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Dr. Octagon: good or shit?

 
  

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Tuna Ghost: Pratt knot hero
21:46 / 30.07.01
I was reading a back issue of The Invisibles when I saw Morrison thank a reader for suggesting Dr. Octagon for some "real voodoo rap". I must say, the idea intrigues me, but I don't want to blow $15.00 on a cd I won't like, as I have precious little cash for music right now.

If anyone can give me an opinion, a review of one of the cd's, or can simply tell me if the reader's description of it as "real voodoo rap" is accurate. Thanks.
 
 
Ganesh
10:34 / 31.07.01
Erm, yeah, it's, y'know, the future of, umm... hip hop? Rap?
 
 
No star here laces
11:18 / 31.07.01
I personally hate Dr Octagon, but a lot of people who don't buy much hip-hop do like his stuff, so you should probably check it out. Dunno about voodoo rap, but if you are looking for some mystical/weird type stuff then there's lots out there.

I'd definitely recommend Freestyle Fellowship - "Inner City Griots" if you can get hold of it (it's a few years old now). The Deltron 3030 album is alright, though not in the same league as Freestyle Fellowship, but in quite a sort of stream-of-consciousness sci-fi style that you might like.

The Styles of Beyond album isn't all that, but their singles are brilliant, and definitely have a sort of mystical sci-fi espionage feel.

Dunno 'bout voodoo though - not many acts have that swampy organic kind of feel. Closest I can think of might be the somewhat patchy but tinged with genius Micranots - "Obelisk Movements" album.

Other people, who again I don't personally rate all that highly, but who are on that kind of alt-rap tip that you might want to look into would be:

Company Flow
Divine Styler
cLOUDdead (is that how you write it?)
Anti-Pop Consortium
 
 
Regrettable Juvenilia
11:25 / 31.07.01
Speaking as someone who is very much into supposedly more conventional rap as well, I still don't see why many hip-hop fans (purists?) don't like Dr Octagon. I just don't see where the divide lies - which makes me even more confused as to why there are a lot of people who'd listen to Dr Octagon but not other rap...

The album is very good, and I think "voodoo rap" isn't too far off the mark, although I'd argue that there are many mainstream artists out there who fit the tag equally well (Jim Crow always reminded me of Busta Rhymes more than anyone else, for example). If you like off-the-wall sampling, surreal and nightmarish stream-of-consciousness lyrics and occasional moments of weird pornography, it should be right up your street...
 
 
rizla mission
11:31 / 31.07.01
I'm enjoying Deltron 3030 more than life itself at the moment. Being a sad, sci-fi fan white boy and all.

cLOUDEAD (that's how you write it apparently) is kinda treading the line between groundbreaking genius and complete audio wank. 'Prog-hop' as some media git is no doubt about to call it.
Some bits are excellent, but it spends so long being willfully obscure and avant garde that often it's pretty unlistenable.

Example: the lyrics, as printed on the sleeve, are incredible. The lyrics, as rapped in a ridiculously high pitched voice under a blanket of fuzzy machine noises and static, sound like a mouse drowning.
 
 
gman
11:33 / 31.07.01
Dr Octoagon is now part of the Gorillaz (Damon Albarn and Jamie Hewlett), I've heard... comics connections galore.

You can't beat Public Enemy or De La Soul (opposite ends of the hip-hop voodoo spectrum... but which is which??????). Yeeeeeeeeaaah, boy...
 
 
Regrettable Juvenilia
11:51 / 31.07.01
Only half of Dr Octagon is in Gorillaz: producer Dan the Automator. Also responsible for Deltron 3030, a track on Primal Scream's last album, and Handsome Boy Modeling School. And loads of other stuff. Possibly the most Barbelith man involved in the crazy world of pop music today.
 
 
Ronald Thomas Clontle
11:55 / 31.07.01
quote:Originally posted by gman:
Dr Octoagon is now part of the Gorillaz (Damon Albarn and Jamie Hewlett), I've heard... comics connections galore.
...


Um, sorta. Dr. Octogon in a very literal way refers to Kool Keith (who has multiple personas, Dr. Octogon being the one he used on that record), who has nothing to do with either Deltron or Gorillaz. The MC on those records is Del Tha Funkee Homosapien. The connection between those three projects is Dan The Automator, who produced/made music for all of those albums. Dan The Automator is a great producer, though like his frequent collaborator, Prince Paul, I think that he tends towards formula, if not selfparody at times.

cLOUDDEAD: Ah, I didn't think too much of that record, the music is fine, but I think the MCs are just terrible. Their voices are weak, one guy sounds like a watered down version of the high pitched guy out of Cypress Hill, and the lyrics were nothing to write home about. I don't particularly recommend the record, though there are maybe two or three worth tracks on it.

I've always felt a bit so-so on Company Flow and their related projects...Funcrusher Plus has its moments ("The Fire In Which You Burn" chief among them), but I think that they are just a little too non-flow oriented, and the best songs they have just sound like rehashs of some of the more avant garde RZA work. Anti-pop Consortium I don't think much of either. They just lack tunes entirely, and have no memorable MCs.

