quote:Originally posted by Kit-Cat Club:
Northrop Frye? Thought he was old hat.[QUOTE]
Like I said, I've been out of that branch of the biz for a loooong time.
[QUOTE]I read On Liberty, but it was for a course on Victorian intellect and culture and the approach was not theoretical - more focussed on discourse (unless that *is* theoretical, and you see I wouldn't be able to tell...).
I just kind of gave you a mixed bag of political and esthetic theory...sorry if that didn't seem particularly helpful. Mill's pretty important in terms of setting out the libertarian critique of the polity, so I stuck him in there.
quote:Can one read very dead writers like Mill outside their historical milieu, or not?
Well, if you can do a Freudian critique of Shakespeare, who lived and wrote hundreds of years before Freud concocted his theories, I don't see why you can't do anybody else in ahistorical terms, dead or not. To some extent, I suppose it depends on what your goals are in providing critical reaction, or in studying theory in general.
Many of the classic schools of textual analysis used approaches (consciously or unconsciously) incorporating psychological and historical contexts and authorial influences. Others treated the text as a timeless artifact, or as an artifact to be analyzed within a present day context. Both of these approaches try to grapple with and/or clarify what a text means.
A lot of the late 20th century schools (post WWII), including the once (and currently?) popular deconstructionists, believe that it is difficult to impossible to objectively determine _what_ a text means, rather seek to determine _how_ it means.
At least, that's how it was explained to me. What do I know, I'm a writer. |