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Covers that ARE worth a shit..

 
  

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Saint Keggers
03:37 / 09.10.01
Chatting about the arnt worth a shit thread toi a friend an dhe says he's gonna burn a cd of just covers.
So what covers are "Worth A Shit" in your opinion??

As for me Im going to start with Faith No More's cover of Black Sabath's WAR PIGS.
 
 
agapanthus
04:46 / 09.10.01
Them "Its all over now Baby Blue"
- Dylan

Talking Heads "Take me to the River"
- Al Green

John Cale And Jeff Buckley "Hallelujah"
-Leonard Cohen

Jimi Hendix "All along the Watchtower"
- Dylan

Triffids "I am a lonesome hobo"
- Dylan

Slinky Moonlight Revue (obscure Sydney band) "Harvest Moon"
- Neil Young

Low & Dirty 3 "Down by the River"
- Neil Young

Aretha Franklin "Natural Woman"
- Carol King

Joy Division "Sister Ray"
- Velvet Underground

Johnny Cash "Solitary man"
- Neil Diamond
 
 
Seth
06:39 / 09.10.01
Tricky’s covers have always been excellent: Black Steel , Lyrics of Fury , Pop Music , even the Wonder Woman theme ( #1 Da Woman ). Tricky’s got a brilliant way of fucking up everything he touches, totally re-imagining Chuck D and Rakim as women, making the former a high speed metal stompathon and the latter a hurtling minimalist breakbeat-fest. Pop Music becomes fuelled by menace and anger, while the Wonder Woman theme is pure Frusciante informed disco-pop (very bouncy and cheerful).

I love the Manic’s cover of Nirvana’s Pennyroyal Tea . James Dean Bradfield’s cover of Bright Eyes is also very moving.

I know it sounds inconceivable, but possibly the best cover I ever heard (besides the obvious Jeff Buckley version of Hallelujah ) was Marillion’s version of Abraham, Martin and John by Marvin Gaye. Steve Hogarth suddenly becomes omnipotent when applying himself to soul – it’s one of the finest vocals I’ve ever heard. The whole piece is dripping with blues, soul, real heart and longing. Any way we can get it copied to mini-disc, Jack?
 
 
Opalfruit
06:53 / 09.10.01
"When A Man Loves A Beautiful Woman" - Cecil
Originaly by Dr Hook

"Bad Seeds" The Psyclone Rangers
Originally by Beat Happening

"Going Underground" Buffalo Tom
Originally by The Jam

"Step Back in Time" Bedazalled
Kylie Minogue

I'll add more as I think of them...
 
 
Regrettable Juvenilia
07:50 / 09.10.01
The Afghan Whigs - 'Creep' (originally by TLC): only a lesser band would have covered the Radiohead song.

Speaking of Radiohead, their take on 'Nobody Does It Better' (the theme from 'The Spy Who Loved Me') is quite nice... can't remember who sand that originally though.
 
 
deletia
08:13 / 09.10.01
I suppose that to be worht a shit, a cover version has to add something which the original does not provide...hmmm.

Curve's "I Feel Love" (Donna Summer) is, probably, not as good as the original, but adds lots of lovelyt fuzz, and is generally lovely.

The Fall's "The Legend of Xanadu" - _DAve, Dee, Beaky, Mick and Titch) is...exactly what you would expect. Whipcrack sounds, dense noise and Mark.E.Smith muttering slightly less incomprehensibly than usual. Great fun.

The Fatima Mansions - "(Everything I do) I Do it For You" is just fucking mighty. Utterly eviscerates the original, turning it into a loping set of beats, vocal effects, Jazz fills and a confession of stalker lust ("On the bus, in the bathroom, in my bedroom, everything I do...I DO IT, I DO IT...for you")

Something's Gotten Hold of My Heart and Tower of Song - Nick Cave (Gene Pitney). Because. Because it is too often forgotten that Nick Cave is one of the great comic singers of our age, These two are utterly, rib-ticklingly funny. Look out in particular for the banjo in "Tower of Song". Niiice.

