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No, you're not. Though sometimes the human effects - the unintended noises - can completely fuck up a piece, as much as they'd add to it at others. I love hearing vague movements in slow, live recordings, but there's a particular recording of Mahler's 6th that makes it sound like the conductor is tossing off in your left speaker. It's most disconcerting, particularly on headphones to hear this beautiful music shot through with some very dodgy wheezing.
I think I like the moments when you can tell different modes of attack on string instruments, best; like when a double bass goes from being lightly bowed to being crazily sawed; it humanises the instruments, I think. |
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