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John Smith - underachiever?

 
 
Ganesh
18:04 / 22.07.01
Bought 2000AD for the first time in ages last week, having been attracted by 'Pussyfoot 5', another Smith/Yeowell collaboration featuring various characters from his last Devlin Waugh run. Not bad, but I'm not sure I'd have bought it if it had been drawn by a lesser artist - which, somehow, epitomises my feelings about Smith's work in general.

It's a shame, really. I remember Grant Morrison being asked in an interview a few years ago which rising comics stars were the 'ones to watch'. He namechecked John Smith, reckoning Smith would be writing major characters for DC by the end of the year. Apart from the (excellent) one-off Hellblazer, I can't recall much of Smith's work outside 2000AD, which is a shame. I really liked Devlin Waugh and the stuff he did on Tyranny Rex. Somehow, though, he seems always to promise more, story-wise, than he actually delivers. Typically, he creates enormous casts of potentially interesting characters only for the plot to disappoint or fizzle out altogether (The New Statesmen is perhaps the ultimate example of this). He's never really evolved beyond the 'race to foil the world-threatening baddie' plotline, and sometimes seems destined to be a 2000AD hack forever.

Am I wrong? Have I missed any of his newer, non-2000AD work? What do y'all think?
 
 
Spatula Clarke
20:03 / 22.07.01
I used to love Smith's special brand of the strange and uncanny. Killing Time was the first comic story to really move me - the end is absolutely heartbreaking. The Dredd/Waugh crossover that he wrote for the Megazine (Fetish, I think it was called) was good, but not brilliant, which started to get me a bit worried that maybe he'd gone off the boil a bit, but the last Devlin Waugh story - the 26-part epic that was in 2000AD a year or so back, again I forget the name - was the best thing that had appeared in Tharg's august publication in many a moon. I think it got a bit of a slagging from most people, but I really enjoyed it. Smith at his best.

The first Pussyfoot 5 story finished just before I cancelled my 2000AD subscription. This isn't a coincidence.

I'm a bit of a hick when it comes to the comics scene, and totally unaware of any of Smith's non-UK work. If there is a problem, though, maybe it could be to do with the differences in format between 2000AD and DC/Marvel-style comics? I remember reading an interview with a writer who said that he just couldn't do a 2000AD story because of the restrictions of that mag - the requirements of a cliffhanger every sixth page and a plot that typically has to be resolved after roughly 36 pages of story was too demanding after writing for the American market. Maybe Smith has the opposite problem?

[ 22-07-2001: Message edited by: E Randy Dub It ]
 
 
yawn - thing's buddy
21:33 / 22.07.01
Ganesh - you have an obsession with John Smith which should now come to an end.

He is shit.

Worse than Paul Pope.

In fact the Jill Thompson of writers.
 
 
Axel Lambert
11:29 / 23.07.01
"The Jill Thompson of writers", that supposed to be something bad? What? What? What?

John Smith's issue of Hellblazer indeed was great (it was the laundrette one, no?), but his Vertigo superhero seven-or-so-shot (can't remember the name) was utter crap.
 
 
deletia
11:40 / 23.07.01
The Scarab, I think.
 
 
Axel Lambert
18:33 / 23.07.01
Yeah, that's it. Pure shite. Partly because of the artwork.
 
  
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