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I'm enjoying Fury (which isn't a mini-series as far as I know). Normally Ennis annoys me a little, but for some reason the mix of political cynicism (there's some great criticism of American foreign policy and the role of the UN in there) with typical gung-ho macho bullshit works. The last issue was particularly good, I think, in that it does make Fury pay for indulging his 'old friend' Rudy and letting him walk away in issue one...
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... I really wasn't expecting *all* of Fury's team to be killed in that issue. Certainly not in such a perfunctory way (poor Janeane Garofalo...). I think it's a much better auto-critique of the typical Ennis hero than he's managed elsewhete - basically it's Fury's fault that his 'children' are slaughtered, with the prospect of more deaths on his conscience when the US start dropping bombs. Which brings me to the point that it's a genuine cliffhanger - I have no idea how he's getting out of that, which isn't something you can say often in comics.
And of course Darrick Robertson's art helps. Much less flashy than on Transmet, but this brings out his real talent, which is facial expressions. I particularly like Rudy's smugness and fake innocence...
(Note: I knew little or nothing about Nick Fury prior to this comic. I think it works best this way. Maybe there are ageing fanboys getting off on it, or fans of the old stuff objecting, but who gives a fuck.)
But more generally, I agree that the MAX line hasn't really offered what it could have, and is just yet more navel-gazing insular famboy wank. The couple of issues of Alias I picked up were Bendis at his most irritating ("Bendis?" "Bendis." "The guy who-?" "Yeah, the guy who does -" "The dialogue like this?", etc), with awful art, War Machine (I mean, come on, War Machine) couldn't even inspire me to have a proper flick through in the shop. Sort it out, Joey Q...
[ 07-02-2002: Message edited by: Flyboy ] |
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