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The canon depends on how you view Allen's body of work, I think. Are the films that are composed primarily of sketches and high parody more or less important, mroe or less Woody Allen, than the more narrative studies of morality or humanity? The ones that fit between?
I'm a big fan of Manhattan, Crimes and Misdemeanors, Zelig, and Annie Hall kind of foremost, but I'm also a fan of the Bullets Over Broadway, Don't Drink the Water, Manhattan Murder Mystery period and the loose, fairly light stuff he was doing around 2000.
I had seen some of his films as a kid, because my mom had it around, but I didn't put him together as a director immediately. Woody Allen wrote the stuff in Without Feathers. He was a writer, to me, foremost, and I understood him as a writer of short fiction before anything else. Not a long period between that and understanding he also made movies, and was in them, and so on, but long enough for the feeling, the bias, to form in me. |
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