That's What I Like (The Sausage Song) - Tori Amos (Chas'n'Dave). ust because. Because it's Tori Amos singing a Chas'n'Dave song. Because she sings "Glenn Hoddle scoring a goal". FOR FUCK'S SAKE.

To Love Somebody - Gallon Drunk (the Bee Gees) - transformed into a spittle-flecked apocalyptic rumble. Terry Edwards in rare form.

Kung Fu Fighting - Tom Jones (Carl Perkins). From the opening yodel, this is a masterpiece. A faithful rendition, but made forever green as the valleys.
 
 
Fist Fun
08:21 / 09.10.01
Billie Jean - Ian Brown
Smooth Criminal - Alien Ant Farm
...erm
that Ash b-side "never known a girl like you, your alright"... that was good
Mrs Robinson - Lemonheads...I actually like this...in the live version he swears
Feel the Noise, I am the Walrus - Oasis
 
 
Fra Dolcino
08:34 / 09.10.01
quote:Originally posted by Flyboy:
Speaking of Radiohead, their take on 'Nobody Does It Better' (the theme from 'The Spy Who Loved Me') is quite nice... can't remember who sand that originally though.



Wasn't it Carly Simon?


Faith No More's Easy

Almost every mowtown track has an equally good cover. They just used to get every artist they had to sing each song. Made for some interesting covers.

My way by sid Vicious

What about worst? Mine's currently Louise's destruction of Rafferty's Stuck in the Middle With You. Jesus H and his brother sid.
 
 
deletia
08:40 / 09.10.01
Hmmm...what I really like is long lists of songs with absolutely no explanation of what might make them in any way interesting. I like those because, fortunately, I am blisteringly wealthy and also have scads of leisure time, and as such can hunt every single one down on the off chance that it may hold some interest for me.
 
 
that
08:40 / 09.10.01
A lot of the good ones have already been mentioned, but here's my two pence worth:

Ok...On 'Far Beyond Driven', Pantera do what I think is a Black Sabbath cover - it is an amazing song, the only Pantera song I actually like - unbelievably, Phil Anselmo actually has got a nice voice. I can't remember the name of the song, but it is very atmospheric and just gorgeous...check it out.

Pretty much every cover version Jeff Buckley ever did - he had such an incredibly beautiful voice. Actually, he did not *do* 'cover versions', what he did was more than those words imply...

Diamanda Galas' cover versions off 'Malediction and Prayer' - Do you really need to ask why?

Jim Carrey's version of 'Somebody to Love' off the Cable Guy soundtrack - impressive, and funny at the same time. The film grows on you, too - cool ending.

Cowboy Junkies 'Sweet Jane', gentle and sunny and beautiful.

Nine Inch Nails - '(Lets Get) Physical' had its redeeming features - mostly slightly twisted comedy value. Didn't Billy Idol do it, too?

T.A.S.S. 'Lust for Life' - I'm not sure if it was entirely necessary, and it didn't deviate much from the plan laid out by Iggy Pop, but it was still quite good.

Has anyone heard the recent cover of 'Eleanor Rigby' by metal band God-something or other?
 
 
mondo a-go-go
08:40 / 09.10.01
the afghan whigs' version of my world is empty without you (originally by the supremes) is one of my favourite songs ever, and greg dulli's vocal makes you have no doubt that he feels that way....

quote:The Fatima Mansions - "(Everything I do) I Do it For You" is just fucking mighty. Utterly eviscerates the original, turning it into a loping set of beats, vocal effects, Jazz fills and a confession of stalker lust ("On the bus, in the bathroom, in my bedroom, everything I do...I DO IT, I DO IT...for you")

"i haven't had an orgasm, you jerk"

ash do a brilliant electro version of john lennon's gimme some truth. that's a b-side too.

nirvana's version of where did you sleep last night, where you get the impression kurt really is a jealous fucker.

david holmes version of serge gainsbourg's don't die just yet (not sure it had that same title), especially the delakota and mogwai remixes, because they're so fucked up. mogwai's is scary, and delakota's comes with a violent narrative about two lovers who knife each other after they crashed the car.... brilliant stuff.
 
 
that
08:40 / 09.10.01
By the way, Haus... I happen to agree with you about Nick Cave being a misunderstood comic genius. Look at 'The Curse of Millhaven' (off 'Murder Ballads'), for instance. He also writes very beautiful songs, though...