If yr interested in hip hop, I would recommend thoroughly examining the Wu-Tang Clan catalog and the output of Solesides/Quannum (though you should stay as far away from Blackalicious' most recent record NIA, which is 'conscience' hip hop at its nadir). The first selftitled Latyrx record is highly recommended by me....if you can't get that, try to get the "Solesides Greatest Bumps" compilation.

MF Doom's Doomsday is well worth your money, too, as is most anything of or relating to Gang Starr or Nas.
 
 
Ronald Thomas Clontle
11:57 / 31.07.01
quote:Originally posted by The Flyboy:
. Possibly the most Barbelith man involved in the crazy world of pop music today.


I'm curious on how you would back that statement up. I just don't see it.

My vote for the most 'barbelith' man in music today would be Ian Svenonius.
 
 
mondo a-go-go
12:47 / 31.07.01
quote:Originally posted by The King of Bongo:
I'd definitely recommend Freestyle Fellowship - "Inner City Griots" if you can get hold of it (it's a few years old now).


aawwwww yeah. i stuck a coupla tracks by them on some of my mix tapes, but the recording quality on the vinyl is really quiet, which sucks.

i would also reccomend earthling (again) see the recent musical fascination thread for why.
 
 
No star here laces
13:42 / 31.07.01
"well here we go hot cake dough?
jellybeans banjo candy store
polka dot backpack microphone
shamalama ding dong doggie bone
chippeechippa chop bust a flip flop
skateboard tennis shoes ice cream shop
telephone poles bakin' hot rolls
a '91 pinto sittin' on Vogues
bubble gum tick tock hound dog fleas
cock-a-doodle doo-doo and some hog head cheese
leap out the room grab the old broom
eat a watermelon and walk on the moon
cherry coke canteloupe little old maid
a big black berry inside the kool-aid
a bass guitar a old fruit jar
a green canteen and a chocolate bar
cannonball baby doll football fan
i flipped a mad dog and a Japanese man
a double bunk bed a 40 to the head
now get up and watch me rap to cornbread hey"

Woo-hoooo!
 
 
Seth
14:01 / 31.07.01
quote: Speaking as someone who is very much into supposedly more conventional rap as well, I still don't see why many hip-hop fans (purists?) don't like Dr Octagon. I just don't see where the divide lies - which makes me even more confused as to why there are a lot of people who'd listen to Dr Octagon but not other rap...

You read my mind, sister. Goes for a lot of artists besides Doc Oc, too. Have you read HHC recently? They've done a total, cringeworthy about face on leftfield hip hop, dumbed down their journalism to sub-Sun standards (it wasn't exactly Trace to begin with) and started slagging some of the most creative records of the last few years.

Then you've got stuff like the Wire that commits the exact opposite sin: praises the wilfully obscure (cLOUDDEAD, who I'm not feeling at all) while ignoring the revelatory down to earth stuff (S.O.M).

Did anyone else read Trace? They're sorely missed.
 
 
Seth
14:05 / 31.07.01
Doc Oc rules, by the way. Great album. Recommend Q-Bert's "Wave Twisters" - it's a beautiful record, and he's often the most neglected of the Doc Oc trinity.
 
 
Stephen
08:16 / 01.08.01
Just thought I'd better add that if you're looking for actual 'Voodoo' content in the lyrics, by which I mean references to Hiatian Vodou, New Orleans Voodoo, Santeria, Candomble, Palo, any of the related African Diaspora religions, or anything connected to Bertiaux's weird sci-fi Voudoun, then you'll be dissapointed. There's none of that in Doctor Octagon.

Lyrically it's more like sci-fi porno rap, very reminiscent of William Burrough's sketches in places.

I'd recommend the CD, but it's not technically 'voodoo rap'.
 
 
Tuna Ghost: Pratt knot hero
08:16 / 01.08.01
The only cd of Dr. Octagon I can find so far is "Dr. Octageniologyst" or something to that effect. Only twelve dollars. Maybe I'll take a look.

I was never interested in hip-hop until recently (my sister overdosed me on it when I was younger. Ah, the memories of driving to an upper-middle class protestant private high school blaring some Eezy E from a 92 saturn...she was so cool...) when a friend let me listen to some Outkast.
 
 
Cochese
08:16 / 01.08.01
Well, that'll be the only Dr Octagon LP there is. Get it. Really. Don't go bothering with the clouddead stuff, sod them if i'm writing their pissy name properly as they suck. Apart from about half of track 5 and the bit where they use the drill. Wank, wank, wanky wank wank.
 
 
mondo a-go-go
13:04 / 01.08.01
quote:Originally posted by The King of Bongo:
now get up and watch me rap to cornbread hey"

Woo-hoooo!


"i'm-a di in my rocking chair
sippin'on gin
heeey"
 
 
jUne, a sunshiny month
15:01 / 01.08.01
Flux = Rad, i'm not ok with you, not at all !

>cLOUDDEAD: Their voices are weak,
>one guy sounds like a watered down
>version of the high pitched guy out
>of Cypress Hill, and the lyrics
>were nothing to write home about.
people, people, don't use the critic of this guy : he's far too much of the idea, or maybe he isn't into this part of hip hop.
no offense, mr Flux = Rap, but don't you think that 25 years after his birth, hip hop can go further than the usual cliché that it is usually ?
it's ok to dont get the voice and the flow of the guys ; it's a bit strange, and maybe heavy on the whole album. but the lyrics definitely worth it ! yeah, it's no more the usual hip hop topic. but it's well written, and, at last, different !

