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first, props to the uk scene :
labels as Big Dada (ninja tune hip hop inprint) with Roots Manuva (both albums are brilliants, nd the 2nd one just came out), Ty, TTC, clouddead,and 2 real great compilations (damn, the first one even got bestSaul Wiliams track ever...)
Jazz Fudge, dj Vadim's label, with nice sweeties like Pelding (album out now, amazing), the Isolationnist (a collaboration between the scratch perverts's mr thing -uk dmc champion 2000-, vadim and the Anti Pop Consortium), etc...
i'm a lot into "hard edged stuff", as wrote by Expressionless, but myself, i find hard to not concentrate on this shit while listen to it.even if it's going deeeep between your brain as it's so different, it's maybe too interesting and asking you some effort to look at it better for work, uh ?
but hell yeah, Cannibal Ox, anti Pop Consortium, all the Anti Con crew, labels/distributors such as Def Jux, Ozone, 75 ark, ...
haven't we talk about this kind of shit before ?
mc solaar was my best hope into french hiphop a decade ago. fresh, different, with brilliants lyrics ; but he felt, and do bad commercial easy shit for 16 girlies, with wanna-be-poems that just sucks (my opinion).
his best effort is indeed his 2nd album ("Prose combat",94) and maybe his first is still ok ("Qui sème le vent récolte le tempo", 91).
for french stuff, it looks like at last, some newbies want to redesign this whole bad rap scene, as uk made examples ! check out La Caution, TTC, and freshly nice soundin' Karlito. they deserve it.
well, while working (computer graphotizm), i work with a friend who's into metal/hardcore.
so we split our listening time, this give me opportunities to listen IG Culture 's New Sector Movements before Limp Bizkit, Soul Jazz Compilations after Sepultura, dj Krush after Soulfly... |
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