Actually, back on topic, I quite like his version of Dylan's 'Death is Not the End' (with PJ Harvey, Kylie Minogue and Shane MacGowan, amongst others, also off 'Murder Ballads').
 
 
mondo a-go-go
08:40 / 09.10.01
i still think nick cave would make a brilliant chat show host. but that's probably just me. and rothkoid.
 
 
deletia
08:40 / 09.10.01
I'm down with that. There was a wonderful session on Mark Radcliffe way back when - Cave had just ghrunted and screamed his way to the end of "O'Malley's Bar", complete with megaphone-distorted yelling and gunshots. After a moment of silence, Radcliffe thanked him, and the contrast between the blood-soaked angel of death just observed and the spitting vocal image of Henry from Neighbours who cheerfully acknowledged the congratulations was just perfect.

Other covers:

Frente - "Open up your heart and let the sun shine in" (From the Flintstones). Just a lovely sound - very gentle and cute, with top-drawer ever-so-slightly-especially-since-it-was-originally-sung-by-Pebbles-and-Bam-Bam lyrics:

When I forget to say my prayers
The Devil jumps with glee,
But he feels so awful awful
When he sees me on my knees


Money - The Flying Lizards (Beatles) - Staccato electronic reworking, with vocals spoken by a glacially received-pronunciation woman. An oddity, but an endearing one.

She Don't Use Jelly - Drugstore (The Flaming Lips) It's the tinkling, slightly dreamlike quality of the piano/guitar which endears this song to me, I think, and Isabella de whatserface has that shimmery quality to her voice which, I think, makes this superior to the scratchy-voiced original, which is nonetheless very charming. There's another version of this out there, but I can never remember by whom

5ive - Svefn-G-Englar (Sigur Ros). All right, you win. Good if they had, though.
 
 
Saveloy
10:01 / 09.10.01
The Supremes - These Boots Are Made For Walking

Fu**ing fantastic, unstoppable upbeat version with cheeky staccato horns. Makes you want to dance about in that 'quickly withdrawing from syrup bubble' way, whilst clicking fingers or clapping. Quick turnaround for them too, cos it came out in the same year that Lee Hazlewood wrote the song (for Nancy Sinatra, whose version is also ace).

Re: Nick Cave - all the songs on 'Kicking Against the Pricks' RULE. But I, urgh, I don't like this 'comic genius' thing. Puts me off to think it's all just meant to be a bit of a giggle.
 
 
Ganesh
10:03 / 09.10.01
Predictably enough, Morrissey's cracked, eerie rendering of 'Moon River'.
 
 
Saveloy
10:12 / 09.10.01
Is that for me? No, I'm not into the idea of Nick Cave as tortured genius either. I just think it's a great song and like the way he sings it. What is it about it that makes you laugh? (genuine question)
 
 
deletia
10:14 / 09.10.01
What, "Something's Gotten Hold of my Heart" or "Tower of Song"?
 
 
Saveloy
10:16 / 09.10.01
"Something's...". (I don't think I've heard the Tower one, unless it's yet another title I've forgotten.)
 
 
Regrettable Juvenilia
10:18 / 09.10.01
I forgot Cat Power's take on the Stones' 'Satisfaction'. Strips away the chorus and the machismo, fiddles with the tune, makes it a mournful, lonely, painfully beautiful lament. The "I'm on a losing streak" bit is just unbelievably affecting.

Similarly, Travis' version of 'Baby, One More Time' shows what a desperate, brilliant song it is, despite Travis being crap more than 80% of the time.
 
 
deletia
10:22 / 09.10.01
quote:Originally posted by Saveloy:
"Something's...". (I don't think I've heard the Tower one, unless it's yet another title I've forgotten.)


What is amusing about "Something's Gotten Hold of my Heart"? The absurd vocal tremolo on the word "hand". The exaggerated lounge singer-isms of "then you came my way", heading up to "all of my nights, and all of my days", and the crescendo on "baaaaay-be", both of which reach a point tremulously below that of barking.

