02
Brought to the surface for reference - mentioned in the 'process' thread.
 
 
rizla mission
14:34 / 15.02.02
darn it, how did I miss this thread?

I'd have loved to have taken part..
 
 
We're The Great Old Ones Now
21:45 / 08.09.02
Someone just started talking about Cobralingus again, Riz - so grab a sample of the text above or find a holiday brochure or whatever and start remixing...here, there, or in another thread.
 
  
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