I think I feel similarly, iamus, in that I definitely like the music. Although, I'm not even an increment as offended by Scroobius as other posters. I think there is something of the pulpit in his persona, however, trying hard to occupy some 'truth-teller' position off an incongruous hip-hop soapbox.
I don't get the Pheonix/Phoenix thing either?
Also, on a second listen 'Back from Hell' definitely does appear to have the same cadences in parts as Lady Sov's 'Public Warning' (as queried in the opening post).
Sov
"My irrelevance, means more than ur irrelevance
Its evident, there's evidence
That I Am Bloody Excellent."
Scroobius
"When I get back from hell again
I'm gonna be so elegant
The relevance of my benevolence
is evident."
It really isn't unbelievable considering the appropriation of Dizzee Rascal's "Fix up / Look Sharp" in 'Fixed' and the, generally, theme of questioning contemporary English hip-hop running through.
"Looking for the Woman"- is a bit like an equally milksop antithesis to "Dry your Eyes" but not really any worse for it.
"Tommy" - As odd eulogy to Tommy Cooper is kind of great.
"Waiting for the Beat to Kick In"- a re-working of "A Christmas Carol" in which Scroobius meets and gets advice from an assortment of filmic characters; Elwood P. Dowd, Lloyd Dobler, Billy Brown, Walter Neff. Plus it has this line from "Harvey"; "In this life you can be oh so smart or oh so pleasant, for years I was smart but I recommend pleasant", which is a bloody great line.
That's the good of the album (generally) and the bad is pretty apparent but, fortunately, didn't go onto my iTunes and I can't remember them. |