>I've always felt a bit so-so
>on Company Flow and their related
>projects...Funcrusher Plus has its
>moments but I think that they are
>just a little too non-flow oriented,
non-flow oriented ? but what are you doing of the lyrics ? el-P is a big, big person : producer, mc, he's doin some of the best innovative sounds around, and put some really impressive texts on it, too. and mr Len is a phat guy too, speakin of sounds. their production skillz are far away from the classic bassline/drum kit MPC 2000 stylee, with violons or pianos sampled and looped directly from the old vinyl store of the corner... hell, the prods are 10 years too early, that' why you don't dig it, while still in the classic routine of hip hop...
i think one of the best hip hop track i 've ever heard these last years is the one co-flow drop on the rawkus compilation, called "patriotism".
so maybe it worth going to see beyond the flow, cause things are mad out there...

>and the best songs they have
>just sound like rehashs of some
>of the more avant garde RZA work.
arffff ! Rza got his fame time, before fallin into the same construction routine : always the same beats sounds, always some dirty chord instruments sampled and looped, and even if i really LOVE some of his work, i really think you cannot compare them. one is doing money by doing his thing (he know what's working in the business since he's doin money in it), the others are more into "tryin" something else. rza, avant-garde ? pfffff. a little bit abstract on the (excellent) "ghost dog" OST, maximum. no more, for me.

>Anti-pop Consortium I don't think
>much of either. They just lack tunes
>entirely, and have no memorable MCs.
aarrRAAAARRRRRFFFFF ! Priest, Beans and their usual partners are just releasing some of the best stuff that i've never wished to read ! their lyrics are more essays than "yo, hunnn, check this out, yo", and they got the perfect combination : their beats are dope, their production are (here, too) really avant-garde (for takin your words) ; how can you judge this so hardly ? just say that you're not feelin them, that it's too experimental for you, that for you hip hop must stay what it is for 15 years (sample, beat, kick, bass, ghetto lyrics about crack, gang, crew in the street, etc...), but don't compare the people who works for some new kind of hip hop with those who don't take risk and just drop cliché stuff.

>If yr interested in hip hop,
>I would recommend thoroughly
>examining the Wu-Tang Clan
>catalog
can i add "if yr interested with classic 95-2000 hip hop tunes..." instead ?

>Solesides/Quannum (though you
>should stay as far away from
>Blackalicious' most recent record
>NIA, which is 'conscience' hip hop
>at its nadir). The first selftitled
>Latyrx record is highly recommended
>by me....
ok, i'm half okay on this. NIA got some big tracks, Gift of Gab is one the best MC's i ever heard : he's going from one style to another, sometimes you ask yourselve if it's still the same mc from one track to another. internet mc's, get a lesson and listen "alphabet aerobics" from Blackalicious. i guess a lot of people will give up mc'ing after that...
this Latyrx LP is just huge. isn't it a little but too... weird for you ? the way that LyBorn and Lateef raps differents things at the same time ?

>MF Doom's Doomsday is well
>worth your money, too, as is most
>anything of or relating to Gang
>Starr or Nas.
i think that MF Doom's doomsday is just full of anything. empty stuff, they got some beginning of some styles but are too worry with the commemrcials side of it to let themselves doin soemthing better. i don't wait for them anyting than just annoying records. oh yeah, and Nas got nothing to do with Gangstarr, clearly. one is really stealing others stuff without even changing it (example : nas first LP filled with "wildstyle" movie tracks -dope, by the way) while the others searched loops into jazz, funk soul from the out of clcihé collections.

dr Octagon ? well, everything was already wirtten on him. no, it's not voodoo at all. yes it's different, weirdos, sick psychological hip hop, with dope beats, thanks to Dan the Automator (both of them are angry against each other since this record), but defintely, the lyrics Kool Keith gave us on this LP are fuckin brilliant. it's "different", still 5 years after (not commun into hip hop, uh...)

peace y'all
june
 
 
Ronald Thomas Clontle
15:22 / 01.08.01
um, alright!

My problem with a lot of the 'alternative' hip hop out there is that most of the MCs, (and I'm looking in the direction of C-Flow, Antipop, cLOUDDEAD, and even some of the folks at Rawkus ) lack charisma entirely. They just are not compelling personalities to me. This is why I'd say a guy like DMX stomps all over guys like El-P and Big Juus. DMX is a fucking weird MC, and he's got hooks, and he's usually got Swiss Beatz producing his tracks, who I really like. I'm pretty sure I'd like Company Flow, cLOUDDEAD, and Antipop Consortium a lot more if the MCs were as good as the music.

I wouldn't say any of Latyrx's music is particularly weird. It's solid. Both Lateef and Lyrics Born are solid mcs with great lyrics and have wonderful voices with interesting deliveraries. I do prefer Lyrics Born though....

My taste in hip hop is closer to the mainstream, I think. I'd much rather hear a Snoop Dogg, Method Man, Redman, Eve, or Busta Rhymes record than folks like Company Flow, though I think they all have their merits. It's a taste thing. I want funk, and I want compelling vocalists.
 
 
Jamieon
16:34 / 01.08.01
quote:I'm pretty sure I'd like Company Flow, cLOUDDEAD, and Antipop Consortium a lot more if the MCs were as good as the music.

