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I'm Not There

 
 
TeN
21:23 / 21.02.08
I can't believe this isn't already being discussed. Is the film board just dead or what? Nobody seeing any new films?

from Wikipedia:
"The film intercuts stories featuring different actors playing characters based on the life or the legend of Bob Dylan. Marcus Carl Franklin, a young black actor, plays a version of the 11-year old Dylan, who calls himself "Woody Guthrie" and escapes from a juvenile correction centre by hitching a ride on a train, carrying a guitar labelled "This Machine Kills Fascists." Christian Bale plays Jack Rollins, a version of Dylan as a young folk singer with a political conscience, and who later becomes "Pastor John," a version of Dylan the born again Christian, here singing gospel songs in a small town church. Cate Blanchett plays Jude Quinn, a version of Dylan at the height of his fame in the 1960s, when his original fan base was rejecting him as a sell-out. Ben Whishaw plays a version of Dylan as a young rebel who calls himself after the poet Arthur Rimbaud. Heath Ledger plays Robbie Clark, a Hollywood actor best known for his performance in a film about Jack Rollins; he represents Dylan the divorcee, estranged from his wife Claire (Charlotte Gainsbourg). Richard Gere plays the elderly Dylan as an aging Billy the Kid in a surreal Wild West town, who defeats an even more elderly Pat Garrett (played by Bruce Greenwood)."

I was amazed at how much a movie so intensely focused on another person could seem to have so much to say about myself. Really, it's only about Dylan superficially. What it's really about is change, and personality, and identity, and maturity, and fame, and belief.
 
 
Mug Chum
21:32 / 21.02.08
I loved this film a bit too much, I think.

I guess I've seen it more than 6 times already. But it didn't spawned much interest in the lith.
 
 
FinderWolf
15:44 / 22.02.08
I really dug this - I thought Bale really nailed it (the way Dylan was so shy and awkward in his early interviews), and of course, so did Blanchett. Blanchett was even better than Bale.

Ledger.... was just kind of being Ledger. I was a bit underwhelmed by him here. He wasn't really playing Dylan, it seemed... although that seems to be the decision of the director (he wanted Ledger to be the 'archetypal cool handsome celebrity' to convey the universal experience of someone with that level of fame, talent, and a dose of misogyny, as opposed to doing a Dylan impression -- or perhaps just the director just meant to convey the universality of complex, troubled romantic/family relationships).

The only thing I didn't really like much at all was the Richard Gere section. a) Gere kind of sucked, just played Richard Gere, and b) the whole concept of the righteous protesting Billy the Kid outlaw just seemed cheesy & hackneyed. That sequence also went on much too long - and I really didn't need to see the Brit. TV interviewer as the evil judge or whatever the heck he was supposed to be.

Other than there Gere sequences, this was terrific. The interview sections with Blanchett, as well all the Rimbaud stuff, were terrific. The use of "Mr. Jones" was perfect. Pretty much every song was brilliantly placed in the film, and I liked that they switched back and forth from Dylan himself doing his songs to sporadic cover versions of Dylan songs by other artists.

Blanchett deserves the Oscar for this (Best Supporting). She better win! (not for Eliz, but for this)
 
 
FinderWolf
15:44 / 22.02.08
d'oh! just realized there was another thread devoted to this. Sorry. Maybe the mods can consolidate the two...?
 
 
TeN
17:20 / 22.02.08
no idea how I missed that other thread

I even did a search!
 
 
TeN
17:21 / 22.02.08
Finder - just post your response in the other thread

and mods - feel free to delete this one
 
  
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