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Illuminatus did it for me.
Anything by Iain Sinclair, especially "Landor's Tower". Psychogeography, history, beautifully crafted sentences, a whole self-referentiality thing which DOESN't have its head up its own arse, the ongoing dialogue between reality/illusion, sanity/insanity... It's got the whole fucking shebang.
Richard Calder's "Dead Girls"/"Dead Boys"/"Dead Things"- cyberpunk by way of Lautreamont.
Don't laugh- Guy Burt's "After The Hole" (yes, the one the movie "The Hole" was based on- not seen it, it looked poo, and I think the novel was, quite frankly, unfilmable)- on first glance, it seems like sub-standard Iain Banks, but I can honestly say, taken as a whole, it is one of the most disturbing pieces of fiction I have read in many years.
Patrick McGrath's "Spider"- only just discovered this guy, and FUCK is he good. (I've now read most of his books, and am worrying that I'm gonna run out soon). Part Poe, part... fuck knows what (just finished reading his "Martha Peake", in which he combines Stevenson-esque swashbuckling, Poe-ish gothicism, and an entire discourse on the nature of fiction, while still remaining eminently gripping & page-turning).
ANYTHING by Thomas Ligotti. Cosmic- I guess terror's the wrong word- a profound sense of cosmic unease, if that makes any sense.
And, of course, Lautreamont's "Maldoror"- IMHO, one of the greatest books EVER written. I can't explain it- if you've read it, you'll either agree with me or think I'm talking absolute bollocks. If you haven't, then do so this second. |
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