Well, the Flow's "Little Johnny From The Hospital" is entirely instrumental, and it's certainly got "the funk".

And I think Mr. Len's "The Hurt" is fucking wicked. The MC (I forget her name) is excellent: Her style is subtle, and self assured - she makes the english language do exactly what she wants, occasionally abusing it a little, but in a nice way.....
 
 
jUne, a sunshiny month
09:00 / 02.08.01
>My problem with a lot of the
>'alternative' hip hop out there
>is that most of the MCs, (and
>I'm looking in the direction of
>C-Flow, Antipop, cLOUDDEAD, and
>even some of the folks at Rawkus )
>lack charisma entirely.
>They just are not compelling
>personalities to me.
hell, here is what i called the major killing the good stuff. what you call charisma is, i think, what i mean by exposure : majors labels gave away loads of media coverage to thier artists, and god knows how hip hop is bad deserved by these politics. i don't think you ever read some interviews, watch videos, or got anything from this alternative you talk about, cause if so, you probably took notice that ALL the guys we talk about got real stuff to say, in front of a mike or behind : from priest, beans, all the def jux people, or even the whole anticon crew, all these people got mssive presence on stage, and that's where "charisma" got his 50% completed if lyrics are deep, intelligent or complete enough. you can say that this mos def is great and nice guy, doin loads of commercial featuring shit but injecting money in old black culture libraries in new york, well, yeah, he's maybe too "correct" for a hip hop so called charisma.
but the alternative guys don't care about mr nice guy. nor about medias, coverage, or majors : they do their shit. god, in 2001, where industries taken the art by the hands for puttin it where they're want to be, some still take it by the bollocks, or though the ass. and you know what ? i personally felt it,and it hurts, really.

>This is why I'd say a guy like DMX
>stomps all over guys like El-P and
>Big Juus. DMX is a fucking weird MC,
>and he's got hooks, and he's usually
>got Swiss Beatz producing his tracks,
>who I really like. I'm pretty sure
>I'd like Company Flow, cLOUDDEAD,
>and Antipop Consortium a lot more
>if the MCs were as good as the music.
well, talkin' about weird mc's, i truly believe that dmx don't stand a chance in front of CoFlow, APC or cLOUDDEAD : just the topics are so higher ! "fuck rap" from APC is a brilliant masterpiece of where they can bring the topic, and staying quiet on it, while some other tracks are totally mindblowing topics that nobody talked about before it. really. did you really listen to it ?

>It's a taste thing. I want
>funk, and I want compelling
>vocalists.
yeah i understand that. it's true that if you need funkness or vocalist playing, i understand why you dig latyrx and stuff, that is far away from the usual hip hop, but not into the alternative category we talked about. for my self, i'm loving the funk into some of our shit, but i like also the other aspect of this hip hop thing.
i'm a lot into the "intelligent" stuff cause it makes me feel new blood, new stuff comin, and it's refreshing ; i like also all these abstract/instrumental shit, from mr Complex to Jon the Fat for the us, from dj vadim to dj krush, from ronin to mo'wax fro the rest, cause i like to fall into some other territories where musical environment bring you some serious mental trips. i'm a lot also into the old school flavour given away by jurassic five and co, cause it's nice to feel that what makes hip hop new 20 years ago (zulu nation, peace bro, etc) is still alive, and not only into his baddest side (gangsta shit and co). and i'm also a lot into the continuity, with this srrious 2001 taste, courtesy of the peanut butter wolf gang,including the genius of madlib/quasimoto, declaime, etc... but also roots manuva, etc...
well, i love hip hop,
from the beginning to whatever it will begin, at last untill people use it to makes all this wonderful variety of what is it now.
it's so rich, so complete, so alive...
how can we judge some of its own many styles so quickly ?
 
 
Jackie Susann
09:00 / 02.08.01
My problem with the sort of alternative hiphop you're talking about is that, to me, it just seems really selfconscious. Like the guys (and it's mostly guys) making and listening to it just want to look better than regular rap. It seems elitist. I'm not saying the producers and MCs are elitists, but that's the vibe I get from it, and it makes it much harder for me to get into it.

On the other hand, MOP's Warriorz finally got an Australian release and that's great. They've got "charisma" - not just advertising money, how do you describe it? Like they really, really like what they're doing, and it's infectious. I don't get that from clouddead or whatever. And I emphasise, I don't get it, not saying it's not there.
 
 
Ronald Thomas Clontle
09:00 / 02.08.01
quote:Originally posted by runt:


And I think Mr. Len's "The Hurt" is fucking wicked. The MC (I forget her name) is excellent: Her style is subtle, and self assured - she makes the english language do exactly what she wants, occasionally abusing it a little, but in a nice way.....



I strongly agree with you about that song. The MC's name is Jean Grae, by the way.

to Summerproof June:

i'm a lot into the "intelligent" stuff cause it makes me feel new blood

Every argument I can make against the very hip hop that you're championing is already made for me by your own use of quotations around the word 'intelligent'.