The glockenspeil solo is quite amusing also.

I would add that I still think it's a top song.

"Tower of Song" is a cover version of the Leonard Cohen track. If you haven't heard either or both versions, I strongly recommend you do so. But the Nick Cave one makes no sense without the original.

[ 09-10-2001: Message edited by: The Haus of Connection ]
 
 
Saveloy
10:33 / 09.10.01
Haus>
Fair enough. I've always thought that was just him going for it, rather than deliberately hamming it up. What does everyone else reckon? There's a thread in itself: "Is Nick Cave taking the Piss?"

Have you heard that Gallon Drunk version of Solitaire? Even more pub singer-ish, and again I'm not sure whether it's meant to be a piss-take or not. Maybe I just like pub singers...

[ 09-10-2001: Message edited by: Saveloy ]
 
 
The Strobe
10:51 / 09.10.01
quote:Originally posted by The Haus of Connection:

She Don't Use Jelly - Drugstore (The Flaming Lips) It's the tinkling, slightly dreamlike quality of the piano/guitar which endears this song to me, I think, and Isabella de whatserface has that shimmery quality to her voice which, I think, makes this superior to the scratchy-voiced original, which is nonetheless very charming. There's another version of this out there, but I can never remember by whom
right, you win. Good if they had, though.


Hmn. I don't really like the original vastly, but the cover Ben Folds Five did of it as the Bside to "Brick" was brilliant. Really, really great interpretation: big, ott, and suited the lyrics great.

The cover I'd have killed most to hear: Arab Strap doing "Whole Again" at Reading. Think about it.
 
 
deletia
11:23 / 09.10.01
Thankyou - that was the other one I was thinking of. Lounge-jazz - beautiful. They do a brilliant "Champagne Supoernova" as well.
 
 
Ganesh
11:39 / 09.10.01
I have a strange attraction to These Animal Men's 'Wichita Lineman'...
 
 
Ganesh
11:40 / 09.10.01
Oh yeah, and the Pet Shop Boy's mixing of U2's 'Where The Streets Have No Name' and Bacharach's (?) 'Can't Take My Eyes Off Of You'.
 
 
The Return Of Rothkoid
11:55 / 09.10.01
quote:Originally posted by Flyboy:
(the theme from 'The Spy Who Loved Me') is quite nice... can't remember who sand that originally though.
Carly Simon it is, and the song's called "Nobody Does It Better", from memory.

And yes, Kooky, Cave as a chat-show host would be fucking superb. Nice bloke, but has the look-of-death on tap, should he need it. And I must admit a strange hankering to see him interview Mr T.

I'd have to plump for Rammstein's version of Kraftwerk's "Das Modell", meself. So close. Only louder. And on fire.

Also good is the Kings Of Convenience's stab at Tom Petty's "Free Fallin'" - even if they can't remember the fucking words, most of the time.

I once heard Low do "You Are My Sunshine", live, and it made me want to kill myself even more than that tune usually does. Eep.

Tony Bennett's version of "Steppin' Out (With My Baby)" shits all over the Fred Astaire original, though I'm also partial to his version of "Moonglow" with KD Lang. Actually, that brings up a question; should jazz standards be considered here?

The best cover I know, though, has to be Louis Prima's version of "I Got It Bad (And That Ain't Good)". Originally recorded by Ella Fitzgerald (though written by Ellington), Prima's one is insane; he's all goofy, stock-Louis throughout ("whaddya think mine's [his heart] made out of - lasagne?")...but then Keeley Smith comes into the mix and flattens everything. Holy fuck. The hairs stick up on the back of my neck just thinking about it - what a voice! It's on the Ultralounge 2-CD Prima anthology, and makes it worth purchasing on its own.
 
 
T*M*U*M*A
12:02 / 09.10.01
so-cal punk rockers the Vandals cover of Dance of the sugarplum faries..

genius.
 
 
bio k9
12:34 / 09.10.01
All this talk of the Afghan Whigs and no one has mentioned their cover of the Ass Pony's song, Mr. Superlove? "The storm was blowin from the south/ the blood way runnin from your mouth..." and the live version of My World is Empty Without You/ I Hear a Symphony.

