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Fingerstyle and modern acoustic guitar

 
 
eye landed
09:49 / 18.01.08
electric guitars have been experimental since their invention, but it took a bit of time for electric pickups on acoustic guitars to herald a new style of acoustic playing. fingerstyle can be something like chet atkins or leo kottke, but the modern style combines fingerpicking with tapping and percussion on the wood body. a lot of harmonics techniques are used, and i know some of these musicians are influenced by metal. theres a paradox of technology: the style demands electric pickups to make the guitar more sensitive to oddball forces, but theres also avoidance of pedals and other effects that would reduce the awe at seeing someone do it all with their body and a guitar.

on the other hand, a lot of aesthetic comes from new age music. and a lot of the song titles sound like magic cards.

is it a cold gimmick thats all about showing skill, or do these techniques add to the expressive ability of a guitar?

the guy who introduced me has an almost religious appreciation for this stuff. you can see a lot of hyperbole in the youtube comments, where musicians are called life-saving gods, etc etc.

michael hedges aerial boundaries ~~~ this is the initiation video, because you have to put up with some bad sound at the beginning. if you dont like it, try the one at the top of the related list. i chose it anyway because this usually cerebral artist is at his most dynamic. hedges was a key innovator in tapping and percussive techniques.

preston reed rainmaker ''' reed is a little hard to pin down. he has sounds and styles in his repertoire that nobody cam match, but he is so focused on percussion that hes not as accessible as the more melodic players. this is one of his more percussive pieces. its impressive, but i think a band of three or four people shooting for the same mood could do it better.

don ross the first ride ... my personal favorite. what can i say?

andy mckee with don ross and michael manring rylynn --- mckees impressive youtube video kicked off a wave of popularity* for anyone smart enough to attach themselves to him (his mentor don ross and the label candyrat, who have made good use of youtube) or cover his song. mckee has gone on to write songs about warcraft using an instrument only a gnome could love. i chose this other one because i prefer the piece and the interplay is unique.

antoine dufour trilogie /// signed to candyrat, the latest youtube fave, and well-deserved.

justin king knock on wood ((( this guy makes me unfortunately wonder how long it will be until yngvie is tapping scales up and down both sides of his neck.

thomas leeb grooveyard ;;; hes one of the most restrained and one of the most inventive, but he lacks focus or something. i cant get into it the way i do with some of the others. maybe its just production. but im gonna keep listening.

kaki king doing the wrong thing ::: you can find this song with a backup band and a bit more polish, but this one is so passionate, like she wasnt sick of playing it yet (unfortunately the recording ends prematurely). kaki king is a bit more punk rock, or at least post rock, but with a fair amount of classical influence too. maybe im infatuated, but maybe shes appropriating this style for cool people. if you want more of her, check out the tower records performance.

*this may not be the video that started it all, as there is a cover posted with an earlier date. i suspect that once he was signed, they made a lisenced version and demanded youtube remove the indie one.
 
 
*
16:44 / 18.01.08
Flux from Jacob Wolkenhauer. I shared some of his other stuff in that other thread, but this one's from the gig I saw last weekish.

This style of playing is new to me, I have to admit. From what I've seen, it looks like it opens up avenues to explore different articulations of rhythm and expands the possibilities of the instrument. I really enjoy watching it more than just listening to it.

I'm probably one of the people guilty of getting sucked in by the hype. But Jacob's playing is more than just pretty, there's a real passion to it and it's engaging to the ear as well as the eye. I think that's generally a good thing.
 
 
TeN
05:13 / 14.03.08
I've been a fan of Kaki King for a while

for some reason, I see some of Jim O'Rourke's stuff fitting into this category
(his three 'Nicholas Roeg LPs' [Insignificance, Eureka, and Bad Timing] and the Halfway to a Threeway EP are the ones I'm thinking of)
even though it's not entirely the same camp, it can still get the label of "modern (postmodern?) acoustic guitar" and he does some really interesting things with mixing pure fingerplucking ala Fahey/Kottke with odd yet very subtle digital effects and ambient electronics

a friend showed me a dueling guitar duo called Ecstatic Sunshine last year, who I also tend to lump into this category
their music is electric, but usually without any effects, and it has the feeling of acoustic guitar music, if that makes any sense
from what I've heard, they're recent stuff is in a somewhat different vein, but I'd highly recommend their 2006 album Freckle Wars
definitely still a Fahey/Kotke influence (although they're not nearly as accomplished imitators as O'Rourke), but really it's all over the map - they jump between genres and styles so fast it's hard to keep up
from laid back country to pretty, plucky stuff that sounds a bit like Mice Parade, to hair metal, to Sonic Youth-style noodling, to ad jingle-esque stuff, to surf rock, to something akin to Django Reinhardt covering Minor Threat
but it has a lighthearted, free-spirited sense of humor about it too which is really refreshing and fun
 
 
yichihyon
02:34 / 24.04.08
Anybody a fan of Miyavi's style here? Check it out his rhythmic percussive acoustic guitar style is pretty impressive.
Miyavi - Selfish Love
 
 
Seth
11:46 / 24.04.08
It's probably not really related, because he uses a heavily modified acoustic guitar with additional strings, pedal operated hammers on the bridge and multiple pickups, but Paolo Angeli is totally ace. Here's a few links:

Ahead in the Sand (Fred Frith cover)

One Day (Bjork cover)

Desired Constellation (Bjork cover)

Enjoy.
 
 
grant
20:42 / 24.04.08
Miyavi: allowed to have guitar face. That second song (second half of the song?) is pretty surprising... like an acoustic Japanese George Thorogood. I think he's tuned his guitar down to a B or something.

Paolo Angeli: He is quite mad, isn't he? At first I was expecting something Paul Galbraithy, but no. Binder clips and robot hands. On "One Day," the bowed sequence and after is quite beautiful. What does he call his instrument?
 
 
Seth
20:28 / 30.04.08
I think he just calls it a modified guitar. The Wikipedia article on him doesn't mention it being called anything else.
 
  
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