I'm with Jackie, there's a lot of hip hop out there that is selfconciously interested with its own 'intelligence', and honestly, I hear much more intelligent things come out of the mouths of those who aren't caught up in their own pretentions. Outkast say brilliant things, and their music is insane, but they never get caught up in any elitist bullshit. When I hear a record like Blackalicious' NIA (and there's loads of them out there), all I hear is holier than thou posturing. Also, your argument about major labels and coverage having something to do with 'charisma' is utter bullshit. There's loads of unpopular MCs who are dripping with charisma, and there's a list a mile long of mainstream MCs with no charisma to speak of. You may be served well to check the definition of charisma: when you say something like 'these guys have a lot of interesting things to say' in defense of me claiming they are charisma-free, it's clear you don't know what I'm talking about. Sure, they may have lots of interesting thoughts, but they themselves aren't compelling enough to make me care or listen to them.

You don't need to tell me about DIY, I'm way ahead of you, man. Save the lectures on the purity of the unpopular for someone who never grew up around punk and indie rock. I didn't buy the snobbery thing from them, and I won't be buying it from indie hip hoppers either.

[ 02-08-2001: Message edited by: Flux = Rad ]

[ 02-08-2001: Message edited by: Flux = Rad ]
 
 
Regrettable Juvenilia
09:00 / 02.08.01
Sorry, june, but as soon as you said this:

quote:how can you judge this so hardly ? just say that you're not feelin them, that it's too experimental for you, that for you hip hop must stay what it is for 15 years (sample, beat, kick, bass, ghetto lyrics about crack, gang, crew in the street, etc...), but don't compare the people who works for some new kind of hip hop with those who don't take risk and just drop cliché stuff.

... I just switched off. You can argue the merits of Co-Flow v. DMX and RZA v. Blacalious until the cows come home, but as soon as you start insulting people's intelligence for liking something that is perceived as progressive merely because it wears the stamp of its own progressiveness so ostentatiously on its sleeve... well, you're playing y'self.
 
 
No star here laces
09:00 / 02.08.01
As Freddie Foxx, Brand Nu and Planet Asia have all said many a time: we're in this business for the money but it doesn't mean we have to compromise our sound.

That I can buy.

But the intelligent/abstract scene which is about wilfully not making any money I don't buy. That isn't hip-hop to me. Hip-hop isn't about conventional notions of avant garde - it has its own way of moving the game on. The intelligent/abstract scene is trying to apply the rules that have made indie rock so tiresome to hiphop, and it aint going to wash...
 
 
gman
11:32 / 02.08.01
As we seem to be doing a lot of quoting, Hip Hop kids, can I dish up my own suggestion for the most Barbelithian (hip hop) artistes:

...can you tell what it is yet?


1989 the number another summer (get down)
Sound of the funky drummer
Music hittin' your heart cause I know you got sould
(Brothers and sisters, hey)
Listen if you're missin' y'all
Swingin' while I'm singin'
Givin' whatcha gettin'
Knowin' what I know
While the Black bands sweatin'
And the rhythm rhymes rollin'
Got to give us what we want
Gotta give us what we need
Our freedom of speech is freedom or death
We got to fight the powers that be
Lemme hear you say
Fight the power
Chorus
As the rhythm designed to bounce
What counts is that the rhymes
Designed to fill your mind
Now that you've realized the prides arrived
We got to pump the stuff to make us tough
from the heart
It's a start, a work of art
To revolutionize make a change nothin's strange
People, people we are the same
No we're not the same
Cause we don't know the game
What we need is awareness, we can't get careless
You say what is this?
My beloved lets get down to business
Mental self defensive fitness
(Yo) bum rush the show
You gotta go for what you know
Make everybody see, in order to fight the powers that be
Lemme hear you say...
Fight the Power
Chorus
Elvis was a hero to most
But he never meant shit to me you see
Straight up racist that sucker was
Simple and plain
Mother fuck him and John Wayne
Cause I'm Black and I'm proud
I'm ready and hyped plus I'm amped
Most of my heroes don't appear on no stamps
Sample a look back you look and find
Nothing but rednecks for 400 years if you check
Don't worry be happy
Was a number one jam
Damn if I say it you can slap me right here
(Get it) lets get this party started right
Right on, c'mon
What we got to say
Power to the people no delay
To make everybody see
In order to fight the powers that be
(Fight the Power)


...just ignore the anti-semitism...
 
 
jUne, a sunshiny month
11:47 / 02.08.01
yesssss ! whaouh, this track will be DOPE for long time....
and seing the attitude of mista chuck nowadays (mp3, his music on net exclusively and stuff...), i strongly believe that yes, indeed, we got some big barbelithers here !
 
 
jUne, a sunshiny month
11:48 / 02.08.01
>Jackie Nothing Special wrote :
>Like the guys (and it's mostly guys) making and
>listening to it just want to look better than regular
>rap. It seems elitist. I'm not saying the producers
>and MCs are elitists, but that's the vibe I get from
>it, and it makes it much harder for me to get into it.
well, i really believe that this "vibe" you talk about is comin from the fact that we're all got habits with some mind pictures of what we know as hip hop. kind of the same reaction from the people who were used to, let see, u2 or radiohead untill these bands go into some other territories that what they were knowed for. we can like it, we can hate it, we can don't take care, but obviously we feel a little bit different, and we think about it. why not the same feelings about this new hip hop that play in some other playgrounds (and i've NEVER say BETTER, just DIFFERENT). i think we feel it elitist cause it moves to another point, and in all this music business, we'gto some strongs habits, indeed, to just agree from the beginning to some insiders movements. well, that's how i feel it ; some shit are way too different for me too, but i love the idea or checkin it, for knowing what happens in these areas...