On the Built to Spill Live album Doug ditches all of Calvins lines from the Halo Benders' Virginia Reel Around the Fountain. Half the song. Twice as good.

And Tim Buckley's version of You Keep Me Hanging On from the Dream Letter live album kills me every time.

[ 09-10-2001: Message edited by: Bio K-9, the Judgmental Jigger ]
 
 
that
12:40 / 09.10.01
Saveloy - you can't deny, surely, that *some* Nick Cave songs are actively trying to be funny (the aforementioned 'Curse of Millhaven' for instance)? I can't comment on the ones Haus mentions, I've not heard them...but I certainly wouldn't say that Nick Cave is invariably taking the piss, I think genuine emotion is by no means beyond him - 'The Ship Song' (which is a tearjearking song if ever I heard one), or, in a different way 'The Mercy Seat'(which sends shivers down my spine), for instance...and he can also be pretty damn menacing and scary. And I know what you mean...if you've taken a song at face value, it can be painful to realise that other people assume it was meant to be a piss-take, or to mean something different, at least...
 
 
Jack Fear
12:48 / 09.10.01
We did a thread like this a long, long time ago...

Child of the 80s that I am, I retain an atavistic fondness for Siouxsie and the Banshees' all-covers disc Through the Looking Glass, particularly its tranformation of the tuneless plods of John Cale's "Gun" and Iggy's "The Passenger" into sharp, horn-spiked sing-along pop blowouts without losing a whit of the originals' menace.

Big Country's raging 1983 take on Roxy Music's "Prairie Rose." (Stop that sniggering at the back, there--Big Country were a force to be reckoned with in their day. To the naysayers I say--listen to the records.) Eclipses the original: when Bryan Ferry croons, "Hey hey, you're tantalizing me," he's so mannered that it's impossible to believe him--but Stuart Adamson sounds genuinely crazed with adoration and wanderlust.

Jazz: Coltrane exploding "My Favorite Things" into the mystic, Miles imploding "Some Day My Prince Will Come" into the heart of romance.

[ 09-10-2001: Message edited by: Jack Fear ]
 
 
Saveloy
13:16 / 09.10.01
Cholister:

"Saveloy - you can't deny, surely, that *some* Nick Cave songs are actively trying to be funny (the aforementioned 'Curse of Millhaven' for instance)?"

Oh I definitely wouldn't deny that, no. All the interviews I've read suggest that he's got a much more developed sense of humour than his detractors would have us believe (see also Dame Andrew Eldritch), and I'm sure he wouldn't be 'above' putting it in his music. I think I'm just a bit uncomfortable with the idea of using it in a cover, because it suggests that maybe he's taking the piss out of the original song, singer or genre it represents. Of course, it might be an affectionate poke, or he could even be taking the piss out of himself, or none of the above, the band just went "heh, that's funny, do it that way". It's no big thing, I'm just curious to know if I've missed something.
 
 
deja_vroom
13:18 / 09.10.01
my band plays paranoid android once in a while :P
 
 
Graham the Happy Scum
13:20 / 09.10.01
The Clouds also did a good cover of "Wichita Lineman".

The PSB version of "Where the Streets Have No Name (I Can't Take My Eyes Off You)" (two covers, really) is pretty keen too.

Fourplay do stacks of covers, of course, their take on The Beastie Boys' "Sabotage" is about the most insane (strings simulating rapping, yes...)

Mike Oldfield's take on "Wonderful Land" is better than the original Shadows version. Makes a great chord progression even better.

Swoop's cover of The Captain and Tenille's "Do That To Me One More Time". Yes.
 
 
Kali, Queen of Kitteh
13:25 / 09.10.01
I love Ben Folds' version of "She Don't Use Jelly," considering I hate the Flaming Lips.

GVSB did a wonderful intense version of "She's Lost Control" by Joy Division.

Rhett Miller's acoustic cover of the Pixies' "Wave of Mutilation" (the slow version, U.K. Surf) will kill you.

But my favorite damn cover of all time: Reel Big Fish covering Duran Duran's "Hungry Like The Wolf." Quite possibly the funniest thing you will EVER hear.
 
  

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