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Daytripper: Any possibility to twenty-six being a mega-reveal that recontextualizes the series, or has this been rolling along for enough time to gather it's own nostalgia,already, and we need a catch-up-with-the-cast oneshot?
I fell in love, a little, with this sentence and this whole image of a grainy, Seventies variety hour-style "Catch-up-with-the-Cast" retrospective, or one of those Entertainment Tonight behind the screen hours...Jakita in a candid interview discussing how much she hated having to listen to the Drummer's "midnight manipulations" of common, household appliances and also how difficult Snow was to work with...
I'd really forgotten how quickly even the early issues zipped by, but somehow I think either the last two issues have been way too subtle in their extrapolations of genre for me, I'm absolutely missing something, or they really aren't as pure, as say, the fifties monster movie issue, which was witty and chilling and kinda sad and cute, while functioning as an autopsy of the tropes, habits, and underlying psychology of the genre.
The flaw of the narrative is that as he's developed this over-arching plotline about Snow's bone to pick with the Four, he's had to lose some of the "modular"-type storytelling and genre-specific issues; it's still there for some of the more recent ones, like the origin of the Drummer's action movie flair, but I don't think I could even begin to describe the latest one beyond, maybe all those scenes in Poirot where the detective gathers the cast together to diagram the mystery for them...
Will it all make sense, or will issue twenty-five be the Burroughs/Acker/Delany examination, filled with cut/ups and infotainment dumps and a grim, dry, oddity at the edge?
Makes me want to pick up Pussy again, but I wouldn't be surprised if this is what we end up seeing on Wednesday.
How annoying will it be if Ambrose isn't saved? This is a longform project beyond its time, with folks hanging on for dear life, and were I Ellis, I don't know that I couldn't resist just mass-slaughter and finheaded grimrapery followed by the end of 'The Prisoner' starring a superdeformed cast worshipping BARBELiTH and love Love LOVE!
I dunno - his Bad Signal posting this morning was on about depictions of the apocalypse and how touchy-feely it's gotten in comics of late (he mentions Promethea and The Invisibles) and how he doesn't really believe in that perspective on it, so this might be a pretty grim ending. Only he is prone to posturing while giving us more of the love-in from some perspective...and Planetary always seems like a special case. Sure it's got all his stylistics tics, but it's far less ultraviolent and faux-hardcore in tone...might be LOVE LOVE LOVE...
How can I criticize 'Infinite Crisis' and buy/support this series?
Because 8C is a company-wide flail-fest that demands you buy sixteen comics a week just to keep track of what's going on? Planetary is a slow burn, but it's a self-contained one. |
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