>Flux = Rad wrote :
>>>i'm a lot into the "intelligent" stuff cause it
>>>makes me feel new blood
>Every argument I can make against the very hip hop
>that you're championing is already made for me by
>your own use of quotations around the word 'intelligent'.
hell, don't get me wrong on this one. if you read it well, i wrote the -"- for using it. pardon my bad english, i'm just a looser using your tongue. my english sucks hardcore, and it's easier for me to read or listen than using and write it, so please excuse my lack of vocabulary. "intelligent" is the generic term than medias use for describing the works of the artists we talk about. well, there's so much tags for it that i was thinking that you guys will be able to get it without falling on me on this like if i was some kind of fascist. hell, i'm not even "championning" this hip hop, i'm just feeling bad that some of people who seems like some real open minded people (barbelith bro and sis, i mean) don't get the idea about it. i was (and still is) into pete rock and CL s, ATCQ, brand nubian, blacksheep, main source, ditc, and all this public enemy, nwa, you can count'em, anyway : i'm into hip hop in all its forms.
but i feel really glad that people try to exoand the genre a little bit "outside" the typical playground. who can you blame of it ? isn't it some kind of natural evolution ? (i didn't say progression or regression, just evolution, uh).

>I'm with Jackie, there's a lot of hip hop out there that is
>selfconciously interested with its own 'intelligence', and
>honestly, I hear much more intelligent things come out
>of the mouths of those who aren't caught up in their own
>pretentions.
honestly too, i'm more than ok to give a try to what you can hear that i do'nt know, i don't got all the hip hop records which are released all year long, sorry. but please tell me who you call "caught up in their own pretentions", cause i think i remember that there's no so many genres as pretentious and egocentric than the hiph op themes. well, the term egotrip comes from this very kind of music, uh ? so tell me which artist you didn't hear that he's the one who bla bla, etc... i don't believe that rapping on more mindtripping than anything else is such a pretentious thing.

>Outkast say brilliant things, and their music is insane,
>but they never get caught up in any elitist bullshit.
here we come, "bullshit". please tell me that you feel that clearly, outkast are a little bit off the ususal topic too ! for a certain time, their attitude, their lyrics, are "different" fromthe classci roster of your favorites artists, no ? i mean, do you really feel they were loved that much when they came into the scene with this strange attitude (god, the clothes were reminiscent of 'another" style, uh?) ? no, it took time to got the massive feedback, and please, believe that i really like them since a certain time, too. so without talkin about "elitist bullshit" (which is a word i really find bad used here), don't you feel that they were playing their stuff for people more open minded than the classic so-called b-boy ?

>Also, your argument about major labels and coverage
>having something to do with 'charisma' is utter bullshit.
no offense, but majors really have to do with the idea you got of the artist they promote. apart from the really underground ones (and you didn't talk about somes of those a single time, which don't mean you don't listen to them, but that we talked about only those who got some kind of exposure), i don't think that the "aura" we got from those artists are just the good reflection of what they truly are.
i don't wanna speak the language of the basic fan who really think that all this guys are sincere ; having what you called charisma is, in my eyes, just a brilliant thing you gottta have if you wanna sell : the picture you give to audience, the one they want. now, it's a cool plus for them, but i don't wanna use it as an argument for the quality of their stuff.

>There's loads of unpopular MCs who are dripping with
>charisma, and there's a list a mile long of mainstream MCs
>with no charisma to speak of.
>You may be served well to check the definition of charisma:
>when you say something like 'these guys have a lot of
>interesting things to say' in defense of me claiming they are
>charisma-free, it's clear you don't know what I'm talking about.
i think i lnow what you talked about. it's just that when i listen to hip hop stuff, i think we've seen enough chuck D, Ice Cube, slick Rick, Luke Skyywalker, Q-Tip, Meth', or even Snoop for knowing that it helps a lot to get massive charisma ; now, is it so important for loving their music ? from france, way back when the first PE or NWA came here, we didn't get much infos about it. it was just about loving it and having interest for it, without coverage, and that's all. so just by hearing mc's or feeling the productions, we got to have an opinion, we've got to be open enough to receive this very waves, well, you got the point ; and i hadn't ever seen dre, cube or eazyE, but i felt them well. after that, i've seen them, and they became well exposed here. of course some were shinier than others. is it what you call charisma ? i was thinking it was just a part of the talent they got for droppin their shit, and having the attitude to do it with their own style. i mean, so many people drop fat stuff, but who knows the names of the members of blacksheep, the pharcyde, the goats, main source ? is their lack of charisma make them down, compared to the big names i've talked about upper ? well, i don't think so. and that's exactly why i feel not fair to judge artists by soem other arguments than the ones that really counts.

>Sure, they may have lots of interesting thoughts, but
>they themselves aren't compelling enough to make me
>care or listen to them.
it's sad for them, maybe, cause with more stuff apart their musical skills, they coudl reach higher audience. but i think it's sad for you too to just check those who're bigger than thre others. well, i feel it like this anyway. once again, i don't say i'm the one to be listened, Flux. i was just feeling bad to read that people can judge so quickly some stuff because of some thing that don't count so much for me.

