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music is fantastic at the moment. there's sooo much good stuff coming thru. genuine originality is always difficult to pin down - you risk rewarding clangy joe and his underwater mouse orchestra instead of somebody who may be making a more understated, sophisticated shift forward within their field.
i'd second the kitty-yo axis - chicks on speed, gonzales, peaches and co... and, though i still haven't really gotten into them, the digital hardcore peeps seem equally *challenging*.
likewise for indie hip-hop - cannibal o, mike ladd and cLOUDDEAD (though i'm aware i seem to be one of only two or three people who will admit to liking the latter) - deej shadow comin' back with a new sound...
american R&B producers - timbaland, the neptunes, jerkins et al. these guys are auteurs, baby (though they have been lucky enough to work with more-than-worthy frontpeople - aaliyah, missy e, kelis (sometimes), beck...
in a similar vein, it's nice to see the way certain uk dance producers have rejuvenated the mainstream scene with landmark work - nellee hooper, orbit etc.
at the frontiers of electronica, like 'em or loathe 'em, you've got aphex, autechre, squarepusher...
i don't follow guitary stuff quite so much - but how about the boredoms? i've only heard a portion of their latest album but it has me slavering... melt banana, too? the moldy peaches'd fit here as well...
and then there's the usual suspects who rightly make the running on the list - radiohead, avalanches etc etc.
another point, though: how about some of the other, non-musical shifts? something i'd contend could be a big deal for the future is the way radiohead, in particular, have exploited the internet to open a direct channel with their fans - and built the foundations for a real revolution in commercial terms - the band that doesn't need a record company. definitely a trend to watch, i feel... |
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