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Hellblazer 168

 
 
Rev. Jesse
19:26 / 29.11.01
Who's seeen it?

This was an awesome episode, From the cover I thought it would be about Abramelin's scared square magic, and it is about squares. Very cool and funny. I was impressed.

-Jesse
 
 
CameronStewart
19:47 / 29.11.01
Crappy inker though...
 
 
Mr Tricks
16:35 / 30.11.01
I read it... pretty god story... though it was a bit thick on Pun's and "lingo" ... it's like each panel had a 1-liner...

Still... paid extra attention to the inking... How was it inking this artist... I'm unfamiluar with his style so it's hard to see the inking as seperate... Care to shead some insights on this particular inking endevor CAM???

would love to talk techniques etc....
 
 
100% new
17:23 / 30.11.01
I quite like Hellblazer. I thought that Swamp Thing, where he came from, was quite a good story in a bad scenario, which will always sort of be a problem for John. Jamie Delano's run was brilliant. Isn't it bad that the plug got pulled on Outlaw Nation? Another notch for the right wing anti drugs d.e.a. cocksucking marvel machine.

bollocks.
 
 
Jack Fear
17:36 / 30.11.01
quote:Originally posted by 100% new:
Isn't it bad that the plug got pulled on Outlaw Nation? Another notch for the right wing anti drugs d.e.a. cocksucking marvel machine.

Except, of course, that OUTLAW NATION is published by DC.
 
 
CameronStewart
23:18 / 30.11.01
>>>Still... paid extra attention to the inking... How was it inking this artist... I'm unfamiluar with his style so it's hard to see the inking as seperate<<<

Actually, unlike a lot of pencillers I've worked with, Giuseppe's artwork is very tight and clean and complete, so there's very little of "me" in it - as much as I hate to admit it in this instance it really is little more than tracing. He doesn't indicate line weight, so I made the decisions about how thick each line should be, etc. I fired this issue out in about 7 days - just turned on the radio and blasted through it...
 
 
Mr Tricks
19:00 / 01.12.01
Cool... how about with straight edges... Cars and such... where U still using a brush for that or some sot of ruling pen?
I know you've talked about the merrit's of a #6... retaining ink.. less dipping.. & such... do you switch around much?

how about those Brush-pens... ever try those?
 
 
CameronStewart
22:24 / 01.12.01
When I'm inking Giuseppe's stuff I don't use a ruler at all - if you look closely at the "straight" lines you'll see that they're wobbly. I wanted a vaguely Euro feel (for a comic about an Englishman in America :P ) and didn't want the sterility of ruled lines. I ink the lines of cars, buildings, furniture, etc with Staedtler Pigment Liner pens. All the organic stuff, people, plants, and so on, are done exclusively with a number 6 brush. I don't like switching brushed because it's a waste of time - I've developed sufficient control of the brush that I can do big fat lines and razor thin ones.

I do all my rough sketches with Tombow brush markers - the X-Men drawings in the other thread were done with one of those - They really free me up. I wish I could ink a final book with them, but unfortunately the ink isn't permanent, so it smudges very easily. If I set my hand down on supposedly dry ink, the moisture from my hand will make it wet again and smear it, so I can't ink final work with them. A shame, because I find I often do my best drawings with brush markers...
 
 
Ronald Thomas Clontle
00:43 / 02.12.01
Cameron, you should write to Tombow personally suggesting that they produce the brush markers with permanent ink. Art supply companies take the requests of professionals rather seriously, you never know--your suggestion may result in the pens eventually being produced.

Maybe even as the "Cameron Stewart series"...
 
 
Regrettable Juvenilia
19:45 / 02.12.01
This was actually the first issue of Hellblazer I've ever bought... and I liked it. Doubt I'll take it up full-time, because what I've seen of Azzarello's story arcs hasn't appealed to me (much as I deeply adore "that other book he writes"). So I was glad that on one level it's a very stand-alone story.

And it's good to see John Constantine portrayed as a thoroughly unpleasant, if charming, little shit.

Nice art, too. Constantine seems to be back in his twenties since Azzarello took over, but I don't mind too much... I'd be interested to know how detailed his scripts are - Eduardo Risso crams so much good stuff into the margins of 100 Bullets, and I always wonder who comes up with that...
 
 
The Knowledge +1
20:39 / 02.12.01
I'm starting to wonder if Marcelo Fusin and Euduardo Risso are the same person...

Loved this issue by the way, from Constantine abusing OAP's (Always a winner as far as I'm concerned) to the hip, rich dialouge and the gratuitous sex.

Cameron, I thought your inking stsrted out way too thick and got better as the issue went along. You kind of remind me of that fella that draws Lucifer a lot. Vertigo certainly seem to be veering towards a certain artistic stlye, as I see similarities between the art on Hellblazer, 100 Bullets and Lucifer - Like a sort of easy-going, inconspicious style which allows the colours and shading to do a lot of the work.
 
  
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