>You don't need to tell me about DIY, I'm way
>ahead of you, man. Save the lectures on the purity
>of the unpopular for someone who never grew up
>around punk and indie rock. I didn't buy the snobbery
>thing from them, and I won't be buying it from indie
>hip hoppers either.
fuck this unpopular = dope thing, please. i'm a lot into commercial shit also, and i really, really, REALLY don't give a shit about the ones who loves what don't sell. i just feel, i think, how it could be hard and how it could hurts to drop your shit and don't got as much echo as others got, just because you got something differeent to say, or just because you do it in different ways, that's all. dot. now, you can think whatever you wanna to, i really don't care, Flux. i just regret that you're so sure of you and about your ideas, and i 'm sad too that this topic turned so badly. once again, i wanna apologize for my maybe bad-used vocabulary, if it can make me a little less an asshole as you probabaly think i am.

>The Flyboy wrote :
>Sorry, june, but as soon as you said this:
>quote : "how can you judge this so hardly ?
>just say that you're not feelin them, that it's
>too experimental for you, that for you hip hop
>must stay what it is for 15 years (sample, beat
>kick, bass, ghetto lyrics about crack, gang,
>crew in the street, etc...), but don't compare the
>people who works for some new kind of hip hop
>with those who don't take risk and just drop
>cliché stuff." ... I just switched off. You can
>argue the merits of Co-Flow v. DMX and RZA
>v. Blacalious until the cows come home, but as
>soon as you start insulting people's intelligence
>for liking something that is perceived as progressive
>merely because it wears the stamp of its own
>progressiveness so ostentatiously on its sleeve...
>well, you're playing y'self.
well, frankly, i'm, once again, sorry if my words were so out of subject. i mean what i wrote, but i don't see where i insult people when trying to defend some perimeter players better than inside players. i mean, please be opbjective and agree on the fact that theres' plenty of hip hop artists who are just playing the game, uh ? and do i have to apologize myself when trying to explain that i give more credit to those who make big things aside ? which doesnt' mean that people buying big well-knowed stuff are stupid, neither i'm mroe intelligent than them, holy fuck ! i'm just wanna tell to you people that sometimes, it's easier to stay on his habits, and even if the important thing is still take pleasure of it, some other (pleasure) can come from others things that don't shine as much as the usual stuff.
but please, don't get me wrong : i 've never, ever, thinked about the fact that the shit i listen to is "more intelligent" or done by people "more intelligent", or for people "mroe intelligent". really.

>The King of Bongo wrote :
>As Freddie Foxx, Brand Nu and Planet Asia have
>all said many a time: we're in this business for the
>money but it doesn't mean we have to compromise
>our sound. That I can buy.
me too. (plus, planet asia kick ass).

>But the intelligent/abstract scene which is about
>wilfully not making any money I don't buy.
no, i don't think so. i 'm sure all this guys will be glad to got the jackpot one day. but i'm pretty sure too that they know it's not so obvious that money will fall one day, cause they're playing with stuff that don't reach so many people. one of my closest friends work in the tiny nu-alternative-NY-hip-hop microverse (i didn't write intelligetn, uh?), so i think he knows what dj Spooky, Anti Pop or the Anticon crew can get in terms of money. and i can tell that the russian-english dj Vadim loose many, many pounds on each of his live tour, where he brings big indie names, a lot for the hope that one day they will be knowed, for sure, as the others. but as soon as he's not in jail, owing money evreywhere, you know what ? he don't care and still do his shit. talkin about passion here...

>That isn't hip-hop to me. Hip-hop isn't about conventional
>notions of avant garde - it has its own way of moving the
>game on. The intelligent/abstract scene is trying to apply
>the rules that have made indie rock so tiresome to hiphop
>and it aint going to wash...
i ain't with you on all of this. yes, it got its own way of moving the game on, well written. but i do'nt think the alternative scene is trying to applu whatever you say. indie rock eats itself cause it stopped to change and innovate. there still great bands, artists, in it svery genre, who do brilliant things. but don't you think that after the majors came fuck with the indie scene, it found itself a little bit skinnier ? i mean, moeny turn around what works, and indie rock stay indie longer enough to call bis brands around, makin them choose who will works more and what will falls. and, as i said, the lack of new shit injected in it helped the big scene to kill itself. i guess that alternate hip hop is just a tiny arm of a big octopus called hip hop. now, you can play or fuck with the ones you wanna too. but i don't see how alternates could take controlof the beast and make it "tiresome". there's too many arms, strongers and olders, followed by too many people, for lettin it comin through. plus, it doesn't stand a chance in front of the buyers ! i don't think that Anti Pop can reach as many people as eminem, for example. i doubt it never will...

peace y'all.
 
 
Seth
20:28 / 02.08.01
Well, I guess it’s no real surprise that the most tribal, territorial and confrontational music sparks the most contrasting views. As far as I’m concerned, it’s always been a mix of passion, unbridled creativity, phat beats (I love to dance), and atmosphere that’s turned me on, with intelligence taking last place (but it’s always nice to be able to agree with your favourite artists and be given a new perspective). I’m into the whole package.

