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quote:Originally posted by Opalfruit:
I got to see Black Box Recorder last year. Absolutely brilliant. The support band was called 'The Servant' and they were good too, Dan Black, the singer I believe used to be in Minty and I think he's collaborated on a recent single... something Sun.. argh can't remember.
Was this at the Union Chapel? I was at that gig. I don't know - I'd come from Australia and was pretty fond of the album - something didn't quite make the transition properly, I think. The previous gig of theirs I'd seen - I think it was when they were in support of Smog, with Paradise Motel) was probably more cohesive than that one. But then, I haven't got the last album, and haven't felt like I'm missing much by not having it. As Regurgitator would undoubtedly say, I like their old stuff better than their new stuff.
Also, that "Bob Dobelina" is called "Misterdobalina", and is by Del The Funkee Homosapien (as he was then calling himself.) It's from the album I Wish My Brother George Was Here. Amazon.co.uk have it on import for £13.
I think the quality of the collaboration in a rock sense depends on how it's approached. I tend to prefer it to be listening to an album, and being surprised by a particular artist showing up on it, you know? Like Warren Ellis' work - it's on a range of albums, but tends to add a certain something to it. And it's discernable. Otherwise, I think it can be a "look! we've got X playing on our album!" kind of thing. Which, while it could be brilliant, could also be shit - depending on the magnitude of the star, it could skew attention away from the originators. Case in point: Tin Hat Trio's last album (I think) had a vocal line from Tom Waits on a song. And it became known as another Tom Waits album, not a THT album. Which is kinda chafing, I'd imagine, to the people who actually wrote the songs... |
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