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Homemade Instruments

 
 
Seth
19:45 / 03.10.01
Making your own instruments - has anyone ever done it? What did you make? How did you make it? What did it sound like?

This topic is inspired by my evening so far, and relates to a recent post in the Bang the Drum topic in the Magick forum:

quote: I am buzzing like mad! I’ve fallen in love! Someone catch me before I faint!

I’ve just played steel drums for the first time.

Admittedly, it was only a shallow miniature version, but the tones.... wow! I know nothing about Jamaican music (I’m a total twat when it comes to traditional music of other cultures - give me dirty hip hop beats and I’m happy), but I just gotta, gotta, gotta have some! I want to pervert those beautiful tones to my own vile ends.

So, for anyone who wants to help me out:

I already have a beginners percussion set up: djembe, sickle drum (also known as a talking drum or hourglass drum), a couple of miscallaneous drums of varying sizes and quality, steel chimes, Sri Lankan wood chimes (awesome sound - always playing random melody), two-and-a-half meter rainstick, and various shakers and tambourines.

I want to add to this in creative ways, and I’d be really interested to have suggestions. Steel drums have become an obsession in the space of an evening. I’m also very interested in getting xylophones (wooden and metal - don’t know what metal) - I’m getting sucked into percussive melody, because that’s what I often try to achieve when playing kit drums. I also need some lengths of industrial steel (maybe sheets and pipes), and a way of mounting them on drum hardware (shouldn’t be too hard). I played some heavy duty steel steps in church a few weeks back, and they sound enormous (like a clattering tonal “clang” sound, very loud). I also want sounds that are evocative, and can be used in a spiritual context.

I’m very interested in putting together a homegrown set of percussives, without resorting to your typical congas-based set up. Any ideas for ethnic instruments or homemade bits and bobs would be great.
 
 
.
21:35 / 03.10.01
i made my own instrument once, the bastard child of some bass strings, an acoustic pick-up, and a BMX. the front wheel was removed from the BMX, and it sat on the back wheel, with the front forks up in the air. the bass strings were then strung from the front forks down to rear axle, with the pick-up just under the pedals. the handle bars act as a huge whammy bar. NB. it looked great but sounded awful, since there is no box for the sound to resonate in, and all the strings (four of them), are tuned to a wonky E flat. interestingly though, the pick-up would pick up any of the resonant sounds from the hollow frame of the bike, the spokes on the wheel, and so-forth. i may have some photos somewhere to scan in if anyone is interested.
 
 
Seth
11:24 / 04.10.01
Yeah! Sounds amazing! What did you do with it?
 
 
.
11:31 / 04.10.01
well, after a few years of abuse in a free-jazz/ punk/ noise it fell to pieces... it was never constructed very well to be honest. that and the fact that a pick never seemed as satisfying to use as a screwdriver, or any big heavy object to hit the thing with. i will scan in some photos this weekend. I am definitely interested in building more instruments, preferably something large and resonant, any ideas?
 
 
Seth
11:54 / 04.10.01
iivix – you truly sound like the coolest human being I’ve ever come across.

Stringed instruments aren’t my forte, but I love some of the sounds that can trigger pick-ups. Anything that can produce significant vibrations in the air (ie; electric drills) sound awesome (a big chainsaw revving sound). Maybe you can create a twisted slide guitar hybrid, where a drill is attached (the part that holds the drill bits positioned above the pick-ups) and controlled by an expression pedal. You’ve then got two hands free to play the neck (kind of like an evil chapman stick). You could also do some amazing volume-knob work.
 
 
The Return Of Rothkoid
13:01 / 04.10.01
Just looking around for homemade instrument resources: some of these sound good...Hope that's a good start...

[ 04-10-2001: Message edited by: Rothkoid ]
 
 
grant
17:25 / 04.10.01
Might be worth looking up "gamelan" too.
If you're into making your own percussion, there seem to be quite a few garage-gamelans out there.
(It's an all-percussion Indonesian ensemble, gongs and marimba-like instruments, which are also called "gamelans".)
I think Tom Waits called one of his barnyard-implement instruments a soemthing gamelan.

Anyway, steel drums are pretty tough to make, from what I've seen.
I looove the sound, too. Was really upset this week when one of the $1 records I picked up at a thrift store turned out NOT to be the "Beauty & the Brute Force" Calypso album it said it was, but instead contained one disc of a two-LP set of Elvis' greatest hits. (Most of which I already have.)
Calypso's the genre you want for the steel drum madness. It was really popular in the mid-late-50s. Straw hats and frayed 3/4 length jeans are what you're looking for on the record covers.

Anyway, I've taken strings off guitars and used cans filled with water for recordings before. Baby food jars filled with rice make great shakers.

And then, there's the sitar.

It doesn't resonate properly, probably because I used a soft wood for the neck and only one gourd, but it looks very impressive. Seven main strings and 13 resonators. got some guitar bridges & tuning assemblies from a friend whose dad used to own a music shop. The resonating strings are all made with fishing lead wire - light gauge copper. The main strings are either guitar, fishing wire, or banjo (that last was the idea of a friendly music shop guy - they have really long strings, banjos). The gourd was grown in my folks' backyard years back. I just varnished it and painted the inside gold.
I was working off a plan for a vina, a somewhat simpler (non-resonating) Indian instrument from an ethnomusicology textbook a friend loaned me. A vina has seven strings, no frets, and two equal-sized gourds attached to a wooden neck (as opposed to a sitar, which is often made from a single, huge gourd -- thus the hollow neck for the resonating strings). I hybridized. It's a fretless, wood-necked sitar.
Anyway, the instrument looks great, but I hardly ever play it - sounds like a quiet, altered tuned guitar more than anything else.

I was tempted to turn it into an electric instrument, but now I'm leaning towards someday stripping it down and using the components to make a kora.

(If you click that link, he's got ALL KINDS of directions for homemade hurdy gurdys and tinwhistles and stuff - top of Rothkoid's list, top of mine, too.)

[ 04-10-2001: Message edited by: grant ]
 
  
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