As far as the artists mentioned, I like most of them. Co Flow will always be the shit for me, but perhaps not for the reasons you may think. I’ve always found El-P to be utterly magnetic and charismatic on the mic (strange how you seemed to only use the term to describe people with silly voices. Don’t get me wrong, I like idiosyncratic MCs with the best of them), and Big Jus is one of the most down to earth MCs I’ve heard. On my first listen, I was utterly blown away by their passion, the strength of their flows, their beautiful, beautiful beats, and the fact that it made me laugh (still does. Very funny guys. “Congratu-fuckin-lations, I dropped it now you got it, but it’s only a matter of time before Waldo gets spotted” indeed). It’s a confrontational record, sure. I like that about it.

As far as the rest of what we’ve come to call the scene goes, I’m into it. Makes me cheerful, it’s honest stuff, it rocks and a lot of it makes me want to get on the dance floor. I just don’t think they’re in the same league as Co Flow (although there’s standout tracks), and it’ll be years before Funcrusher is equalled. Goes alongside “Yo, Bumrush the Show,” “93 ‘Til Infinity” and “Enter the Wu-Tang” as all time classic albums.

Totally agree with June about “Patriotism.” What a fuckin’ ace tune. If only the Manics rocked that hard these days...

But then I still like Tricky (apart from that “Juxtapose” shit). So you can dismiss all that as lunatic ramblings. It probably is, too.
 
 
No star here laces
07:50 / 03.08.01
Okay June, I reckon you convinced me! I'm still not going to buy those records, but I won't slag them off quite as much either...

Anyways, completely off-topic, but will you tell us about some French hip-hop? Last time I was over there I heard some amazing stuff, but I don't know who the artists were... I know that France is the world's second biggest country for hip-hop, so there must be some good french mcs, but we never hear about 'em here...
 
 
Cherry Bomb
17:34 / 04.08.01
quote:Originally posted by Flux = Rad:


My vote for the most 'barbelith' man in music today would be Ian Svenonius.


He would actually be my vote for "Sassiest Boy In America...."

 
 
Mystery Gypt
19:42 / 04.08.01
yeah, i always thought that french would be just about the worst language for rap -- i mean, how can you sound hard with a such a soft linguistic palette -- but i've heard a taste hear and there and they can really do it. there was some nutcase named Afro-something on a track with ODB i heard on a wu-mix bootleg that sounded incredible. what's the word?

and, btw, Ian won that title like 9 years about from sassy magazine... can't we vote someone new into office..?
 
 
jUne, a sunshiny month
07:21 / 08.08.01
Tyrone Bongolaces wrote :
>Anyways, completely off-topic, but
>will you tell us about some French
>hip-hop?
well, it ain't lot of things to tell. french hip hop was born a few years from the come of the US one, and it was really underground (and creative) from the 83/84 to, let say, 93-94. after thie times, a few artists emerged from the indie scene, each one with different and own french style, kind of stuff that i didn't heard from a anywhere about. being a hip hop head enthousiastik, i was really into it, as you guess. but really quickly, majors labels, takin care of what happening in the states, begun to take care about it.
yes, you guess the following events. this little baby called french hip hop didn't got the real time to become mature ; it falls as soon as possible into its worse form, a melting of us-gangsta-oriented-shit with sometimes some classical french sounds into it. the result is here since 6-7 years, and hip hop is really huge since, uh, maybe 97-98.
charts are full of french suckers, all are putting the US cliché at their best level. it's quite a shame, and please believe that i talk about what you can see, from far, of the french hip hop, but the real shame is that the underground is really, really little here, by now. for sure, there still underground creative artists (don't get me wrong, i'm not telling you that majors labels artists equals shit stuff, not at all - there's some quite okay ones indeed- but a very few one...), but the underground is so underground that i doubt there more than 500 copies of a best track, from a great posse.
i'm really sad of what french hip hop is.
cleraly, you guys can find some pretty good french hip hop, but definitely, it will be records from the golden age of french rap.
if you need infos or comments, i can maybe give you names, no problems. now, it's matter of taste, but please believe that our lyricals writers are truly bad, bad, bad.
the sound is just copying what happened "there", without trying to have a personnal approach.

the best side of french hip hop ? his graffiti writerz, indeed. we do have some really great artists here, from the beginning.
now, for the music, don't waste your time !
french hip hop sucks, at his 95% !

>I know that France is the world's
>second biggest country for hip-hop,
>so there must be some good french
>mcs, but we never hear about 'em here
well, as i never heard about'em too !
no, as i said, i can drop some big names from the french side : "assassin", a crew from paris truly politicaly with skills and "somthing to say", not just "well, yeah, th'ghetto ain't no shit, man, know whta i'm sayin', check this out, yo". people from the crew "la caution" aren't that bad too. from this very scene emerged the psychedelic crew called "TTC" (for those of you lovin the UK label Big Dada -ninja tune hip hop inprint-, they signed on it, so i guess it can help you to find it), a really amazing trio of degenarated guys, unique style. now ? well, let me check my record collection, i'm coming back !
see ya. wooooooord.
 
 
Jamieon
10:31 / 08.08.01
expressionless said: quote: phat beats Did you hear him? He said quote: phat beats

[ 08-08-2001: Message edited by: runt ]
 
 
Jamieon
10:33 / 08.08.01
That's quote: phat beats
 
  

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